"A boisterous debut … the authors are as funny as one would expect … this is a hoot.” ―Publishers Weekly “Will entice fans of Key & Peele … a fun and funny primer on the art form.” ―Booklist Authors Keegan-Michael Key and Elle Key build on the popularity of their 2022 Webby Award–winning podcast and delve deeper into the world of sketch, helped along with new essays created expressly for the book by comedy greats. The History of Sketch Comedy will appeal to all kinds of comedy fans as well as fans of Keegan-Michael Key, whether they know him from his Emmy and Peabody-winning work on Key & Peele; his roles in Fargo, The Prom, Schmigadoon!, The Bubble, and the upcoming Wonka; voiceover work in The Lion King; or as President Barack Obama's anger translator, Luther. With epic personal tangents and hilarious asides, the Keys take you on an illuminating journey through all facets of comedy from the stock characters of commedia del arte in the 16th century, to the rise of vaudeville and burlesque, the golden age of television comedy, the influence of the most well-known comedy schools, and the ascension of comedy films and TV specials—all the way through to a look at the future of sketch on social media platforms. Along the way, we hear tales of Keegan's childhood, his comedy influences, and the vicissitudes of his career path. As the New York Times said in its review of their podcast, "this comedy nerd history is filtered through memoir, with Key relating stories of his budding fandom, training and rise from improv comic to television sketch artist." Part memoir, part masterclass, and hilariously embellished with priceless commentary, The History of Sketch Comedy highlights the essential building blocks of sketch comedy while interweaving Keegan's personal career journey and the influence of his comedy heroes. The text is complemented by original art by Elle Key and exclusive essays compiled from conversations with influential performers, sketch writers, and uber comedy fans including Mel Brooks, Julia Louis-Dreyfus, Mike Myers, Chris Rock, John Oliver, Tracy Morgan, Carol Burnett, Jim Carrey, Jordan Peele, and many more. This book is as entertaining as it is enlightening—a must-read for fans of comedy and all who aspire to comic greatness. EXPANDING THE HIT PODCAST: With content from the #1 trending, NAACP-award-nominated and Webby-Award-winning Audible podcast, and featuring new-for-the-book material as well as never-before-heard stories and essays, this book will be a hit for newcomers and avid listeners of the podcast alike. MASTER OF THE MEDIUM: Keegan-Michael Key is a bona fide maestro of comedy, with the chops, experience, and love for the history of the medium that make him the perfect expert on all things sketch. As co-writer Elle Key likes to say, "If Keegan-Michael Key was a guest lecturer at NYU teaching a course called 'The History of Sketch Comedy,' it would be a very popular class." EXCLUSIVE ESSAYS: Keegan and Elle interviewed over a dozen comedy legends exclusively for this book, and got their takes on topics ranging from the influence of Saturday Night Live, to women in comedy, to the mathematics of sketch. Hear, in their own words, from Mel Brooks, Mike Myers, Jordan Peele, Julia-Louis Dreyfus, John Oliver, Tracy Morgan, Stephen Colbert, Carol Burnett, Chris Rock, Bob Odenkirk, Mike Birbiglia, Matt Lucas, Ken Jeong, Christopher Guest, Gary Oldman, Kevin Nealon, Laraine Newman, and Jim Carrey. GIFTABLE VOLUME OF COMEDY GOLD: Original illustrations and personal photographs throughout make this unique comedy book as visually entertaining as it is enlightening. The perfect gift for comedy fans of all ages as well as anyone aspiring to write, perform, or produce comedic art. Perfect for: Comedy lovers of all kinds Fans of Key & Peele Fans of improv, sketch, stand-up, and shows like SNL, MadTV, Monty Python, and Mr. Show Gift giving or self-purchase for established and aspiring comedians Readers of such bestsellers as Bossypants, Yes Please, Is Everyone Hanging Out Without Me?, Born Standing Up, and Comedy Comedy Comedy Drama

A history of sketch comedy on American television and analysis of what it says about American culture and society. In Sketch Comedy: Identity, Reflexivity, and American Television, Nick Marx examines some of the genre’s most memorable?and controversial?moments from the early days of television to the contemporary line-up. Through explorations of sketches from well-known shows such as Saturday Night Live, The State, Inside Amy Schumer, Key & Peele, and more, Marx argues that the genre has served as a battleground for the struggle between comedians who are pushing the limits of what is possible on television and network executives who are more mindful of the financial bottom line. Whether creating new catchphrases or transgressing cultural taboos, sketch comedies give voice to marginalized performers and audiences, providing comedians and viewers opportunities to test their own ideas about their place in society, while simultaneously echoing mainstream cultural trends. The result, Marx suggests, is a hilarious and flexible form of identity play unlike anything else in American popular culture and media. “An excellent study of a long-neglected area in television/media studies and is part of a larger turn toward the centrality of comedy in post-war U.S. culture.” —Jeffrey Sconce, Northwestern University “A stalwart of television . . . sketch comedy finally gets the in-depth critical attention it deserves . . . Marx shows how sketch comedy has fit (and been constrained by) TV’s industrial contexts, from live variety shows in its earliest days to movement across media in the era of multiple platforms. These case studies not only chart sketch comedy’s past, they provide the theoretical and analytical tools to consider its future.” —Ethan Thompson, Texas A&M University Corpus Christi

Satire & The State focuses on performance-based satire, most often seen in sketch comedy, from 1960 to the present, and explores how sketch comedy has shaped the way Americans view the president and themselves. Numerous sketch comedy portrayals of presidents that have seeped into the American consciousness – Chevy Chase’s Gerald Ford, Dana Carvey’s George H.W. Bush, and Will Ferrell’s George W. Bush all worked to shape the actual politician’s public persona. The book analyzes these sketches and many others, illustrating how comedy is at the heart of the health and function of American democracy. At its best, satire aimed at the presidency can work as a populist check on executive power, becoming one of the most important weapons for everyday Americans against tyranny and political corruption. At its worst, satire can reflect and promote racism, misogyny, and homophobia in America. Written for students of Theatre, Performance, Political Science, and Media Studies courses, as well as readers with an interest in political comedy, Satire & The State offers a deeper understanding of the relationship between comedy and the presidency, and the ways in which satire becomes a window into the culture, principles, and beliefs of a country.

The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.

Today's top stand-up comedians sell out arenas, generate millions of dollars, tour the world, and help shape our social discourse. So, how did this all happen? The History of Stand-Up chronicles the evolution of this American art form - from its earliest pre-vaudeville practitioners like Artemus Ward and Mark Twain to present-day comedians of HBO and Netflix. Drawing on his acclaimed History of Stand-up podcast and popular university lectures, veteran comedian and adjunct USC professor Wayne Federman guides us on this fascinating journey. The story has a connective tissue - humans standing on stage, alone, trying to get laughs. That experience connects all stand-ups through time, whether it's at the Palace, the Copacabana, the Apollo, Mister Kelly's, the hungry i, Grossinger's, the Comedy Cellar, the Improv, the Comedy Store, Madison Square Garden, UCB, or at an open mic in a backyard.