For fans of Diana Gabaldon and Scarlett Scott comes a story of warring clans, illicit longing...and the brutish Highlander who risks it all. Known as the “Demon of the Seas,” Tormund MacLeod only wants vengeance for his brother’s murder. At this year’s Lughnasadh festival, the vicious and unyielding Laird of the powerful MacDonald clan will know the bite of his sword. But the festival offers many distractions—including a fair and bonny masked vixen whose touch disarms Tormund, body and soul. And och, like the cursed MacLeod he is, he wants what he shouldn’t have... Lady Brighde MacDonald might understand her brother’s overprotectiveness—but she doesn’t have to like it. What she needs is the reckless freedom in the arms of an imposing, rough, and sweet-talking Highlander. Only too late, they both recognize that they’re enemies. She’s the sister of the man Tormund wants dead. And he is the brutish blackguard of the clans... Now their tryst could mean war. Brighde would see a truce, but it means she must convince her brother and the man she loves to lay down their swords. But Tormund hides a long-buried secret that could destroy both clans.

The Highlander's prisoner There's more to hardened outlaw Niall Corbett than meets the eye. Despite his merciless reputation, he's on a mission he must defend with his life. One that means taking beautiful Fia Mackintosh prisoner for her own protection! Fia may have dreamed of being swept away by a gorgeous Highlander, but never of being held hostage by a gang of outlaws! While her head screams for her to run, her heart beats a little too fast for her captor, a man she shouldn't, yet can't help but trust…

The Cambridge History of the English Novel chronicles an ever-changing and developing body of fiction across three centuries. An interwoven narrative of the novel's progress unfolds in more than fifty chapters, charting continuities and innovations of structure, tracing lines of influence in terms of themes and techniques, and showing how greater and lesser authors shape the genre. Pushing beyond the usual period-centered boundaries, the History's emphasis on form reveals the range and depth the novel has achieved in English. This book will be indispensable for research libraries and scholars, but is accessibly written for students. Authoritative, bold and clear, the History raises multiple useful questions for future visions of the invention and re-invention of the novel.