The History of King Lear ... Revived, with Alterations, by N. Tate

The History of King Lear ... Revived, with Alterations, by N. Tate
Title The History of King Lear ... Revived, with Alterations, by N. Tate PDF eBook
Author William Shakespeare
Publisher
Pages 80
Release 1745
Genre
ISBN

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The History of King Lear ... Revived, with Alterations by N. Tate ... As it is Now Acted at the Theatres Royal, in Drury-Lane and Covent-Garden

The History of King Lear ... Revived, with Alterations by N. Tate ... As it is Now Acted at the Theatres Royal, in Drury-Lane and Covent-Garden
Title The History of King Lear ... Revived, with Alterations by N. Tate ... As it is Now Acted at the Theatres Royal, in Drury-Lane and Covent-Garden PDF eBook
Author William Shakespeare
Publisher
Pages 158
Release 1775
Genre
ISBN

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The History of King Lear, a Tragedy. Revived, with Alterations, by N. Tate

The History of King Lear, a Tragedy. Revived, with Alterations, by N. Tate
Title The History of King Lear, a Tragedy. Revived, with Alterations, by N. Tate PDF eBook
Author William Shakespeare
Publisher
Pages 98
Release 1749
Genre
ISBN

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The History of King Lear

The History of King Lear
Title The History of King Lear PDF eBook
Author Nahum Tate
Publisher
Pages 76
Release 1767
Genre
ISBN

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The History Of King Lear

The History Of King Lear
Title The History Of King Lear PDF eBook
Author William Shakespeare
Publisher
Pages 74
Release 1756
Genre
ISBN

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The History of King Lear... Revived with Alterations, by N. Tate

The History of King Lear... Revived with Alterations, by N. Tate
Title The History of King Lear... Revived with Alterations, by N. Tate PDF eBook
Author Nahum Tate
Publisher
Pages 68
Release 1681
Genre
ISBN

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Performing Restoration Shakespeare

Performing Restoration Shakespeare
Title Performing Restoration Shakespeare PDF eBook
Author Amanda Eubanks Winkler
Publisher Cambridge University Press
Pages 245
Release 2023-01-31
Genre Literary Criticism
ISBN 1009241249

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Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660–1714), drawing on the expertise of theatre historians, musicologists, literary critics, and - importantly - theatre and music practitioners. The volume advances methodological debates in theatre studies and musicology by advocating an alternative to performance practices aimed at reviving 'original' styles or conventions, adopting a dialectical process that situates past performances within their historical and aesthetic contexts, and then using that understanding to transform them into new performances for new audiences. By deploying these methodologies, the volume invites scholars from different disciplines to understand Restoration Shakespeare on its own terms, discarding inhibiting preconceptions that Restoration Shakespeare debased Shakespeare's precursor texts. It also equips scholars and practitioners in theatre and music with new - and much needed - methods for studying and reviving past performances of any kind, not just Shakespearean ones.