Enthusiasm seeks to contribute to a culturally and historically nuanced understanding of how emotions secure and ratify the truth of convictions. More than just pure affective intensity, enthusiasm is about something: a certainty, clarity, or truth. Neither as clearly negative as fanaticism nor as general as passion, enthusiasm specifically entails belief. For this reason, the book takes its starting point in religion, the social arena in which the concept was first debated and to which the term still gestures. Empirically based in modern German Protestantism, where religious emotion is intensely cultivated but also subject to vigorous scrutiny, it combines historical and ethnographic methods to show how enthusiasm has been negotiated and honed as a practice in Protestant denominations ranging from liberal to charismatic. The nexus of religion and emotion and how it relates to central concepts of modernity such as rationality, knowledge, interiority, and sincerity are key to understanding why moderns are so ambivalent about enthusiasm. Grounded in practice theory, Enthusiasm assumes that emotions are not an affective state we 'have' but mind-body activations we 'do', having learned to perform them in culturally specific ways. When understood as an emotional practice, enthusiasm has different styles, inflected by historical traditions, social milieus, and knowledge (even ideologies) about emotions and how they work. Enthusiasm also provides insight into how this feeling works in secular humanism as well as in politics, and why it is so contested as a practice in any context.

Originally published: New York: Oxford University Press, 1950.

"When someone asks for a reading suggestion, Enthusiasm is the first word off my tongue." --Stephenie Meyer, author of Twilight "There is little more likely to exasperate a person of sense than finding herself tied by affection and habit to an Enthusiast." Julie knows from bitter experience: her best friend, Ashleigh, is an Enthusiast. Ashleigh's current fancy is also Julie's own passion, Pride and Prejudice, and the heroine's quest for True Love. And so Julie finds herself swept along with Ashleigh, dressed in vintage frocks and sneaking into a dance at the local all-boys' prep school. There they discover several likely candidates for True Love, including the handsome and sensitive Parr. And Julie begins to wonder if maybe this obsession of Ashleigh's isn't so bad after all. . . . Fans of Jane Austen and Meg Cabot, and Maureen Johnson alike will swoon for Polly Shulman's charming novel.

Be Sober and Reasonable deals with the theological and medical critique of “enthusiasm” in the seventeenth and early eighteenth centuries, and with the relationship between enthusiasm and the new natural philosophy in that period. “Enthusiasm” at that time was a label ascribed to various individuals and groups who claimed to have direct divine inspiration — prophets, millenarists, alchemists, but also experimental philosophers, and even philosophers like Descartes. The book attempts to combine the perspectives of Intellectual history, Church history, history of medicine, and history of science, in analysing the various reactions to enthusiasm. The central thesis of the book is that the reaction to enthusiasm, especially in the Protestant world, may provide one important key to the origins of the Enlightenment, and to the processes of secularization of European consciousness.

This book examines the historical development of the American Catholic Charismatic Renewal from the early influences of the Spanish Cursillo movement, through the initial 'baptism in the spirit' event at Duquesne University in 1967, and the Renewal's subsequent development through the end of the 20th century.

Critical Enthusiasm tracks the intertwined histories of religious radicalism and economic transformation in the long eighteenth century. Rosenberg situates the rhetoric of enthusiastic rapture in the context of the major institutional transformations of early modernity: the dispossession and plunder of the globe, the rise of finance, legal reform, and the administration of racialized labor.

Nothing great was ever achieved without enthusiasm," wrote Ralph Waldo Emerson in 1841. While this statement may read like an innocuous truism today, the claim would have been controversial in the antebellum United States when enthusiasm was a hotly contested term associated with religious fanaticism and poetic inspiration, revolutionary politics and imaginative excess. In analyzing the language of enthusiasm in philosophy, religion, politics, and literature, John Mac Kilgore uncovers a tradition of enthusiasm linked to a politics of emancipation. The dissenting voices chronicled here fought against what they viewed as tyranny while using their writings to forge international or antinationalistic political affiliations. Pushing his analysis across national boundaries, Kilgore contends that American enthusiastic literature, unlike the era's concurrent sentimental counterpart, stressed democratic resistance over domestic reform as it navigated the global political sphere. By analyzing a range of canonical American authors--including William Apess, Phillis Wheatley, Harriet Beecher Stowe, and Walt Whitman--Kilgore places their works in context with the causes, wars, and revolutions that directly or indirectly engendered them. In doing so, he makes a unique and compelling case for enthusiasm's centrality in the shaping of American literary history.