A catalogue designed to accompany the Ling Collection exhibition at The Art Gallery, University of Maryland, is a journey through the history of ceramics in China. The black and white photographs intimate the delicacy of design which is characteristic of the Chinese aesthetic, though readers may be

Between August 1937 and December 1941, when the Chinese sectors of Shanghai were occupied by the Japanese, terrorist wars broke out between Nationalist secret agents and assassins of the Japanese military authorities. The most intensely disputed area was the western suburb, the Badlands, but warfare was not restricted to that zone. A spate of assassinations, bombings, and machine gun raids took place under the noses of the authorities. Thanks to the release of secret Chinese police files by the CIA, the inner workings of these terrorist groups and their links to the notorious Green Gang can now be exposed for the first time. In so doing, this book also explores the social history of Shanghai's underworld, the worsening relations between the US and Japan before World War II, and the rivalry between leaders Chiang Kai-shek and Wang Jingwei during China's War of Resistance.

"The focus of conflict from the colonial era to the cold war, Vietnam at long last is emerging as a global force in trade and culture. Likewise its ceramics tradition, a fusion of eclectic influences and unique forms and forces, is exciting the imagination and delighting the senses of a widening circle of collectors and connoisseurs. The Elephant and the Lotus explores this vital tradition by highlighting over two hundred objects in the Museum of Fine Arts, Boston. Ranging from earthy and practical stoneware produced two millennia ago under Chinese dominion, to the spectacularly decorated ewers, bowls, and limepots created at the pinnacle of Vietnamese civilization a thousand years later, the wares presented here reflect the natural wonders of Vietnam and the ingenuity of its ceramists. With an introduction by John Stevenson that places ceramics at the intersection of artistic expression and national identity, and extensive presentations by renowned authority Philippe Truong, this is both the first complete publication of a remarkable collection and an indispensable introduction to a rapidly growing field in the Asian decorative arts."--Jacket.