Winner of the Best Book of 2008 from The International Gender and Language Association In this ground-breaking ethnography of girls on a playground, Goodwin offers a window into their complex social worlds. Combats stereotypes that have dominated theories on female moral development by challenging the notion that girls are inherently supportive of each other Examines the stances that girls on a playground in a multicultural school setting assume and shows how they position themselves in their peer groups Documents the language practices and degradation rituals used to sanction friends and to bully others Part of the Blackwell Studies in Discourse and Culture Series

Autism in women and girls is still not widely understood, and is often misrepresented or even overlooked. This engaging and accessible graphic novel offers invaluable insight into the lives and minds of autistic women, using real-life case studies. The charming illustrations lead readers on a visual journey of how women on the spectrum experience everyday life, from metaphors and masking in social situations, to friendships and relationships and the role of special interests. Fun, sensitive and informative, this is a fantastic resource for anyone who wishes to understand how gender interacts with autism, and how to create safer, supportive, and more accessible environments for women on the spectrum.

After the gardener spanks her bottom and a nun at her elite finishing school seduces her in the catacombs, Bella realises that sex was what she was born for. She adores wearing a dildo and deflowering virgins just as much as she adores indulging the roguish Christian Thomas with his addiction to fruit salads and bondage. Then Bella's world comes tumbling down. She learns that her beloved Ickham Manor doesn't belong to her, it belongs to her wicked stepfather. Sex has been fun. Now it is the weapon she uses to put her world back together again. Bella entraps her stepfather in a lewd act on video. She stars in a porn flick and, as her song on the soundtrack makes her a tabloid celebrity, Bella is at the beginning of an erotic ride into the showbiz world of pain and perversion, of domination and glorious submission.

Echoing among the Blue Ridge Mountains were the cries of newborn babies that disappeared into the night. The screams of children nearly drowned out by the sound of crickets. A girl, hidden and waiting to be found, terrified, and confused. The fireflies sparkling in the woods, bringing light to darkled places. The bulk of Jesse’s memories were of growing up in the farm country of the Blue Ridge Mountains in North Carolina. The farm folks stayed pretty much outside of town, except for visits to the feed store causing random tractors to travel down Main Street. There were beatings and abuses, manipulation and terror carried out in spaces breathtaking in their beauty. There were twenty-seven Baptist churches, three non-denominational churches, and one Catholic Church. There were annual Ku Klux Klan rallies on the street where they would walk right by all the black families who came out to watch and the white folks who came out for moral support—whether of the black families or the white, no one knew for sure. Black people did not marry white people in a "civilized society", and so were rarely seen socializing. There was a young woman who was pregnant with a black man’s baby, so her parents disowned her. Jesse’s family was accused of killing the child and burying it on their property. There was the Berkley House Bed and Breakfast toward the end of town, with gold plated silverware and hardwood floors, rumored to be the local sex worker house. There was a mansion up on a hill that overlooked the other humble houses in the town. In the local cemetery, there was “Will B. Jolly” carved into the graves used by bootleggers back in the twenties. Everyone had some form of thick southern drawl, though the length of the “aw” would extend the further south you went. There was a tiny baseball field and a tinier fire department. There was an old lady in the foothills that let the family raid her garden during the summer. And in exchange, Jesse’s family helped her husband bring in the hay for their animals every year. There was a black snake in the attic—the door opened inside the closet next to Jesse’s bed. She would find his shed skins left behind in the summer months measuring close to seven feet in length. There was a creek with crawdads and a moss-covered bridge. There were mulberry and pecan trees that filled her and her siblings’ aching bellies as the weather turned. There were hot summer days and freezing cold winters. There were dogs that were best friends, cats that kept her warm at night, and a cow that committed suicide. There was red clay instead of dirt, hayfields instead of grass, and a favorite swimming hole: Lenny’s Mill, the local grain mill on a glacier-fed creek where you could take a dip if you were brave enough to challenge the frigid waters. Girl Hidden is the story of an unwanted child, born nonetheless and forced into servitude, desperate to protect her siblings and find her way out from under the vicious, manipulative abuses heaped on her by the one person who was supposed to love her unconditionally: her mother.

Margaret Forster's grandmother died in 1936, taking many secrets to her grave. Where had she spent the first 23 years of her life? Who was the woman in black who paid her a mysterious visit shortly before her death? How had she borne living so close to an illegitimate daughter without acknowledging her? The search for answers took Margaret on a journey into her family’s past, examining not only her grandmother's life, but also her mother’s and her own. The result is both a moving, evocative memoir and a fascinating commentary on how women’s lives have changed over the past century.

Memoirs from a young woman who was sold into slavery at the age of eight by her parents in Egypt to repay a debt.

At her husband's urging, Johanna Reiss returned with her family to Holland to chronicle the time she spent hiding from the Nazis during WWII, resulting in her Newbery Honor-wining The Upstairs Room. But unknown to the millions who read her beloved classic, behind the dark and painful story of the book was a still darker tale: Reiss' husband returned to America early and committed suicide at age 37, leaving no note. Subtle and disturbing, the book is a powerful consideration of memory, violence, and loss, told in a stunning and sparse narrative style.