The Quantock Hills, famous for their associations with Coleridge and Wordsworth in the 19th century, have been the canvas on which are sketched the shadowy images of people who lived on the land from prehistoric times to the present. There are Bronze Age cairns and burial mounds, Iron Age hillforts, Roman settlements, medieval manors and post-medieval estates, right through to stark monuments of the Second World War and the Cold War. This book presents and interprets the Quantocks landscape after a dedicated programme of archaeological fieldwork, air photograph transcription and architectural investigation by English Heritage. It describes the results in a readable book including full colour illustrations and line drawings throughout, plus a series of lively reconstruction paintings by the artist Jane Brayne.

Why is it that in some places around the world communities live in villages, while elsewhere people live in isolated houses scattered across the landscape? How does archaeology analyse the relationship between man and his environment? Making Sense of an Historic Landscape explores why landscapes are so varied and how the landscape archaeologist or historian can understand these differences. Local variation in the character of the countryside provides communities with an important sense of place, and this book suggests that some of these differences can be traced back to prehistory. In his discussion, Rippon makes use of a wide range of sources and techniques, including archaeological material, documentary sources, maps, field- and place-names, and the evidence contained within houses that are still lived in today, to illustrate how local and regional variations in the 'historic landscape' can be understood. Rippon uses the Blackdown Hills in southern England, which marked an important boundary in landscape character from prehistory onwards, as a specific case study to be applied as a model for other landscape areas. Even today the fields, place-names, and styles of domestic architecture are very different either side of the Blackdown Hills, and it is suggested that these differences in landscape character developed because of deep-rooted differences in the nature of society that are found right across southern England. Although focused on the more recent past, the volume also explores the medieval, Roman, and prehistoric periods.

The varied character of Britain's countryside and towns provides communities with a strong sense of local identity. One of the most significant features of the southern British landscape is the way that its character differs from region to region, with compact villages in the Midlands contrasting with the sprawling hamlets of East Anglia and isolated farmsteads of Devon. Even more remarkable is the very 'English' feel of the landscape in southern Pembrokeshire, in the far south west of Wales. Hoskins described the English landscape as 'the richest historical record we possess', and in this book Stephen Rippon explores the origins of regional variations in landscape character, arguing that while some landscapes date back to the centuries either side of the Norman Conquest, other areas across southern Britain underwent a profound change around the 8th century AD.

The countryside of Devon and Cornwall preserves an unusually rich legacy from its medieval past. This book explores the different elements which go to make up this historic landscape - the chapels, crosses, castles and mines; the tinworks and strip fields; and above all, the intricately worked counterpane of hedgebanks and winding lanes. Between AD 500 and 1700, a series of revolutions transformed the structure of the South West Peninsula's rural landscape. The book tells the story of these changes, and also explores how people experienced the landscape in which they lived: how they came to imbue places with symbolic and cultural meaning. Contributors include: Ralph Fyfe on the pollen evidence of landscape change; Sam Turner on the Christian landscape; Peter Herring on both strip fields and Brown Willy, Bodmin Moor; O. H. Creighton and J. P. Freeman on castles; Phil Newman on tin working; and Lucy Franklin on folklore and imagined landscapes.

This volume presents the rich, but under-utilised and in parts inaccessible, archival historic aerial imagery, traditional photographs and those captured from satellites, for the exploration and management of cultural heritage. An unparalleled resource, for archaeologists and all with an interest in landscapes, images spanning the second half of the 20th century provide an unrivalled means of documenting and understanding change and informing the study of the past. Case studies, written by leading experts in their fields, illustrate the applications of this imagery across a wide range of heritage issues, from prehistoric cultivation and settlement patterns, to the impact of recent landscape change. Contemporary environmental and land use issues are also dealt with, in a volume that will be of interest to archaeologists, historians, geographers and those in related disciplines.

This new book in the series of Practical Handbooks from the Council for British Archaeology tackles the subject of the historic landscape. In it, Stephen Rippon reveals the techniques that can and have been used to analyse the history of the countryside, accompanied by a series of case studies. The book is a guide to local and regional variation in the countryside and the approaches and methods used to reach an understanding of it, as well as a discussion of how and why certain patterns have emerged. Physical components of the landscape, such as settlement patterns, field systems, woodland and open water, are discussed along with more conceptual issues; for example, exchange and trade, status and power, designed or ornamental landscapes and the importance of a sense of place. Case studies from Dartmoor, Essex, Somerset, Lancashire and Cornwall illustrate the points clearly and succinctly, showing historical landscape analysis in action.

We live in an age of unprecedented environmental change: global, interconnected and universal. Yet though our lives are inextricably connected to global processes, and increasingly mobile, we still live in particular places. Our perceptions of change, and what kind of change might be for good or ill, are shaped by the interaction of localised experience and the wider forces of transformation. Local Places, Global Processes examines how these relationships have been shaped in Britain over time in three ways. First, through essays addressing influential ways of understanding and debating questions of ‘the state of nature’. These are complemented by case studies on conservation, landscape change and management, and how perceptions of environmental change have emerged or been discarded over time. Chapters also draw on a series of site-based workshops that brought together historians, landscape managers and artists to discuss and reflect on particular sites: Wicken Fen in Cambridgeshire, owned by the National Trust and the first British nature reserve; the Quantock Hills Area of Outstanding Natural Beauty in Somerset, England’s first AONB and a landscape enriched by Romantic association; and the landscape of Kielder Water and Forest, a land of superlatives in Northumberland in north-eastern England – the largest planted forest and artificial lake in northern Europe. The multi-disciplinary approach draws together the exchanges, artworks and writing assembled at these workshops and afterwards. This opens up how being in a place, and engaging with ideas attached to it, shape perceptions of the environment. It provides resources with which landscape managers can think about their tasks and engage various publics in discussion about future environments in light of these histories of place. Rather than a history of these three places, this is history written from them.