The History of the Devil is a classic historical and religious book universally considered one of Daniel Defoe’s greatest works of non-fiction. The book was first published in 1726 and made an immediate impact on English literature, society and the ecclesiastical community in the early 18th century and continues to enrich humanity as a faithful source of historical and biblical truth and wisdom. The History of the Devil cleverly unfolds the actions, devices, and evil nature of Satan and his host of devils against God and mankind throughout the history of the world. Defoe divides the book into two parts: Ancient, or the time from before the creation of the universe to the coming of the Messiah, Jesus Christ; and Modern, or from the time of Christ and establishment of the Christian Church to the present day. His style is one that uniquely blends serious biblical principles and history with lighter satirical narrative, especially when dealing with mankind’s many false presuppositions about the Devil, and clearly delineates when each, or both, is applicable to the subject of discussion.

This treasury of facts and lore on the philosophy and practice of evil traces the concept of Satan from ancient to modern times. A collection of 350 rare and compelling images illuminate the text.

"If, as Chesterton claimed, the devil's greatest triumph was convincing the modern world that he does not exist, Jeffrey Burton Russell means to rob him of his victory. Lucifer: The Devil in the Middle Ages is both a scholarly assessment of the development of diabology in the Middle Ages and an impassioned plea to the 20th century to recognize and acknowledge the existence of real, objective evil. The third in a series of works tracing the history of the devil from his Judeo-Christian roots, it represents a formidable undertaking: the devil's history is integrally related to the problem of evil, which is in turn at the heart of Western religious thought. Each of the volumes on Satan comprises, in essence, a judicious and able tour of Christian theology from the villain's point of view... Book jacket.

The Devil's Historians offers a passionate corrective to common - and very dangerous - myths about the medieval world.

The Devil's Tabernacle is the first book to examine in depth the intellectual and cultural impact of the oracles of pagan antiquity on modern European thought. Anthony Ossa-Richardson shows how the study of the oracles influenced, and was influenced by, some of the most significant developments in early modernity, such as the Christian humanist recovery of ancient religion, confessional polemics, Deist and libertine challenges to religion, antiquarianism and early archaeology, Romantic historiography, and spiritualism. Ossa-Richardson examines the different views of the oracles since the Renaissance--that they were the work of the devil, or natural causes, or the fraud of priests, or finally an organic element of ancient Greek society. The range of discussion on the subject, as he demonstrates, is considerably more complex than has been realized before: hundreds of scholars, theologians, and critics commented on the oracles, drawing on a huge variety of intellectual contexts to frame their beliefs. In a central chapter, Ossa-Richardson interrogates the landmark dispute on the oracles between Bernard de Fontenelle and Jean-François Baltus, challenging Whiggish assumptions about the mechanics of debate on the cusp of the Enlightenment. With erudition and an eye for detail, he argues that, on both sides of the controversy, to speak of the ancient oracles in early modernity was to speak of one's own historical identity as a Christian.