The Haunting of Sunshine Girl is the first in a frighteningly good new series based on the popular YouTube sensation The Haunting of Sunshine Girl Network, created by Paige McKenzie. In that place where you're more asleep than awake any more, I hear something else. A phrase uttered in a child's voice, no more than a whisper: Night Night. Something freaky's going on with Sunshine's new house . . . there's the chill that wraps itself around her bones, the giggling she can hear in the dead of night, and then the strange shadows that lurk in her photographs. But the more weird stuff that happens, the less her mum believes her. Sunshine's always had a quirky affiliation with the past, but this time, history is getting much too close for comfort . . . If there is something, or someone, haunting her house, what do they want? And what will they do if Sunshine can't help them? As things become more frightening and dangerous, and the giggles she hears turn to sobs and screams, Sunshine has no choice but to accept what she is, face the test before her and save her mother from a fate worse than death.

From that cheerful puff of smoke known as Casper to the hunkiest potter living or dead, Sam Wheat, there is probably no more iconic entity in supernatural history than the ghost. And these are just recent examples. From the earliest writings such as the Epic of Gilgamesh to today’s ghost-hunting reality TV shows, ghosts have chilled the air of nearly every era and every culture in human history. In this book, Lisa Morton uses her scholarly prowess—more powerful than any proton pack—to wrangle together history’s most enduring ghosts into an entertaining and comprehensive look at what otherwise seems to always evade our eyes. Tracing the ghost’s constantly shifting contours, Morton asks the most direct question—What exactly is a ghost?—and examines related entities such as poltergeists, wraiths, and revenants. She asks how a ghost is related to a soul, and she outlines all the different kinds of ghosts there are. To do so, she visits the spirits of the classical world, including the five-part Egyptian soul and the first haunted-house, conceived in the Roman playwright Plautus’s comedy, Mostellaria. She confronts us with the frightening phantoms of the Middle Ages—who could incinerate priests and devour children—and reminds us of the nineteenth-century rise of Spiritualism, a religion essentially devoted to ghosts. She visits with the Indian bhuta and goes to the Hungry Ghost Festival in China, and of course she spends time in Mexico, where ghosts have a particularly strong grip on belief and culture. Along the way she gathers the ectoplasmic residues seeping from books and film reels, from the Gothic novel The Castle of Otranto to the 2007 blockbuster Paranormal Activity, from the stories of Ann Radcliffe to those of Stephen King. Wide-ranging, informative, and slicked with over fifty unearthly images, Ghosts is an entertaining read of a cultural phenomenon that will delight anyone, whether they believe in ghosts or not.

· What unspeakable horror glimpsed in the basement of a private library in West Yorkshire drove a man to madness and an early grave? · What led to an underground echo chamber in a Manchester recording studio being sealed up for good? · What creature walks the endless sands of Lancashire's Fleetwood Bay, and what connects it to an unmanned craft washed ashore in Port Elizabeth, nearly six thousand miles away? In 2009 Jeremy Dyson was contacted by a journalist wanting help bringing together accounts of true life ghost stories from across the British Isles. The Haunted Book chronicles the journey Dyson, formerly a hardened sceptic, went on to uncover the truth behind these tales.

The Haunted Looking Glass is the late Edward Gorey's selection of his favorite tales of ghosts, ghouls, and grisly goings-on. It includes stories by Charles Dickens, Wilkie Collins, M. R. James, W. W. Jacobs, and L. P. Hartley, among other masters of the fine art of making the flesh creep, all accompanied by Gorey's inimitable illustrations. ALGERNON BLACKWOOD, "The Empty House" W.F. HARVEY, "August Heat" CHARLES DICKENS, "The Signalman" L.P. HARTLEY, "A Visitor from Down Under" R.H. MALDEN, "The Thirteenth Tree" ROBERT LOUIS STEVENSON, "The Body-Snatcher" E. NESBIT, "Man-Size in Marble" BRAM STOKER, "The Judge's House" TOM HOOD, "The Shadow of a Shade" W.W. JACOBS, "The Monkey's Paw," WILKIE COLLINS, "The Dream Woman" M.R. JAMES, "Casting the Runes"

• More than 60 frightening tales • Covers all regions of the state An entertaining look at supernatural phenomena in New York, including the ghost of a British soldier at Fort Ontario, Champ the Lake Champlain monster, the haunted castle of Captain Beardslee, spirits in Manhattan's oldest house, the alien abduction at the Brooklyn Bridge, and many more.

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.

Eerie stories of ghosts, spirits, and hauntings from across the Keystone State.