The History of King Lear ... Revived, with Alterations, by N. Tate
Title | The History of King Lear ... Revived, with Alterations, by N. Tate PDF eBook |
Author | William Shakespeare |
Publisher | |
Pages | 80 |
Release | 1745 |
Genre | |
ISBN |
The History of King Lear ... Revived, with Alterations by N. Tate ... As it is Now Acted at the Theatres Royal, in Drury-Lane and Covent-Garden
Title | The History of King Lear ... Revived, with Alterations by N. Tate ... As it is Now Acted at the Theatres Royal, in Drury-Lane and Covent-Garden PDF eBook |
Author | William Shakespeare |
Publisher | |
Pages | 158 |
Release | 1775 |
Genre | |
ISBN |
The History of King Lear, a Tragedy. Revived, with Alterations, by N. Tate
Title | The History of King Lear, a Tragedy. Revived, with Alterations, by N. Tate PDF eBook |
Author | William Shakespeare |
Publisher | |
Pages | 98 |
Release | 1749 |
Genre | |
ISBN |
The History of King Lear
Title | The History of King Lear PDF eBook |
Author | Nahum Tate |
Publisher | |
Pages | 76 |
Release | 1767 |
Genre | |
ISBN |
The History Of King Lear
Title | The History Of King Lear PDF eBook |
Author | William Shakespeare |
Publisher | |
Pages | 74 |
Release | 1756 |
Genre | |
ISBN |
The History of King Lear... Revived with Alterations, by N. Tate
Title | The History of King Lear... Revived with Alterations, by N. Tate PDF eBook |
Author | Nahum Tate |
Publisher | |
Pages | 68 |
Release | 1681 |
Genre | |
ISBN |
Performing Restoration Shakespeare
Title | Performing Restoration Shakespeare PDF eBook |
Author | Amanda Eubanks Winkler |
Publisher | Cambridge University Press |
Pages | 245 |
Release | 2023-01-31 |
Genre | Literary Criticism |
ISBN | 1009241249 |
Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660–1714), drawing on the expertise of theatre historians, musicologists, literary critics, and - importantly - theatre and music practitioners. The volume advances methodological debates in theatre studies and musicology by advocating an alternative to performance practices aimed at reviving 'original' styles or conventions, adopting a dialectical process that situates past performances within their historical and aesthetic contexts, and then using that understanding to transform them into new performances for new audiences. By deploying these methodologies, the volume invites scholars from different disciplines to understand Restoration Shakespeare on its own terms, discarding inhibiting preconceptions that Restoration Shakespeare debased Shakespeare's precursor texts. It also equips scholars and practitioners in theatre and music with new - and much needed - methods for studying and reviving past performances of any kind, not just Shakespearean ones.