The academic book on the history of the Dominatrix through the ages, with meticulous research from libraries and museums. From the ancient Dominatrix Goddess Inanna - Ishtar, the 17th - 19th Century Governess Dominatrix, the 20th Century 'Bizarre' ladies. Lastly Nomis theory on the Dominatrix's practices as the 'Seven Realm Arts'.

The national bestselling hit hailed by the New York Times as a "vibrant medieval mystery...[it] outdoes the competition." In medieval Cambridge, England, Adelia, a female forensics expert, is summoned by King Henry II to investigate a series of gruesome murders that has wrongly implicated the Jewish population, yielding even more tragic results. As Adelia's investigation takes her behind the closed doors of the country's churches, the killer prepares to strike again.

A dark, wild, powerful memoir about a young woman's transformation from college student to professional dominatrix While a college student at The New School, Melissa Febos spent four years working as a dominatrix in a midtown dungeon. In poetic, nuanced prose she charts in Whip Smart how unchecked risk-taking eventually gave way to a course of self-destruction. But as she recounts crossing over the very boundaries that she set for her own safety, she never plays the victim. In fact, the glory of this memoir is Melissa's ability to illuminate the strange and powerful truths that she learned as she found her way out of a hell of her own making. Rest assured; the reader will emerge from the journey more or less unscathed.

“Masters of the Universe have a new mistress—a protagonist who learns to wield power in the excessive, fascinating cultures of Wall Street and BDSM-for-hire. BOW DOWN.” —WEDNESDAY MARTIN, #1 New York Times Bestselling Author of Primates of Park Avenue and Untrue EDGE PLAY by Jane Boon National Leather Association's Pauline Reage Novel Award, Finalist CORRECTION: Amy Lefevre’s second language is risk. A gorgeous young investment banker, she navigates Wall Street’s toxic culture with ease—until the stock market collapses. CRISIS: Amy starts investigating the failed deals her boss engineered. Drawn to a treacherous ride on the edge, will her efforts to expose him cause her to lose it all? CONSENT: Amy’s best friend is a dominatrix with an offer: take over her elite S&M dungeon, catering to the pervy needs of millionaires and billionaires and learn the true nature of power. EDGE PLAY is a universe beyond Fifty Shades of Grey and The Big Short, set in the most elite, twisted circles of Wall Street mega-power and S&M. Amy Lefevre dives into an underground realm of Big Swinging Dicks only to find that, in this arena, the women wield the whips and the men submit. “Edge Play explores obsession and ambition with a fetishist's eye for detail. From the sleek Syren latex to the sexy Louboutins, to power moves found in both the dazzling hustle of high finance and the darkness of the dungeon, this book delivers.” —LILY BURANA, Author of Strip City “This is such a fun book! Smart, sexy, and full of surprises. It's also full of stingingly authentic details of Wall Street and the BDSM culture simmering just below it. It's a New York where everyone wants to come out on top, and power is a skill that can be learned.” —JO WELDON, Author of Fierce: The History of Leopard Print and The Burlesque Handbook

Ride shotgun with Shawna Kenney as she transforms her self from young. broke and miserable to an educated, confident woman after answering one newspaper ad: Get Paid for Being a Bitch. This award winning tell all comically chronicles Konney's simulataneous navigation through at Washington DC dungeon and academia.

A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013