David Langston is the harvester – a recluse, twenty-six year old man whose best friend is his dog. He lives alone in the Medicine Woods, where he cultivates and harvests plants, wild barks, roots, leaves, herbs, edible and medicinal fungi which are used for medicines. David's life changes when he meets a woman of his dreams. He finds her in the clutches of her malicious uncle and he must rescue her and gain her trust.

"It was high noon in the desert, but there was no dazzling sunlight. Over the earth hung a twilight, a yellow-pink softness that flushed across the sky like the approach of a shadow, covering everything yet concealing nothing, creeping steadily onward, yet seemingly still, until, pressing low over the earth, it took on changing color, from pink to gray, from gray to black-gloom that precedes tropical showers. Then the wind came-a breeze rising as it were from the hot earth-forcing the Spanish dagger to dipping acknowledgment, sending dust-devils swirling across the slow curves of the desert-and then the storm burst in all its might. For this was a storm-a sand-storm of the Southwest."

This bibliography will give comprehensive coverage to published commentary in English on Shakespeare and the Classical Tradition during the period from 1961-1985. Doctoral dissertations will also be included. Each entry will provide a clear and detailed summary of an item's contents. For pomes and plays based directly on classical sources like Antony and Cleopatra and The Rape of Lucrece, virtually all significant scholarly work during the period covered will be annotated. For other works such as Hamlet, any scholarship that deals with classical connotations will be annotated. Any other bibliographies used in the compiling of this volume will be described with emphasis on their value to a student of Shakespeare and the Classics.

Gene Stratton-Porter's 'The Beloved Children's Book Classics of Gene Stratton-Porter' is a collection of heartwarming stories that have captured the hearts of readers for generations. This anthology includes timeless tales such as 'Freckles', 'A Girl of the Limberlost', and 'Laddie', all of which showcase the author's deep connection to nature and her profound understanding of human emotions. Porter's descriptive prose and vivid imagery transport readers to the lush landscapes of the Indiana wilderness, where her stories are set, creating a sense of nostalgia and wonder that is truly enchanting. Her writing style is gentle yet powerful, making her stories accessible to readers of all ages and backgrounds. Gene Stratton-Porter's works continue to resonate with readers today, as they explore themes of love, family, and the beauty of the natural world. As an author, Porter drew inspiration from her own experiences living in the natural beauty of Indiana, which shines through in her heartfelt stories. Her dedication to preserving nature and celebrating its wonders is evident in her writing, making her a pioneer in the conservation movement. 'The Beloved Children's Book Classics of Gene Stratton-Porter' is a must-read for anyone who appreciates timeless storytelling, rich descriptions of nature, and insightful portrayals of human emotion. This anthology is a treasure trove of literary gems that will captivate readers of all ages and remind them of the enduring power of storytelling.

Gothic Classics: 60+ Books in One Volume presents an unparalleled collection that traces the development and transformations of the Gothic genre across centuries and continents. Encompassing a broad spectrum of literary stylesfrom the foreboding ruins and landscapes of the 18th century to the psychological hauntings of the 19th and early 20th centuriesthis anthology highlights the thematic richness and diversity of Gothic literature. The works included offer readers a unique journey through terror, romance, and the supernatural, showcasing the evolution of the genre and including standout pieces that have influenced the shape of horror and speculative fiction as we know it today. The contributing authors and editors, a veritable who's who of literary giants such as Charles Dickens, Edgar Allan Poe, and Mary Shelley, bring together a mosaic of backgrounds, perspectives, and voices. These creators, many of whom were at the forefront of the Romantic, Victorian, and early modernist movements, offer a multi-faceted exploration of Gothic themes. Their collective oeuvre, reflective of the societal anxieties and fascinations of their times, enriches this anthology by presenting varied narratives that challenge the boundaries between the mortal and the spectral, the oppressor and the oppressed. Gothic Classics: 60+ Books in One Volume is an indispensable addition for students, scholars, and aficionados of the Gothic. This anthology invites readers into a labyrinth of haunted estates, forbidden desires, and ineffable mysteries, offering a comprehensive compendium that spans over two centuries of literary achievement. Through its pages, one discovers not only the depths of human imagination but also the enduring allure of the Gothic story, making it a perfect resource for those seeking to immerse themselves in the shadows and subtleties of Gothic literature's rich legacy.

Greek and Roman Classics in the British Struggle for Social Reform presents an original and carefully argued case for the importance of classical ideas, education and self-education in the personal development and activities of British social reformers in the 19th and first six decades of the 20th century. Usually drawn from the lower echelons of the middle class and the most aspirational artisanal and working-class circles, the prominent reformers, revolutionaries, feminists and educationalists of this era, far from regarding education in Latin and Greek as the preserve of the upper classes and inherently reactionary, were consistently inspired by the Mediterranean Classics and contested the monopoly on access to them often claimed by the wealthy and aristocratic elite. The essays, several of which draw on previously neglected and unpublished sources, cover literary figures (Coleridge, the 'Cockney Classicist' poets including Keats, and Dickens), different cultural media (burlesque theatre, body-building, banner art, poetry, journalism and fiction), topics in social reform (the desirability of revolution, suffrage, poverty, social exclusion, women's rights, healthcare, eugenics, town planning, race relations and workers' education), as well as political affiliations and agencies (Chartists, Trade Unions, the WEA, political parties including the Fabians, the Communist Party of Great Britain and the Labour Party). The sixteen essays in this volume restore to the history of British Classics some of the subject's ideological complexity and instrumentality in social progress, a past which is badly needed in the current debates over the future of the discipline. Contributors include specialists in English Literature, History, Classics and Art.

This book explores how the classical economists explained the status of women in society. As the essays show, the focus of the classical school was not nearly as limited to the activities of men as conventional wisdom has supposed. Chris Nyland from Monash University.