Zogi defied King Bantu Banujala by going behind the Hago Gate, resulting in two outcomes: * The appearance of the Harlem Magical Playground, which usually brought excitement to Harlem's citizens and its neighboring kingdoms. * The appearance of the Harlem Beast, bent on disrupting the lives of everyone, both near and far. The citizens of Harlem cannot stop asking: Who is to blame for the Harlem Beast? Is it Zogi who'd been determined to uncover the secrets behind the Hago Gate - and as result had defied King Bantu Banujala by going behind the Hago Gate? Or is it King Bantu Banujala, who, despite his risky position, refused to confess to his secret past? The citizens of Harlem are divided on this. Only time will tell as events unfold in the Kingdom of Harlem. Zogi pursues the origin of his birthmark, will he uncover the truth about his real identify?

Now in paperback. Anthony Spoon Witherspoon's first true love Gabi is prey for the Beast back in Harlem while he's at prep school. Spoon's battle to save Gabi challenges his feelings about the community--and the girl.

Andrew B. Leiter presents the first book-length study of the sexually violent African American man, or "black beast," as a composite literary phenomenon. According to Leiter, the black beast theme served as a fundamental link between the Harlem and Southern Renaissances, with writers from both movements exploring its psychological, cultural, and social ramifications. Indeed, Leiter asserts that the two groups consciously engaged one another's work as they struggled to define roles for black masculinity in a society that viewed the black beast as the raison d'être for segregation. Leiter begins by tracing the nineteenth-century origins of the black beast image, and then provides close readings of eight writers who demonstrate the crucial impact anxieties about black masculinity and interracial sexuality had on the formation of American literary modernism. James Weldon Johnson's The Autobiography of an Ex-Colored Man, Walter White's The Fire in the Flint, George Schuyler's Black No More, William Faulkner's Light in August, Margaret Mitchell's Gone with the Wind, Allen Tate's The Fathers, Erskine Caldwell's Trouble in July, and Richard Wright's Native Son, as well as other works, provide strong evidence that perceptions of black male sexual violence shaped segregation, protest traditions, and the literature that arose from them. Leiter maintains that the environment of southern race relations -- which allowed such atrocities as the Atlanta riot of 1906, numerous lynchings, Virginia's Racial Integrity Act, and the Scottsboro trials -- influenced in part the development of both the Harlem and Southern Renaissances. While the black beast image had the most pernicious impact on African American individual and communal identities, he says the "threat" of black masculinity also shaped concepts of white national and communal identities, as well as white femininity and masculinity. In the Shadow of the Black Beast signals a fresh interpretation of a literary stereotype within its social and historical context.

A visit to his Harlem neighborhood and the discovery that the girl he loves is using drugs give sixteen-year-old Anthony Witherspoon a new perspective both on his home and on his life at a Connecticut prep school.

Walter Dean Myers, preeminent author of teen fiction biography and verse, refines the image of black characters that are frequently trivialized or vilified in juvenile literature, advertising, television, and film. From his saga The Glory Field to his novel The Young Landlords, Myers's canon surveys the complex realm of the teen years as colliding settings in home, school, and the street. This volume introduces readers to both the writer and his work, with an emphasis on the characters, dates, events, motifs, and themes from the books. Myers's 101 A-to-Z entries offer concise, analytical discussion on all topics and include generous citations from primary and secondary sources. Each entry concludes with a selected bibliography on such subjects as segregation, Malcolm X, urbanism, writing, metafiction, drugs and alcohol, slavery, and the Vietnam War. Appendices offer a timeline of historical events in Myers's writings and forty topics for group or individual projects, oral analysis, background material, and theme development. A map of Harlem (where many of the stories are set), genealogical diagrams for characters, and an author chronology contribute to a comprehensive presentation.

Drawing on theories of sublimity, trauma, and ecocriticism, this book examines how the often sharp division between European American and African American experiences of the natural world developed in American culture and history, and how those natural experiences, in turn, shaped the construction of race.

The Harlem Renaissance was an exciting period in American history, and readers are placed in the middle of this vibrant African American cultural movement through engaging main text, annotated quotations from historical figures and scholars, and carefully selected primary sources. Eye-catching sidebars and a comprehensive timeline highlight important artists, writers, and works from the Harlem Renaissance to give readers a strong sense of this essential social studies curriculum topic. The influence of the Harlem Renaissance can still be seen in the cultural contributions of African Americans today, making this a topic that is sure to resonate with readers.