Story of a young woman who returns to her family's roots in Massachusetts, only to encounter the belief by the townspeople there that she is a reincarnation of her aunt, who was shunned as a witch.

In Lancaster, Connecticut, a boy has been murdered. His grave awaits him in the farmers field beside the killers other victims. And no one knows theyre out there. She wont allow it. She needs the killer, needs the boys he kills, and as long as she does, she will protect him... and the boys will continue to die... ...screaming... They always have to die screaming. And in the distance, a pair of eyes glowing with a midnight blue light... ...her eyes...watching... peeling back the layers of their minds... ...their souls... Margaret Adler has been searching for something. Shes waited, teaching ninth grade science at the high school, studying Lancasters sons, watching them, day after day... ...until now. Jeremy McKee, a popular fifteen-year-old, admired and respected by friends and family alike, has what she wants. He is the key to power such as the world has never seen. Power like unto a god. A power Margaret will claim for herself, even if she has to destroy Jeremy and everyone he loves in order to get it. Shes waited long enough. Its time for the endgame to begin.

Contains primary source material.

Joey W. Hill thrills in a dazzling new spellbinder of modern-day witchcraft, ancient evil, and the magical tricks men and women play in the name of love . . . Ruby Night Divine is a gun-shop owner. She’s also a witch who knows magic can fail. She’s experienced it firsthand, with full-blown tragic consequences. Smith & Wesson is a whole hell of a lot more reliable, and nothing’s as cathartic as the ability to put a few holes in the things that piss you off. Like Derek Stormwind. A powerful sorcerer, Derek is determined to get to the bottom of why Ruby pushed him away and ran three years before. He also needs her help. A coven needs training to fight a demon and his minions. While Ruby is willing to do it, she’s sure it’s just a ruse to get back in her heart—and her bed. The thing is, that’s where she wants him. Unfortunately, her bed’s already made, she’s this close to losing her soul, and she fears nothing can save her. Not Derek. Not even Smith & Wesson.

This story of two girls trying to banish a witch is “full of wonderful fun, excitement, and humor” (Library Journal). Old Witch likes nothing better than to fly around on her broomstick, crying “Heh-heh!” and casting abracadabras. But now she has been sent away . . . by two young girls. Amy and Clarissa have decided that Old Witch is just too mean and wicked. So, drawing a rickety old house upon a barren glass hill, they exile Old Witch there with a warning: She better be good, or else no Halloween! But to give Old Witch some company, they draw her a Little Witch Girl and a Weeny Witch Baby . . . Old Witch tries to be good, but anyone would get up to no good in a place as lonely as the glass hill. And Amy and Clarissa are about to find that out, when Old Witch magics them into her world of make-believe-made-real, in “a very special book that is certain to give boundless pleasure—at any time of the year” (The Horn Book). “A classic for Halloween.” —Library Journal

From the author of The Dark Lady, a novel of England’s trial of the Pendle witches of 1612 and a family struggling to survive the hysteria. Bess Southerns, an impoverished widow living in Pendle Forest, is haunted by visions and gains a reputation as a cunning woman. Drawing on the Catholic folk magic of her youth, Bess heals the sick and foretells the future. As she ages, she instructs her granddaughter, Alizon, in her craft, as well as her best friend, who ultimately turns to dark magic. When a peddler suffers a stroke after exchanging harsh words with Alizon, a local magistrate, eager to make his name as a witch finder, plays neighbors and family members against one another until suspicion and paranoia reach frenzied heights. This e-book includes a sample chapter of Illuminations. “Daughters of the Witching Hill offers a fresh approach with witches who believe in their own power and yet, in many ways, are still innocent. Sharratt’s readers—like the magistrate who took the women’s confessions—are likely to be spellbound by their stories.”—San Francisco Chronicle “Full of the reality of the day, this story is stark and real, but Sharratt’s descriptions of landscape and the daily life of the poor at the time are rich enough to feed the senses. The author weaves this vast canvas of changing culture into the personal stories of these women, and in the process transports us to a distant land, a distant time—and deep into the story of people we sympathize with and care about.”—Minneapolis Star-Tribune