'In Solitude, for Company' contains two hitherto unpublished lectures. The first of these, introduced by Nicholas Jenkins, is on the theme of vocation. It was delivered during the war years, when Auden, newly arrived in the United States, was redefining his sense of his own vocation. The second lecture, given near the end of his life, discusses the work of Sigmund Freud. Katherine Bucknell sets this lecture in context with a full examination of Auden's intensely ambivalent attitude to Freud. The classicist G.W. Bowersock introduces the text of Auden's unpublished 1966 essay on 'The Fall of Rome' in which Auden draws a powerful series of parallels between the end of Roman civilization and the decline of our own society. Also included is a generous and fully-annotated selection of Auden's correspondence with his close friends James and Tania Stern which reveals much new and important biographical information.

For fans of Ben Winters and Sarah Pinsker, this mind-bending and thought-provoking novel pushes the limits of fiction, questioning the violence sewn into our DNA. Violence is a thing of the past—but do new horrors lie in wait? Imagine a world devoid of violence—a world where fists can’t hit, guns don’t kill, and bombs can’t destroy. In this tantalizing novel of possibility, this has—suddenly and inexplicably—become our new reality. The U.S. president must find a new way to wage war. The Pope ponders whether the Commandment “Thou Shalt Not Kill” is still relevant. A dictator takes his own life after realizing that the violence he used to control his people is no longer an option. In the first days after the change, seven people who have experienced violence struggle to adapt to this radical new paradigm: Dab, a bullied middle schooler; Marcus, a high school student whose brother is the last victim of gun violence in America; Ann, a social worker stuck in an abusive marriage; Richard, a professor whose past makes him expect the worst inthe present; Gabriela, who is making a dangerous border crossing into the U.S.; the Empty Shell, a dissident writer waiting to be tortured in a notorious prison; and Julian, a white supremacist plotting a horrific massacre. As their fates intertwine, the promise and perils of this new world begin to take shape. Although violence is no longer possible, that doesn’t mean that some among us won’t keep trying. Mindless cruelty is still alive and well—and those bent on destruction will seek the most devious means to achieve it.

A ""bump"" on the head can change your life and may cause a serious ""invisible"" brain injury. Brain injuries happen every day, only we don't take them seriously enough. Dizziness, inability to sleep, irritability, mood swings; all of these are signs of a possible brain injury. Yet, when we experience these, we are often told to, ""Shake it off"" it will go away. What happens when it doesn't go away? Where do we look for help? Not all doctors know what a brain injury looks like or how one behaves. In this book Ethel Dimont, tells her compelling story of how she received a wrong diagnosis about a concussion she received in a car accident. After many months of not getting better, her doctor decided the injury was ""all in her head"" and she was labeled a malingerer (slacker).

When Germany surrendered in May 1945 it was a nation reduced to rubble. Immediately, America, Britain, Soviet Russia, and France set about rebuilding in their zones of occupation. Most urgent were physical needs--food, water, and sanitation--but from the start the Allies were also anxious to indoctrinate the German people in the ideas of peace and civilization. Denazification and reeducation would be key to future peace, and the arts were crucial guides to alternative, less militaristic ways of life. In an extraordinary extension of diplomacy, over the next four years, many writers, artists, actors, and filmmakers were dispatched by Britain and America to help rebuild the country their governments had spent years bombing. Ernest Hemingway, Martha Gellhorn, Marlene Dietrich, George Orwell, Lee Miller, W. H. Auden, Stephen Spender, Billy Wilder, and others undertook the challenge of reconfiguring German society. In the end, many of them became disillusioned by the contrast between the destruction they were witnessing and the cool politics of reconstruction. While they may have had less effect on Germany than Germany had on them, the experiences of these celebrated figures, never before told, offer an entirely fresh view of post-war Europe. The Bitter Taste of Victory is a brilliant and important addition to the literature of World War II.