Approximately seventy thousand souls lay in rest at historic Oakland Cemetery in Atlanta, Georgia. They are the silent witnesses of what has gone on before. Their stones carry their stories and the history of Atlanta. Cathy Kaemmerlen, renowned storyteller and Georgia author, explores the tales behind many of the cemetery's notable figures, including: " Margaret Mitchell, of Gone with the Wind fame " Bobby Jones, 1930 winner of all four major golf championships " The Rich brothers, founders of Rich's Department Store " Joseph Jacobs, in whose pharmacy the first Coca-Cola was served

Approximately seventy thousand souls lay in rest at historic Oakland Cemetery in Atlanta, Georgia. They are the silent witnesses of what has gone on before. Their stones carry their stories and the history of Atlanta. Cathy Kaemmerlen, renowned storyteller and Georgia author, explores the tales behind many of the cemetery's notable figures, including: * Margaret Mitchell, of Gone with the Wind fame * Bobby Jones, 1930 winner of all four major golf championships * The Rich brothers, founders of Rich's Department Store * Joseph Jacobs, in whose pharmacy the first Coca-Cola was served

Through engaging narrative, rich photography, archival images and detailed maps, a versatile guide to Atlanta's oldest public cemetery is a great way to tour the cemetery's landscape of remembrance, as well as a unique way to explore Atlanta's history. Original.

In 1884, several leading citizens purchased 577 acres to open Atlanta's Westview Cemetery. The rolling terrain, part of which was a site in the Civil War battle of Ezra Church, became the final resting place for more than 100,000 people. Prominent locals buried here include Grant Park namesake L.P. Grant, author Joel Chandler Harris, High Museum benefactor Harriet High, Coca-Cola founder Asa Candler Sr. and Havertys founder J.J. Haverty. The cemetery's Westview Abbey mausoleum is one of the nation's largest, with more than eleven thousand crypts. Throughout its history, Westview dabbled in other business ventures, including a cafeteria, a funeral home and an ambulance service. And for decades, the cemetery's Westview Floral Company sold flowers to lot owners and local businesses, leading to its own advice column in the Atlanta Constitution. Author Jeff Clemmons traces the complete history of this treasured necropolis.

Named for the famous Spanish explorer who was said to have discovered the Fountain of Youth, Atlanta's Ponce de Leon Avenue began as a simple country road that conveyed visitors to the famous healing springs. Now, few motorists realize that the avenue, one of Atlanta's major commuter thoroughfares, was a prestigious residential street in Victorian Atlanta, home to mayors and millionaires. An economic turn in the twentieth century transformed the avenue into a crime-ridden commercial corridor, but in recent years, Atlantans have rediscovered the street's venerable architecture and storied history. Join local historian Sharon Foster Jones on a vivid tour of the avenue - from picnics by the springs in hoopskirts and Atlanta Crackers baseball to the Fox Theatre and the days when Vivien Leigh, Clark Gable and Al Capone lodged in the esteemed hotels lining this magnificent avenue.

This true crime history reveals Atlanta’s frontier brothels, daredevil bootleggers, killer politicians, Reconstruction Era rogues, and much more. Over the centuries, Atlanta has seen its share of sordid and salacious stories. Wealthy felons once hosted elaborate parties inside the federal penitentiary. Billionaire bootleggers and murderous socialites practiced corruption that reached all the way to the White House. The city’s fast and fearless drivers, complete with glamorous reputations and criminal careers, gave rise to auto racing. In Wicked Atlanta, author and local historian Laurel-Ann Dooley digs up some of the most shocking and fascinating true tales from Atlanta’s infamous history. She reveals a colorful past of murder, kidnapping, bribery, wives hiring hit men and all sorts of criminal debauchery.

Visual Art and the Urban Evolution of the New South recounts the enormous influence of artists in the evolution of six southern cities—Atlanta, Charleston, New Orleans, Louisville, Austin, and Miami—from 1865 to 1950. In the decades following the Civil War, painters, sculptors, photographers, and illustrators in these municipalities employed their talents to articulate concepts of the New South, aestheticism, and Gilded Age opulence and to construct a visual culture far beyond providing pretty pictures in public buildings and statues in city squares. As Deborah C. Pollack investigates New South proponents such as Henry W. Grady of Atlanta and other regional leaders, she identifies "cultural strivers"—philanthropists, women's organizations, entrepreneurs, writers, architects, politicians, and dreamers—who united with visual artists to champion the arts both as a means of cultural preservation and as mechanisms of civic progress. Aestheticism, made popular by Oscar Wilde's southern tours during the Gilded Age, was another driving force in art creation and urban improvement. Specific art works occasionally precipitated controversy and incited public anger, yet for the most part artists of all kinds were recognized as providing inspirational incentives for self-improvement, civic enhancement and tourism, art appreciation, and personal fulfillment through the love of beauty. Each of the six New South cities entered the late nineteenth century with fractured artistic heritages. Charleston and Atlanta had to recover from wartime devastation. The infrastructures of New Orleans and Louisville were barely damaged by war, but their social underpinnings were shattered by the end of slavery and postwar economic depression. Austin was not vitalized until after the Civil War and Miami was a post-Civil War creation. Pollack surveys these New South cities with an eye to understanding how each locale shaped its artistic and aesthetic self-perception across a spectrum of economic, political, gender, and race issues. She also discusses Lost Cause imagery, present in all the studied municipalities. While many art history volumes concerning the South focus on sultry landscapes outside the urban grid, Visual Art and the Urban Evolution of the New South explores the art belonging to its cities, whether exhibited in its museums, expositions, and galleries, or reflective of its parks, plazas, marketplaces, industrial areas, gardens, and universities. It also identifies and celebrates the creative urban humanity who helped build the cultural and social framework for the modern southern city.