In 1923, Maddie's family is reunited when her brother finally comes home to England after fighting in the Great War, but when she discovers that he is an impostor, Maddie faces the loss of both her new brother and his horse, which she has grown to love.

From the history-cloaked towns of Normandy and the fragrant lavender fields in Provence to the dew-kissed vineyards of Burgundy and Aquitaine, nothing compares with the beauty and the romance of France. The latest offering from the editors of Victoria magazine, Our Hearts Are in France takes readers on a memorable journey through this majestic country, where centuries-old chateaux rise from the riverbanks and snow-dusted mountains give way to rolling hills and fertile valleys sprinkled with tiny villages, each one more enchanting than the last. We visit the eternally alluring City of Light, where Julia Child honed her culinary skills, Parisians stroll pocket gardens brimming with roses, and love blooms beneath the graceful curves of the Eiffel Tower. Our Hearts Are in France is replete with page after page of beautiful interiors, from the idyllic retreat of Marie Antoinette and a pastoral farmhouse in Provence to the quaint quarters of an American in Paris, as well as with ideas for creating personal Gallic-inspired sanctuaries. And should one's palate long for a taste of French cuisine, we offer a cache of delectable recipes that are certain to delight both sweet and savory yearnings. Equal parts travel guide, design compendium, and cookbook--and a must for any Francophile-- Our Hearts Are in France honors and celebrates this magical land that holds such a special place in our hearts.

Our Hearts Are in England offers an impassioned salute to our most cherished destinations.

Victorian Poetry and the Culture of the Heart is a significant and timely study of nineteenth-century poetry and poetics. It considers why and how the heart became a vital image in Victorian poetry, and argues that the intense focus on heart imagery in many major Victorian poems highlights anxieties in this period about the ability of poetry to act upon its readers. In the course of the nineteenth century, this study argues, increased doubt about the validity of feeling led to the depiction of the literary heart as alienated, distant, outside the control of mind and will. This coincided with a notable rise in medical literature specifically concerned with the pathological heart, and with the development of new techniques and instruments of investigation such as the stethoscope. As poets feared for the health of their own hearts, their poetry embodies concerns about a widespread culture of heartsickness in both form and content. In addition, concerns about the heart's status and actions reflect upon questions of religious faith and doubt, and feed into issues of gender and nationalism. This book argues that it is vital to understand how this wider culture of the heart informed poetry and was in turn influenced by poetic constructs. Individual chapters on Barrett Browning, Arnold, and Tennyson explore the vital presence of the heart in major works by these poets - including Aurora Leigh, 'Empedocles on Etna', In Memoriam, and Maud - while the wide-ranging opening chapters present an argument for the mutual influence of poetry and physiology in the period and trace the development of new theories of rhythm as organic and affective.

When newlyweds Grayson and Kathryn move to the suburbs from New York city, Kathryn unwittingly finds herself on a personal journey of self-discovery. She is challenged in ways she could not have imagined. She feels as if she is being pulled in two directions; where she must make a choice that will dictate who she will become, and ultimately, fulfill her life’s true destiny.

On October 15, 1983, a young mother of six was murdered while walking across her village of Huitzilan de Serdán, Mexico, with her infant son and one of her daughters. This woman, Victoria Bonilla, was among more than one hundred villagers who perished in violence that broke out soon after the Mexican army chopped down a cornfield that had been planted on an unused cattle pasture by forty Nahuat villagers. In this anthropological account, based on years of fieldwork in Huitzilan, James M. Taggart turns to Victoria's husband, Nacho Angel Hernández, to try to understand how a community based on respect and cooperation descended into horrific violence and fratricide. When the army chopped down the cornfield at Talcuaco, the war that broke out resulted in the complete breakdown of the social and moral order of the community. At its heart, this is a tragic love story, chronicling Nacho's feelings for Victoria spanning their courtship, marriage, family life, and her death. Nacho delivered his testimonio to the author in Nahuat, making it one of the few autobiographical love stories told in an Amerindian language, and a very rare account of love among the indigenous people of Mesoamerica. There is almost nothing in the literature on how a man develops and changes his feelings for his wife over his lifetime. This study contributes to the anthropology of emotion by focusing on how the Nahuat attempt to express love through language and ritual.