A riveting new haunted house mystery that will keep you guessing until the end!When Peyton and Benjamin Fletcher inherit a dilapidated house in the quiet town of Falconwood, Connecticut from Peyton's grandfather, all they want to do is get rid of it. Unfortunately, the will stipulates that the couple must live in the house for a minimum of six months before they sell it. As Peyton and Ben try to make the best of the situation, Peyton discovers the house is inhabited by ghosts, and they aren't happy with the mansion's new occupants.

The complicated history of the Saxton house has been long forgotten. Few in the town of Cypress Creek even remember the house and what had occurred inside its walls decades before. In the present time, author Rob Hooper and his wife, Janet, are looking for a quiet place to live. The grandiose, isolated Victorian-style relic is everything they could want. A mysterious, widowed owner offers them a deal that can't be passed up. But they quickly discover that some things are too good to be true.

Trapped in a haunted ski lodge by the season's worst snowstorm, Lucia deals with the consequences of a mysterious murder.When Lucia Star, a fake psychic and desperate for cash, takes a job at a ski lodge in the mountains of Vermont, she ends up in the middle of a real-life haunting. Soon, the ghosts are out in full force, and Lucia is stunned to discover she's one of only two people who can communicate with them. Can Lucia give the spirits what they want?

Part puzzle, part revenge tale, part ghost story, this ingenious novel spins half a century of Vietnamese history and folklore into “a thrilling read, acrobatic and filled with verve” (The New York Times Editors’ Choice). FINALIST FOR THE CENTER FOR FICTION’S FIRST NOVEL PRIZE • LONGLISTED FOR THE WOMEN’S PRIZE FOR FICTION • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, Good Housekeeping, Kirkus Reviews “Fiction as daring and accomplished as Violet Kupersmith’s first novel reignites my love of the form and its kaleidoscopic possibilities.”—David Mitchell, author of Cloud Atlas Two young women go missing decades apart. Both are fearless, both are lost. And both will have their revenge. 1986: The teenage daughter of a wealthy Vietnamese family loses her way in an abandoned rubber plantation while fleeing her angry father and is forever changed. 2011: A young, unhappy Vietnamese American woman disappears from her new home in Saigon without a trace. The fates of these two women are inescapably linked, bound together by past generations, by ghosts and ancestors, by the history of possessed bodies and possessed lands. Alongside them, we meet a young boy who is sent to a boarding school for the métis children of French expatriates, just before Vietnam declares its independence from colonial rule; two Frenchmen who are trying to start a business with the Vietnam War on the horizon; and the employees of the Saigon Spirit Eradication Co., who find themselves investigating strange occurrences in a farmhouse on the edge of a forest. Each new character and timeline brings us one step closer to understanding what binds them all. Build Your House Around My Body takes us from colonial mansions to ramshackle zoos, from sweaty nightclubs to the jostling seats of motorbikes, from ex-pat flats to sizzling back-alley street carts. Spanning more than fifty years of Vietnamese history and barreling toward an unforgettable conclusion, this is a time-traveling, heart-pounding, border-crossing fever dream of a novel that will haunt you long after the last page.

Natasha Wadis Banks is an English teacher who loves the topic of existentialism. She passionately believes that knowing one’s place in the world is of the utmost importance. Through her haunting dreams, Natasha is constantly reminded of what’s at stake if she doesn’t live the life providence decreed for her. Although she is guilt-ridden and drowning in the fear that she has somehow sabotaged her own destiny, Natasha follows her heart to find freedom and recapture what she relinquished years ago. Together, she and a dear friend, Damir, take a journey across the world that changes the course of their lives. With the sudden appearance of an old acquaintance, Damir senses that what he and Natasha share will be put to the test. Will the unforeseen events bind the three together in unexpected ways or threaten their intertwined destinies? When I Wake is the tale of a young woman’s quest for knowledge of self and restoration. While on this important mission there is the realization that serendipity is the reward of a life determined to live.

'The Interpreter isn't merely the sequel to New Finnish Grammar and The Last of the Vostyachs: it is a singular and deeply felt thesis, a warped manifesto of sorts, derived from a career spent immersed in languages. For Marani is up to his old tricks. Like in its predecessors, the novel comes dripping in satire, but this time of a more avowedly self reflexive nature... A primordial, universal language is the trick, and it is this which, and it is this with which Marani's interpreter, the shape-shifter at the heart of this masked ball of a novel, purports to have 'infected' Felix. His 'incomprehensible blather' might in fact be 'the ancient language of Eden, the one in which the serpent spoke to Adam'. Marani's ideas are typically far-reaching and provocative.' Thea Lenarduzzi in The Times Literary Supplement 'This is more of a romp than the other two novels, more comedic, albeit a very dark kind of comedy; part investigation into the properties of language, part thriller. The only lead Bellamy has is a list of seemingly random cities: Vancouver, San Diego, Papeete, Vladivostok, Odessa ... At one point he is sent to a sinister therapeutic institution, where patients are taught languages unknown to them in order to address their problems (Bellamy is assigned Romanian. Each language has its own therapeutic effect, but “English is the language of cowards and queers,” says an inmate angrily at one point, which is certainly a new way of looking at it). When we find out what links the list of cities together we realise that we have, in a most enjoyable way, been subject to a kind of superior shaggy dog story. Marani understands the appeal of the idea of the primordial language, but knows well enough that it is a Snark, a chimera, which is why the novel ends the way it does, why it is deliberately not as haunting as Grammar and Vostyachs, and also why Marani says this is the last time he’ll address the subject in fiction. It is excellently translated by Judith Landry, who I hope is not suffering like Marani’s characters.' Nick Lezard's Choice in The Guardian

NEW YORK TIMES BESTSELLER • Now a major motion picture directed by Martin Scorsese and starring Leonardo DiCaprio By day he made thousands of dollars a minute. By night he spent it as fast as he could. From the binge that sank a 170-foot motor yacht and ran up a $700,000 hotel tab, to the wife and kids waiting at home and the fast-talking, hard-partying young stockbrokers who called him king, here, in Jordan Belfort’s own words, is the story of the ill-fated genius they called the Wolf of Wall Street. In the 1990s, Belfort became one of the most infamous kingpins in American finance: a brilliant, conniving stock-chopper who led his merry mob on a wild ride out of Wall Street and into a massive office on Long Island. It’s an extraordinary story of greed, power, and excess that no one could invent: the tale of an ordinary guy who went from hustling Italian ices to making hundreds of millions—until it all came crashing down. Praise for The Wolf of Wall Street “Raw and frequently hilarious.”—The New York Times “A rollicking tale of [Jordan Belfort’s] rise to riches as head of the infamous boiler room Stratton Oakmont . . . proof that there are indeed second acts in American lives.”—Forbes “A cross between Tom Wolfe’s The Bonfire of the Vanities and Scorsese’s GoodFellas . . . Belfort has the Midas touch.”—The Sunday Times (London) “Entertaining as pulp fiction, real as a federal indictment . . . a hell of a read.”—Kirkus Reviews