John Payne Collier (1789–1883), one of the most controversial figures in the history of literary scholarship, pursued a double career. A prolific and highly influential writer on the drama, poetry, and popular prose of Shakespeare's age, Collier was at the same time the promulgator of a great body of forgeries and false evidence, seriously affecting the text and biography of Shakespeare and many others. This monumental two-volume work for the first time addresses the whole of Collier's activity, systematically sorting out his genuine achievements from his impostures. Arthur and Janet Freeman reassess the scholar-forger's long life, milieu, and relations with a large circle of associates and rivals while presenting a chronological bibliography of his extensive publications, all fully annotated with regard to their creditability. The authors also survey the broader history of literary forgery in Great Britain and consider why so talented a man not only yielded to its temptations but also persisted in it throughout his life.

During the reign of Queen Victoria, herself an ardent theatregoer as well as Supreme Governor of the Church of England, a remarkable rapprochement was effected between the Church and the stage. This 1997 book explores the implications for the theatre of the great religious movements of the period: Tractarianism, Christian Socialism and Latitudinarianism. This central relationship is seen in the context of other important themes in Victorian cultural history such as censorship, urbanization, transport, leisure, self-improvement and women's emancipation. The volume contains portraits of significant churchmen, dramatists, actors and actresses, including Newman and Keble, Bulwer Lytton and Shaw, Irving, Fanny Kemble and Ellen Terry. They were amongst the influential figures who participated in the search for a common culture which preoccupied the nineteenth century. To the Victorians the Church and the theatre were important parts of everyday life; in this study the two institutions are explored in relation not only to each other but also to the social, economic and intellectual movements of the period.