Ethelred Tressider is a crime writer with problems. His latest novel is going nowhere, mid-life crisis is looming and he’s burdened by the literary agent he probably deserves: Elsie Thirkettle, a diminutive but determined individual who claims to enjoy neither the company of writers nor literature of any sort. But however bad things look they can always get worse, as Ethelred discovers when his ex-wife, Geraldine, vanishes close to his Sussex home. When the disappearance becomes a murder enquiry, the police quickly decide that Geraldine Tressider has been the victim of a local serial killer. Elsie begs to differ, on the grounds that the killer’s other victims had been Sad Cows, whereas Geraldine was a Scheming Bitch – another species entirely – and no serious serial killer would murder one in mistake for the other . . . Soon the indefatigable Elsie has bullied Ethelred into embarking upon his own investigation, but as their enquiries proceed, she begins to suspect that her client’s own alibi is not as solid as he claims. The Herring Seller’s Apprentice is an appallingly funny murder mystery, packed with dizzying plot twists and peopled by a memorable cast of eccentrics.

In this Edgar-nominated cozy series opener, a second-rate British crime novelist and his quirky agent investigate his devious ex-wife’s murder. A mediocre mystery-writer (and thus a purveyor of red herrings), Ethelred Tressider has even less interest in writing his books than his (dwindling) fan base has in reading them, and his agent—the pesky, nosy, vulgar, chocolate-chomping Elsie—has no interest in them at all. But with a name like Ethelred, things can always get worse, and when Ethelred’s dishy ex-wife turns up dead, they do. The Case of the Dead Dish is the most exciting project Elsie’s come across in years, but however much she bullies Ethelred he refuses to take much interest in the mystery. Chalk it up to some pathetic mid-life crisis? Maybe. But how much more interesting would it be to note that Ethelred’s lack of interest raises what might be called some extremely interesting questions? Praise for The Herring-Seller’s Apprentice “Fans of comic mysteries will welcome British author Tyler’s debut.” —Publishers Weekly “Tyler is a stylish writer, and his humor is both subtle and sly.” —Booklist

A mediocre mystery writer, Ethelred Tressider has even less interest in writing his books than his (dwindling) fan base has in reading them, and his agent, the pesky, nosy, vulgar, chocolate-chomping Elsie, has no interest in them at all. But with a name like Ethelred, things can always get worse, and when Ethelred's dishy ex-wife turns up dead they do. The case of the Dead Dish is the most exciting project Elsie's come across in years, but however much she bullies Ethelred, he refuses to take much interest in the mystery. And that lack of interest raises what might be called some extremely interesting questions.

A politically sensitive murder is detected amid the chaos of a deadly plague in this “stellar . . . well-crafted” mystery set in Restoration London (Publishers Weekly, starred review). It’s 1665, and the Black Death has London in its hideous grip. It’s bad news for everyone . . . almost. For a mysterious killer, it presents an opportunity to hide a dead body among a city full of them. But as corpses are collected and brought to the burial pit, one of the bodies is revealed to have a knife in its back. When the victim is identified as an agent of the King’s spy network, fixer John Grey is called in to handle the situation—and, above all, locate the sensitive documents the agent had been carrying at the time of his demise. Now Grey must navigate the deadly pestilence as he uncovers a potentially explosive conspiracy.

In early 20th-century New York, Sacha Kessler's ability to see witches earns him an apprenticeship to the police department's star Inquisitor, Maximillian Wolf. With fellow apprentice Lily Astral, Sacha investigates who is trying to kill Thomas Edison.

Robin Pagham is dead - drowned in a sailing accident. The reaction of everyone in the village on hearing this tragic news is that Robin must have been drunk. After all, that was what he did best - that and drug-dealing and breaking his former girlfriend's nose, with a bit of TV acting on the side. Surprisingly, newspaper reports of the inquest state that no alcohol was found in Robin's blood. It was accidental death, with no clear cause. At the funeral however Robin's latest girlfriend - to whom he has just got engaged - stands up and, lifting back her veil, announces that somebody in the congregation has murdered Robin and that she's going to have their arse. Although estranged, Elsie and Ethelred begin simultaneous investigations into Robin's death - as ever with some comical results.

Connie Willis draws upon her understanding of the universalities of human nature to explore the ageless issues of evil, suffering, and the indomitable will of the human spirit. “A tour de force.”—The New York Times Book Review For Kivrin, preparing to travel back in time to study one of the deadliest eras in humanity’s history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing an alibi for a woman traveling alone. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received. But a crisis strangely linking past and future strands Kivrin in a bygone age as her fellows try desperately to rescue her. In a time of superstition and fear, Kivrin—barely of age herself—finds she has become an unlikely angel of hope during one of history’s darkest hours.