From #1 New York Times bestseller Oliver Jeffers, comes a poignant and beautiful story about finding joy after loss. There is a wonder and magic to childhood. We don’t realize it at the time, of course . . . yet the adults in our lives do. They encourage us to see things in the stars, to find joy in colors and laughter as we play. But what happens when that special someone who encourages such wonder and magic is no longer around? We can hide, we can place our heart in a bottle and grow up . . . or we can find another special someone who understands the magic. And we can encourage them to see things in the stars, find joy among colors and laughter as they play. Oliver Jeffers delivers a remarkable book, a touching and resonant tale reminiscent of The Giving Tree that will speak to the hearts of children and parents alike.

On a winter's day in 2002, a bottle shaped like a tear washed up on the Kent coast. It contained a letter written in French, a lock of hair, and a mystery. Only one thing could be known for certain—that the writer of the letter was a mother, grieving for her lost child, Maurice. Moved by the woman's heartache, Karen Liebreich sets out on an epic journey to piece together the mother's story. Her book is the amazing true story of one woman's search for another, and a poignant reflection on love, loss, and motherhood. In this revised edition Liebreich concludes her epic quest, finally meeting the woman who sent the bottle years before, and coming to understand the loss that was at the heart of one mother's impulse to communicate with the unknown.

A TIME Best Children's Book of 2019! A Chicago Public Library 2019 Best of the Best Book! *"This minimalistic masterpiece is a must-read for all ages." --School Library Journal (starred review!) A quirky, cautionary tale from beloved New York Times bestselling picture book creator Oliver Jeffers! There was once a man who believed he owned everything and set out to survey what was his. "You are mine," Fausto said to the flower, the sheep, and the mountain, and they all bowed before him. But they were not enough for Fausto, so he conquered a boat and set out to sea . . . Combining bold art and powerful prose, and working in traditional lithographic printmaking techniques for the first time, world-renowned talent Oliver Jeffers has created a poignant modern-day fable to touch the hearts of adults and children alike. Praise for The Fate of Fausto: "Jeffers paints Fausto and the objects of his desire with the nonchalant finesse he is known for and in the richly saturated colors he generally favors... Jeffers delivers swift justice in a few concluding words that make for an ending that satisfies for being both fair-minded and irrevocable."--New York Times Book Review "Boldly conceived and gracefully executed."--Publishers Weekly "A parable sure to spark lively discussions." --Booklist "A cautionary fable on the banality of belligerence." --Kirkus Reviews

The New York Times Best Illustrated Picture Book, now in an oversized trim for added value and fun! The Hueys are small and mischievous, unique compared to the world's other creatures--but hardly unique to one another. You see, each Huey looks the same, thinks the same, and does the same exact things. So you can imagine the chaos when one of them has the idea of knitting a sweater! It seems like a good idea at the time--he is quite proud of it, in fact--but it does make him different from the others. So the rest of the Hueys, in turn, decide that they want to be different too! How? By knitting the exact same sweater, of course! The first in a series of child-friendly concept books by the #1 bestselling artist of The Day the Crayons Quit, How to Catch a Star, Stuck, and This Moose Belongs to Me, The New Sweater proves that standing apart can be accomplished even when standing together.

The two-time Caldecott Honor artist shares “a sumptuously illustrated fable about the magic of storytelling and the power of imagination” (School Library Journal, starred review). When a little girl receives a curious book filled only with pictures, a whisper urges her to supply the words she cannot see. As the pages turn, her imagination takes flight and she discovers that the greatest storyteller of all might come from within. Pamela Zagarenski’s debut as an author reminds us that we each bring something different to the same book. "Surreal, staggering mixed-media paintings make traveling across such beautifully varied and bizarre storyscapes exhilarating."—Kirkus, starred review

Approved by the FDA in 2005 as the first drug with a race-specific indication on its label, BiDil was touted as a pathbreaking therapy to treat heart failure in black patients. Kahn reveals that, at the most basic level, BiDil became racial through legal maneuvering and commercial pressure as much as through medical understandings of how the drug worked. He examines the legal and calls for a more reasoned approach to using race in biomedical research and practice.

"Introduces the reader on how to work together in certain situations"--