This book provides an exploration of the historical conditions that gradually defined subordinating symbols and conflictual values in social relations between the sexes. It reveals how snakes and the gelid eyes of Medusa—the archetypical snake-woman—have reverberated across the visual arts and written sources throughout the ages in association with negative emotions: fear, anger, scorn and shame. The outcomes and implications of the disturbing correlation between the dangerous female gaze, the malignitas of the snake and the lethal power of menstruation that have been woven through the fabric of the Western imaginary are analysed here. This analysis reveals an intriguing history of female reptilian hybrids—from the pleasing Minoan snake goddesses to the depressing Gorgon, Echidna, Amazons, Eve, Melusine, Basilisk, Poison-Damsel, Catoblepas and Sadako/Samara—and gives the reader an opportunity to explore things that never happened but have always been.

Uncover the fascinating and complex women from mythology and folklore with this collection of stories profiling powerful goddesses, mighty queens, and legendary creatures. Get inspired with 50 fascinating stories of powerful female figures from mythologies around the world. From heroines and deities to leaders and mythical creatures, this collection explores figures of myth who can inspire modern readers with their ability to shape our culture with the stories of their power, wisdom, compassion, and cunning. Featured characters include: -Atalanta: Greek heroine and huntress who killed the Caledonia Boar and joined the Argonauts -Sky-Woman: The first woman in Iroquois myth who fell through a hole in the sky and into our world -Pele: Hawaiian volcano goddess -Clídna: Queen of the Banshees in Irish legend -La Llorona: A ghostly woman in Mexican folklore who wanders the waterfront Celebrate these game-changing, attention-worthy female characters with this collection of engaging tales.

The snake is one of humankind's most powerful and ambiguous symbols: it has at various times represented immortality and death, male and female, deity and demon, circle and line, killer and healer, the highest wisdom and the deepest subconscious. By virtue of its mysterious movement, potent poison, fearful grip, unblinking gaze and lightning quick strike, the power and image of the snake has wound its way into every culture. Whether snakes are worshipped as gods, feared as devils, or handled in religious ceremonies to test faith, snakes have played a critical role in the human heritage. This book explores the cult of the snake in world history, religion, and folklore. Fascination with snakes has been around since the dawn of time. Even today, images of snakes attract attention, fear, disgust, or admiration. Morgan examines that obsession with this mysterious creature, covering in vivid details such topics as mythical snakes like the Plumed Serpent, serpent iconography, tall tales, as well as the psychological symbolism that has attached itself to snakes. Cultures as diverse as pre-Columbian America, India, Egypt, China, sub-Saharan Africa, Celtic Europe, and the United States have all accorded the serpent a special place in their culture—apparently regardless of whether or not real snakes play an important part in the life of the people. Here, the mysterious nature of the snake unfolds, enchanting readers with a colorful and lively discussion of its place in our history, stories, religions, and cultures.

Gillian Alban meticulously pursues the Fairy Melusine snake-woman image through the plot and the poetry of A. S. Byatt's novel Possession, into medieval legend, and beyond into her antecedents in ancient myth. The book describes the erotically inspiring force of Melusine's love story and draws parallels with goddesses such as Lamia, Ishtar or Inanna, Isis, and Asherah. Mother, creator, and leader, the figure of Melusine was ultimately vilified and tellingly converted into the demon of patriarchal accounts, as seen in the examples of Lilith, Medusa, Scylla, and the serpent in the Garden. Alban deconstructs part of Genesis, including the roles of Adam and Eve and Cain's crime, and illuminates the Old Testament worship of the goddess Asherah alongside the male Yahweh. A forceful exploration of literature, history, and myth, this study sweeps away limiting assumptions about the female sex. Melusine the Serpent Goddess restores the dignity acknowledged to women of old, making a forceful statement about the power and creativity of women.

A treasury of astonishing mythic marvels—and the surprising truths behind them Adrienne Mayor is renowned for exploring the borders of history, science, archaeology, anthropology, and popular knowledge to find historical realities and scientific insights—glimmering, long-buried nuggets of truth—embedded in myth, legends, and folklore. Combing through ancient texts and obscure sources, she has spent decades prospecting for intriguing wonders and marvels, historical mysteries, diverting anecdotes, and hidden gems from ancient, medieval, and modern times. Flying Snakes and Griffin Claws is a treasury of fifty of her most amazing and amusing discoveries. The book explores such subjects as how mirages inspired legends of cities in the sky; the true identity of winged serpents in ancient Egypt; how ghost ships led to the discovery of the Gulf Stream; and the beauty secrets of ancient Amazons. Other pieces examine Arthur Conan Doyle’s sea serpent and Geronimo’s dragon; Flaubert’s obsession with ancient Carthage; ancient tattooing practices; and the strange relationship between wine goblets and women’s breasts since the times of Helen of Troy and Marie Antoinette. And there’s much, much more. Showcasing Mayor’s trademark passion not to demythologize myths, but to uncover the fascinating truths buried beneath them, Flying Snakes and Griffin Claws is a wonder cabinet of delightful curiosities.

This is an early 19th century study of Ophiolatreia, or snake-worship. Deane's primary thesis here is that ancient serpent worship was based on memories of the Garden of Eden. He has a monomaniacal devotion to the subject of snake worship and sees evidence of it everywhere. He reviews a massive amount of data from antiquity, travelers tales, and legend and folklore. A particularly compelling portion of the book describes ancient megalithic temples such as the Avebury and Carnac complexes as giant representations of snakes. One wonders what he would have made of the ancient American mound builders, who made huge sinuous earth sculptures in the Ohio valley.

A study of the mysterious stone carvings of naked females exposing their genitals on medieval churches all over the British Isles.