Selkies, fairies, gnomes, hill folk, river sprites--do you believe in them? Perhaps among the flowers, beside a mountain, or near deep waters you’ve caught a glimpse, once or twice, of what you thought might be the silvery shadow of a dwarf, or a hint of a fairy’s wing, or the tail of the water horse. Or was it just the odd light of dusk or dawn playing tricks? As Lise Lunge-Larsen’s magical, timeless stories reveal and Beth Krommes’s enchanting scratchboard illustrations capture, the hidden folk are there, all right: you just have to know where--and how--to look.

In exploring how Icelanders interact with nature—and their idea that elves live among us—Nancy Marie Brown shows us how altering our perceptions of the environment can be a crucial first step toward saving it. Icelanders believe in elves. Why does that make you laugh?, asks Nancy Marie Brown in this wonderfully quirky exploration of our interaction with nature. Looking for answers in history, science, religion, and art—from ancient times to today—Brown finds that each discipline defines what is real and unreal, natural and supernatural, demonstrated and theoretical, alive and inert. Each has its own way of perceiving and valuing the world around us. And each discipline can be defined, in the Icelandic perception, by its own sort of elf. Illuminated by her own encounters with Iceland’s Otherworld—in ancient lava fields, on a holy mountain, beside a glacier or an erupting volcano, crossing the cold desert at the island’s heart on horseback—Looking for the Hidden Folk offers an intimate conversation about how we look at and find value in nature. It reveals how the words we use and the stories we tell shape the world we see. It argues that our beliefs about the Earth will preserve—or destroy it. Scientists name our time the Anthropocene: the Human Age. Climate change will lead to the mass extinction of numerous animal species unless we humans change our course. Iceland suggests a different way of thinking about the Earth, one that offers hope. Icelanders believe in elves— and you should, too.

Introducing a brand new paperback edition of the novel based on the animated series, Hilda, now on Netflix! Meet Hilda: explorer, adventurer, avid sketchbook-keeper and friend to almost every creature in the valley! Join our beloved heroine as she encounters her very first troll, negotiates peace with some very persnickety elves, and reunites two lovelorn ancient giants. Fantastic creatures and daring adventures are all just part of another average day for Hilda, but what will she do if she is forced to move to Trolberg city, far away from her beloved valley home? Dive into the adventure with this illustrated chapter book, based on the first two episodes of the show.

"an excellent and engaging read, moving to an absorbing conclusion" --Historical Novel Society "The perfect book to curl up with on a chilly fall day, The Hidden People will make the hairs on the back of your neck stand up." --Booklist In 1851, within the grand glass arches of London's Crystal Palace, Albie Mirralls meets his cousin Lizzie for the first--and, as it turns out, last--time. Coming from a backward rural village, Albie expects Lizzie will be a simple country girl, but instead he is struck by her inner beauty and by her lovely singing voice. When next he hears of her, many years later, it is to hear news of her death at the hands of her husband, the village shoemaker. Rumors surround his young cousin's murder--apparently, her husband thought she had been replaced by one of the "fair folk" and so burned her alive--and then disappeared. Albie becomes obsessed with bringing his young cousin's murderer to justice. When he arrives, he finds a community in the grip of superstition, nearly every member believes Lizzie's husband acted with the best of intentions and in the service of the village. And the more he learns, the less sure he is that there aren't mysterious powers at work.

A collection of macabre and magical folklore from the "godfather" of the Norwegian troll Across the stillness of the sprawling mountain heath, the shadow of the mighty forest falls, its wildness calling to the child in all of us. Here the Hidden Folk assemble: the stalwart little nisse, farmyard spirit and irrepressible prankster; the seductive hulder, with her crown of flowers and cow's tail; the fiddling fossegrim, summoning the music of wind and water; and most fearsome and enchanting of all, the one-eyed troll, head high above the treetops. A veritable bestiary of Nordic folk creatures was conjured by artist Theodor Kittelsen, whose late nineteenth-century paintings and illustrations gave these macabre and magical figures their enduring forms. In this book, first published as Troldskab in 1892, Kittelsen spins tales of wonder around creatures rumored to haunt the fields, forests, and waterfalls of Norway. Striding, gamboling, and slithering across these pages are witches and gnomes and sea monsters, fiery dragons waking from their stiff-winged slumber, mermaids rising from the deep, and sly shapeshifting nøkk. But first and foremost are the trolls, hapless, horrible, or just plain silly, working their spells and making their mischief to the terror and delight of the presumably human reader. Tailoring his whimsical artistic style to each tale, Kittelsen's stories, in Tiina Nunnally's nimble translation, reveal a Nordic world of wonder, myth, and magic as real as the imagination allows.

This book is the first major study of the Gaelic song tradition in an area which was the main center of literature in Leath Chuinn (the northern half of Ireland) from the end of the 17th century to the middle of the 19th century. Written in English, it gives text, source music, and the translation of 54 songs - mainly vision poems, laments, courtly love songs and the songs of the people. The collection includes material from recently discovered music manuscripts, which are reconnected here to their original texts. The catalogue section includes facsimile copies of unpublished dance tunes. As both a researcher and traditional singer, Ní Uallacháin gives a unique insight into her native Gaelic song tradition.