The High Road of Humanity is a cultural ethics. It is an exposition of the moral positions of the West, intended to accompany the intellectual positions of Western philosophy and society formulated in Levi's earlier Philosophy as Social Expression. In opposition to the nearly complete abstraction from actual moral life that is the common stance of the works in ethics in our time from positivism to applied ethics, Levi's aim is to take the process of moral thought back one step further from moral inquiry to its basis in the moral imagination. For Levi the moral life and moral discourse requires first of all an ideal that is shaped in the imagination, an image of the human. The seven ethical ages he discusses are the Greek aristocrat, Stoic sage, Christian saint, Renaissance prince, Enlightenment gentleman, the nineteenth-century merchant prince, and the professional man and women of today. He gathered the details of each historical figure or moral ideal and selected sculpture, paintings, and portraits to illustrate them. Levi's approach to moral philosophy is based on his lifelong study in the philosophy of culture. The foreword is by Donald Phillip Verene.

When demons bear down on Cormyr with great force, the heir to the Obarskyr throne must assume a different title: heroine The seer Alaundo prophesied that seven scourges would sweep Cormyr away in ruin. For centuries, the royal family has stood watch against that day and devoted their lives to the protection of the realm. But in a time when their ancient guardians slumber and their most loyal servants disappear, when a terrible evil prepares to sweep down upon their home . . . Who will protect the royal family? It falls to Tanalasta, the eldest Obarskyr princess and heir to the throne, to find a way to defeat the ghazneths—the demon forms of old Cormyrean traitors—who now threaten to raze the kingdom to the ground. Under the tutelage of Court Wizard Vangerdhast, Tanalasta has come to hone her magical abilities. But will they be enough to save everyone and everything she has ever loved?

This volume reveals the political, religious, theological, institutional, and mythical ideals that formed the self-identity of the Augustinian Order from Giles of Rome to the emergence of Martin Luther. Based on detailed philological analysis, this interdisciplinary study not only transforms the understanding of Augustine's heritage in the later Middle Ages, but also that of Luther's relationship to his Order. The work offers a new interpretative model of late medieval religious culture that sheds new light on the relationship between late medieval Passion devotion, the increasing demonization of the Jews, and the rise of catechetical literature. It is the first volume of a planned trilogy that seeks to return late medieval Augustinian theology to the historical context of Augustinian religion.