(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.

Can one heart change the lives of many? Ambitious financial planner Emily Windsor is the golden child of an elite New York family. Proud of her family roots, she disdains those who are different from her and embraces her entitled, wealthy lifestyle. Emily feels her life is perfect until her congenital heart condition is pronounced terminal and she’s given just months to live. Cameron Davis is an outspoken, mixed-race social activist. His greatest joy is his soulmate, Brooke Coleman, an up-and-coming New York City jazz singer who's as talented as she is kind. But his life and heart are shattered when Brooke is killed. As her heart gives its last beat, it is quickly readied for transplant—her final act of selflessness. As one life ends, another begins. After Emily receives Brooke’s heart, her worldview begins to change—almost as if Brooke has also given Emily a piece of her soul. As Emily struggles to understand her new thoughts and feelings, she turns to Cameron for guidance. Can love shine its light once more on two broken hearts?

(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.

NEW YORK TIMES BEST SELLER • AN NPR BEST BOOK OF THE YEAR • From the legendary actor and best-selling author: a novel about the making of a star-studded, multimillion-dollar superhero action film...and the humble comic books that inspired it. Funny, touching, and wonderfully thought-provoking, while also capturing the changes in America and American culture since World War II. "Wild, ambitious and exceptionally enjoyable." —Matt Haig, best-selling author The Midnight Library, The Humans and Reasons to Stay Alive Part One of this story takes place in 1947. A troubled soldier, returning from the war, meets his talented five-year-old nephew, leaves an indelible impression, and then disappears for twenty-three years. Cut to 1970: The nephew, now drawing underground comic books in Oakland, California, reconnects with his uncle and, remembering the comic book he saw when he was five, draws a new version with his uncle as a World War II fighting hero. Cut to the present day: A commercially successful director discovers the 1970 comic book and decides to turn it into a contemporary superhero movie. Cue the cast: We meet the film’s extremely difficult male star, his wonderful leading lady, the eccentric writer/director, the producer, the gofer production assistant, and everyone else on both sides of the camera. Bonus material: Interspersed throughout are three comic books that are featured in the story—all created by Tom Hanks himself—including the comic book that becomes the official tie-in to this novel’s "major motion picture masterpiece."

Freshmen year over, Marmalade’s ready for some summertime peace and quiet along with her favorite pastime, getting lost in good books and cozy cups of tea with Granny Blue. When the object of her affection, Luke, the all-star quarterback, notices her walking out of school and invites her to a party, Marmalade is shocked and starstruck. She barely recovers from this unexpected overture when she meets Bon-Hwa, the mysterious UFC fighter who inserts himself into her life as her new downstairs neighbor, taking over her second home in Granny Blue's Kitchen, forcing Marmalade out of her comfort zone. Marmalade is soon bouncing between broody, coffee shop Bon-Hwa and fun, flirty summer camp Luke, caught in a delicious tug-of-war. As Marmalade struggles in the deep end with new love and longing, will her emotions get the better of her, or will she find the courage to choose the path that leads to her dreams? Will she flounder, tread water, or gracefully glide as a girlfriend, a friend, a novice poet, and a summer camp counselor, as she searches for her place in the universe.

From every “beautiful mornin’” to “some enchanted evening,” the songs of Oscar Hammerstein II are part of our daily lives, his words part of our national fabric. Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new life into the moribund art form of operetta by writing lyrics and libretti for such classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg) and Song of the Flame (George Gershwin). Hammerstein and Jerome Kern wrote eight musicals together, including Sweet Adeline, Music in the Air, and their masterpiece, Show Boat. The vibrant Carmen Jones was Hammerstein’s all-black adaptation of the tragic opera by Georges Bizet. In 1943, Hammerstein, pioneer in the field of operetta, joined forces with Richard Rodgers, who had for the previous twenty-five years taken great strides in the field of musical comedy with his longtime writing partner, Lorenz Hart. The first Rodgers and Hammerstein work, Oklahoma!, merged the two styles into a completely new genre—the musical play—and simultaneously launched the most successful partnership in American musical theater. Over the next seventeen years, Rodgers and Hammerstein wrote eight more Broadway musicals: Carousel, Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music. They also wrote a movie musical (State Fair) and one for television (Cinderella). Collectively their works have earned dozens of awards, including Pulitzers, Tonys, Oscars, Grammys, and Emmys. Throughout his career, Hammerstein created works of lyrical beauty and universal feeling, and he continually strove—sometimes against fashion—to seek out the good and beautiful in the world. “I know the world is filled with troubles and many injustices,” he once said. “But reality is as beautiful as it is ugly . . . I just couldn’t write anything without hope in it.” All of his lyrics are here—850, more than a quarter published for the first time—in this sixth book in the indispensable Complete Lyrics series that has also brought us the lyrics of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. From the young scribe’s earliest attempts to the old master’s final lyric—“Edelweiss”—we can see, read, and, yes, sing the words of a theatrical and lyrical genius.