This book analyses how a language became the instrument with which the contours of a new nation were traced. Mapping the success of formalized Hindi in creating a regional public sphere in north India in the early twentieth century, the book explores the way many educated Indians, influenced by the British ideas and institutions, expressed interest in new concepts such as progress, unity, and a common cultural heritage. From the development of new codes and institutions to a language that helped to create space for argument and debate, the book gives an overview of the Hindi public sphere. Furthermore, it throws light on the work of Vasudha Dalmia about the nascent Hindi public sphere and brings to light how early-twentieth-century discourses on language, literature, gender, history, and politics form the core of the Hindi culture that exists today.

This text examines how early 20th-century discourse on language, literature, religion and nationalism contributed to the development of the Hindi language, which evolved during the nationalist movement to become India's national tongue.

In early twentieth century British India, prior to the arrival of digital medias and after the rise of nationalist political movements, a small-town paper from the margins of society became a key player in Urdu journalism. Published in the isolated market town of Bijnor, Madinah grew to hold influence across North India and the Punjab while navigating complex issues of religious and political identity. In Print and the Urdu Public, Megan Robb uses the previously unexamined perspective of the Madinah to consider Urdu print publics and urban life in South Asia. Through a discursive and material analysis of Madinah, the book explores how Muslims who had settled in ancestral qasbahs, or small towns, used newspapers to facilitate a new public consciousness. The book demonstrates how Madinah connected the Urdu newspaper conversation both explicitly and implicitly with Muslim identity and delineated the boundaries of a Muslim public conversation in a way that emphasized rootedness to local politics and small urban spaces. The case study of this influential but understudied newspaper reveals how a network of journalists with substantial ties to qasbahs produced a discourse self-consciously alternative to the Western-influenced, secularized cities. Megan Robb augments the analysis with evidence from contemporary Urdu, English, and Hindi papers, government records, private diaries, private library holdings, ethnographic interviews, and training materials for newspaper printers. This thoroughly researched volume recovers the erasure of qasbah voices and proclaims the importance of space and time in definitions of the public sphere in South Asia. Print and the Urdu Public demonstrates how an Urdu newspaper published from the margins became central to the Muslim public constituted in the first half of the twentieth century.

The first ethnography to examine the role of urban transformation, caste and language in shaping India's contemporary news culture.

The topic of sexuality and gender within the South Asian context is timely and widely discussed across a variety of academic disciplines. Since the end of the last century, there have been debates in the cultural sphere in India on issues concerning Lesbian Gay Bisexual Transgender people’s rights, gender, sex workers’ rights and caste. There has also been an explicit visibility for sexuality in the form of discussion around intimate scenes in films, advertisements and moral concerns around pre-marital heterosexual relationships and same-sex relationships. This book brings out the modalities through which explicit visibility of sexuality gets constituted in the public space of India after the 1990s. The specificities through which relations of gender/ sexuality and caste get constituted and performed in regional media provide significant entry points to an understanding of larger structures and the ever-present fissures through which these larger structures emerge. Focussing on the southern state of Kerala, the book investigates women’s sexuality and caste through a number of case studies: the Suryanelli rape case, neology in the media and the debates around the life narratives of Nalini Jameela, a sex worker. The book does not stop at representational practices as it also looks at the negotiations between the subject and her represented figures which is a significant addition to the existing body of work in the field of media and gender studies. Sexuality and Public Space in India is a careful interrogation of the mass-mediatized space of contemporary public discourse around sexuality. It will be of interest to academics in South Asian Studies, Sociology, Anthropology and Gender Studies.

This book is an exploration of the rich, variegated, and intimate history of revolution as praxis.