Shortlisted for the 2021 Costa Novel Award In this powerful, highly anticipated novel from an award-winning author, four people attempt to make a home in the midst of environmental disaster. Perched on a sloping hill, set away from a small town by the sea, the High House has a tide pool and a mill, a vegetable garden, and, most importantly, a barn full of supplies. Caro, Pauly, Sally, and Grandy are safe, so far, from the rising water that threatens to destroy the town and that has, perhaps, already destroyed everything else. But for how long? Caro and her younger half-brother, Pauly, arrive at the High House after her father and stepmother fall victim to a faraway climate disaster—but not before they call and urge Caro to leave London. In their new home, a converted summer house cared for by Grandy and his granddaughter, Sally, the two pairs learn to live together. Yet there are limits to their safety, limits to the supplies, limits to what Grandy—the former village caretaker, a man who knows how to do everything—can teach them as his health fails. A searing novel that takes on parenthood, sacrifice, love, and survival under the threat of extinction, The High House is a stunning, emotionally precise novel about what can be salvaged at the end of the world.

This debut novel introduces an extraordinary talent which mixes Mervyn Peake's GORMENGHAST with epic fantasy. A masterful allegory of Good vs. Evil, it features a living, sentient house where each room constitutes its own disparate, fantastic world populated by strange and wondrous characters. Already lauded by writers such as Greg Bear, R. A. Salvatore and David Feintuch, THE HIGH HOUSE is a triumph of the imagination which will electrify readers and critics alike.

NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.

Slavery is back. America, 1962. Having lost a war, America finds itself under Nazi Germany and Japan occupation. A few Jews still live under assumed names. The 'I Ching' is prevalent in San Francisco. Science fiction meets serious ideas in this take on a possible alternate history.

WINNER OF THE EDGE HILL SHORT STORY PRIZE 2016 SHORTLISTED FOR THE SUNDAY TIMES/PFD YOUNG WRITER OF THE YEAR AWARD 2016 'Greengrass is undoubtedly that rare thing, a genuinely new and assured voice in prose. Her work is precise, properly moving, quirky and heartfelt' A. L. Kennedy The twelve stories in this startling collection range over centuries and across the world. There are stories about those who are lonely, or estranged, or out of time. There are hauntings, both literal and metaphorical; and acts of cruelty and neglect but also of penance. Some stories concern themselves with the present, and the mundane circumstances in which people find themselves: a woman who feels stuck in her life imagines herself in different jobs - as a lighthouse keeper in Wales, or as a guard against polar bears in a research station in the Arctic. Some stories concern themselves with the past: a sixteenth-century alchemist and doctor, whose arrogance blinds him to people's dissatisfaction with their lives until he experiences it himself. Finally, in the title story, a sailor gives his account - violent, occasionally funny and certainly tragic - of the decline of the Great Auk.

A new form of Power has appeared within the infinite corridors and rooms of Evenmere, a force so strong it destroys any who attempt to wield it. Unless Carter Anderson, Master of the House, can find its source, Evenmere, and the universe with it, will swiftly degenerate into an existence of eternal warfare and endless pain. He must act, while the life of his only son hangs in the balance. Edited by Betsy Mitchell.