In 1922 the dance historian Cyril Beaumont contributed to the Dancing Times an article on the history of Harlequin, which as a result of continuous research since that period grew into the present volume. It covers the history of Harlequin, and of the Commedia dell'Arte, from their beginnings in the 16th century through their heydays in the 17th and 18th century and their gradual decline thereafter. The book includes more than 40 illustrations and the complete text of a Harlequinade from 1806, together with a dance for a Harlequin in Feuillet notation.

The commedia dell'arte was an improvised drama performed by masked players. How did the actors react to these demands and limitations? What force kept this form of theatre alive for more than two centuries and made Harlequin such a potent image? In this study of the commedia dell'arte, originally published in 1987, Professor Nicoll's concern is not to provide an historical survey of its origins or to trace the ascent and descent of Harlequin or any or any other character or 'mask', but rather to explore critically the answers to these and related questions. His arguments are based on the evidence of the play scenarios and contemporary documents as far as possible, and are illuminated by many illustrations that are either little-known or had not previously been reproduced.

'They will play with us, then destroy us... They are what we fear in the dark.' The first warning is unexpected, calculated. The second warning is a gift: a plain white mask, carefully wrapped. But white is good - white means we are only being watched. It seems the power that connects me, Anita Blake, with Jean-Claude Vampire Master of the City and Richard, leader of the werewolves, is attracting very unwelcome attention - from creatures so feared no vampire will willingly speak their name. They are known as the Harlequin, and they have the authority to pass judgement upon me. It is forbidden to speak of the Harlequin unless you've been contacted. And to be contacted is to face a sentence of death.

"Every society honors its live conformists and its dead troublemakers." In an ancient world divided by colors, where everyone wears masks, superstitions abound, and mysterious creatures called the Harlequins exist... Here, a clever teen of the Black Chromes named Asheva loses everything he's ever known and embarks on a treacherous and exciting journey that takes him through the wild forests of the Black Nation to the vast plains of Ayas, a Blue Chrome city of astounding beauty, where further danger lies. But the journey will also result in an astounding truth, when Asheva ultimately discovers that beneath the masks all Chromes wear, nothing is what it seems.

A story of Nantucket whaling days. Searing hatred and vibrant love vie for the possession of captain Jabez Folger’s soul. This stemmed from his first voyage when he had an experience so evil that it changed his life. Now and then a warm and gentle spirit would emerge, his old self. Under this influence he married a lovely Quaker girl but now he had turned against dry land. His love centered on the mermaid figure head on his boat, a symbol of the beauty and indifference of the sea. A powerful book, vivid characters, a plot breathtaking in scope.