Rachel Wright wakes up in the hospital one morning with no memory of who she is. It takes a while, but once she gets over the shock she decides amnesia isn’t all bad. Rachel grasps this opportunity for a fresh start. What does she care if everyone she used to know thinks she’d changed a bit too much? Life is good for the “new” Rachel. . . . But now her life is starting to fray at the edges. She’s been having hideous nightmares and seeing strange things in mirrors. She’s becoming more and more certain that something bad is coming. Something wants to break into this world, to play games of blood and death with the living. And it’s coming for Rachel.

A young woman with amnesia tries to rebuild her life, but she CA't escape the evil forces calling to her from the other side of the mirror. Or their warnings that something is coming for her.

This is a gripping and inspiring horror story written by a young teenager for kids and fellow teens. The suspense and tension is overwhelming. A young boy has lost his loving parents. No-one has any idea how. He comes across some scary messages and faces terrifying situations. Situations of life and death with his closest friend trying to kill him. The whole world goes crazy. He finds out the the true secret to his parents disappearance. Will he be able to believe anyone? The most petrifying things ever heard are released from a monstrous and mysterious voice. The voice from hell! You have to read no matter what.

Ghost in the Well is the first study to provide a full history of the horror genre in Japanese cinema, from the silent era to Classical period movies such as Nakagawa Nobuo's Tokaido Yotsuya kaidan (1959) to the contemporary global popularity of J-horror pictures like the Ring and Ju-on franchises. Michael Crandol draws on a wide range of Japanese language sources, including magazines, posters and interviews with directors such as Kurosawa Kiyoshi, to consider the development of kaiki eiga, the Japanese phrase meaning "weird" or "bizarre" films that most closely corresponds to Western understandings of "horror". He traces the origins of kaika eiga in Japanese kabuki theatre and traditions of the monstrous feminine, showing how these traditional forms were combined with the style and conventions of Hollywood horror to produce an aesthetic that was both transnational and peculiarly Japanese. Ghost in the Well sheds new light on one of Japanese cinema's best-known genres, while also serving as a fascinating case study of how popular film genres are re-imagined across cultural divides.

Now in a significant new edition, this landmark book documents little-known wartime Japanese atrocities during World War II, including cannibalism; the slaughter and starvation of prisoners of war; the rape, enforced prostitution, and murder of noncombatants; and biological warfare experiments.