"In part 1, Alexander-Frizer investigates the relationship between folk literature and group identity via the stories' connection to Hebrew canonical sources, their historical connection to the land of origin, their treatment of prominent family members and historical events, and their connection to the surrounding culture in the lands of the Spanish Diaspora. Part 2 contains an analysis of several important genres and subgenres present in the folktales, including legends, ethical tales, fairy tales, novellas, and humorous tales. Finally, in part 3, Alexander-Frizer discusses the art of storytelling, introducing the theatrical and rhetorical aspects of Sephardic folktales, such as the storyteller, the audience, and the circumstances of time and place."--BOOK JACKET.

One of the very first Persian poets was a woman (Rabe’eh, who lived over a thousand years ago) and there have been women poets writing in Persian in virtually every generation since that time until the present. Before the twentieth century they tended to come from society’s social extremes. Many were princesses, a good number were hired entertainers of one kind or another, and they were active in many different countries – Iran of course, but also India, Afghanistan, and areas of central Asia that are now Uzbekistan, Turkmenistan, and Tajikistan. Not surprisingly, a lot of their poetry sounds like that of their male counterparts, but a lot doesn’t; there are distinctively bawdy and flirtatious poems by medieval women poets, poems from virtually every era in which the poet complains about her husband (sometimes light-heartedly, sometimes with poignant seriousness), touching poems on the death of a child, and many epigrams centered on little details that bring a life from hundreds of years ago vividly before our eyes. This new bilingual edition of The Mirror of My Heart – the poems in Persian and English on facing pages – is a unique and captivating collection introduced and translated by Dick Davis, an acclaimed scholar and translator of Persian literature as well as a gifted poet in his own right. In his introduction he provides fascinating background detail on Persian poetry written by women through the ages, including common themes and motifs and a brief overview of Iranian history showing how women poets have been affected by the changing dynasties. From Rabe’eh in the tenth century to Fatemeh Ekhtesari in the twenty-first, each of the eighty-four poets in this volume is introduced in a short biographical note, while explanatory notes give further insight into the poems themselves.

Sometimes illumination occurs spontaneously or, as Ram Dass experienced, in a heart-wrenching moment of opening. More commonly, it happens when we polish the mirror of the heart with daily practice—and see beyond the illusion of our transient thoughts and emotions to the vast and luminous landscape of our true nature. For five decades, Ram Dass has explored the depths of consciousness and love and brought them to life as service to others. With Polishing the Mirror, he gathers together his essential teachings for living in the eternal present, here and now. Readers will find within these pages a rich combination of perennial wisdom, humor, teaching stories, and detailed guidance on Ram Dass' own spiritual practices, including: Bhakti Yoga—opening our hearts to unconditional lovePractices for living, aging, dying, and embracing the natural flow of lifeKarma Yoga—how selfless service can profoundly transform usWorking with fear and suffering as a path to grace and freedomStep-by-step guidance in devotional chant, meditation and mantra practice, and much more For those new to Ram Dass' teachings, and for those to whom they are old friends, here is this vanguard spiritual explorer's complete guide to discovering who we are and why we are here, and how to become beacons of unconditional love.

This illustrated tale introduces children to the wondrous teachings from the Muslim theologian and mystic al-Ghazali (1058–1111CE) This enchanting tale illustrates how that the human heart is like a rusty mirror which, when polished through beautiful doings, is able to reflect the real essence of all things. In addition to this story is a poem by the renowned poet, Coleman Barks. Both draw on the same account found in Ghazali's The Marvels of the Heart, Book XXI, of his magnum opus,The Revival of Religious Sciences.

Nick Hodges had always been a troublesome boy. Growing up an orphan in his Uncle Jack's care in a small New England town wasn't easy. Everyone was a little wary, a little watchful—a little too watchful. One day, while Nick is walking in the woods, a neighbor thinks she sees him miles from where he actually is. Soon a series of events reinforcing Nick's hotheaded reputation unfold. The incidents become increasingly serious until, finally, Nick is the scapegoat for a much more sinister crime, one that he wouldn't even think of committing. As he uncovers history of the town's influenza epidemic, and as he observes a strange occurrence in the graveyard, Nick begins to suspect something out of the ordinary is happening. And when he sees a figure running in the woods wearing the mirror image of his own shirt, Nick starts to piece together some of the answers—answers no one could have imagined. James Lincoln Collier has written a haunting story of a boy and his reflection—and what happens when two souls want to inhabit the same living body.