For more than three thousand years, the mysterious events surrounding the death of Ramesses III have puzzled historians and students of ancient Egypt. Now, archaeologist Susan Redford investigates the circumstances of the ancient pharaoh's death and discovers among the women of his harem the threads of a murder conspiracy. From new translations of ancient papyri and careful readings of temple carvings, Redford identifies the suspects in the assassination--wives, concubines, and attendants. She evaluates the evidence against them and outlines a possible murder plot that turns upon a shocking revelation about the pharaoh's immediate family. On the basis of new discoveries relating to the identity of Ramesses III's queens and their sons, she uncovers a primary motive for regicide and presents persuasive evidence of a palace revolt. Divisions between clans and rival lineages, she argues, gave rise to a plot to murder the king. Richly illustrated with thirty photos and diagrams, Redford's groundbreaking investigation of the plot to murder "the last of the great pharaohs" offers an extraordinary vision of the ancient Egyptian world.

The royal mummies in the Cairo Museum are an important source of information about the lives of the ancient Egyptians. The remains of these pharaohs and queens can inform us about their age at death and medical conditions from which they may have suffered, as well as the mummification process and objects placed within the wrappings. Using the latest technology, including Multi-Detector Computed Tomography and DNA analysis, the authors present the results of the examination of the royal mummies. New imaging techniques not only reveal a wealth of information about each mummy, but render amazingly lifelike and detailed images of the remains.

"The Egyptians were people of flesh and blood, capable of both greatness and weakness, masters of ambitious projects but also slaves to banal preoccupations. They imposed their vision of the world on their environment, but they were weighed down by the burden of the human condition. In short, they were like any of us. And like ours, their society had its affairs, its scandals, its uncertainties, and its rifts."--from the Preface Drawing on ancient texts, archaeological reports, and other sources, Pascal Vernus focuses attention on the human failings of the too-often-mythologized Egyptians. Affairs and Scandals in Ancient Egypt treats instances of significant corruption--which, according to Vernus, constitute a crisis of values--in New Kingdom Egypt. His discoveries afford sobering new insights into the tension between stated beliefs and actual behavior in ancient Egyptian civilization. The examples of corruption Vernus describes run the gamut from graverobbing to labor unrest, from embezzlement to palace intrigue. The first chapter deals with the tomb robberies in the Theban necropolis during the Twentieth Dynasty. The second outlines the economic context and events associated with strikes carried out by the workmen of the royal necropolis. The third chapter uses a certain Paneb as an exemplar of corruption in the area of Thebes. Chapter 4 considers the theft of government property and attempted cover-ups in the Aswan region. The last example may be the most dramatic--the conspiracy in the royal women's quarters in the last year of Ramesses III aimed at affecting the succession to the throne. In the book's final chapter, Vernus analyzes the historical contexts and the main issues surrounding each scandal.

【A story by USA Today bestselling author becomes a comic!】Natasha went to the London police to report the theft of her car, and she met Rakhal, the crown prince of a Middle Eastern country. His beautiful face and hypnotic eyes captured her heart instantly and drew her into a sensual night. She knew it could only ever be a memory for her. Yet, despite everything, Rakhal whisked her away to his own country the next morning. Will Natasha and Rakhal be able to find a love between two worlds?

The first comprehensive treatment of Ramesses III in English by top scholars in the field

Rich in visual imagery, Harem vividly depicts the exotic bazaars and dangerous alleys of the city and palace chambers brimming with conspiracy and betrayal—as well as love and redemption. A seductive and intriguing journey from the humble Persian Jewish quarter to the fascinating world of shahs, soothsayers, eunuchs, and sultanas, Harem follows three generations of strong-willed and cunning women: Rebekah—a poor girl married to the abusive blacksmith, Jacob the fatherless—who emerges from her disastrous match with a mysterious brand between her breasts; Gold Dust, Rebekah's treasured daughter, who enters the opulent and perilous world of the harem and captivates the shah with her singing bones; and Gold Dust's daughter, the revered and feared albino princess Raven, who will one day rule the empire.

The first-of-its-kind exhibit cataloged here focuses on the women of Egypt from all levels of society in works compiled strictly from American collections by American curators. Because the quantity of written records is limited (though enormous in comparison to most early societies), there is still much guesswork involved in determining the place women held in Egyptian society. It is clear that, unlike most ancient and not-so-ancient societies, Egypt conferred on women the legal right to own property and to barter their own goods, which means a larger record for current study. The essays here are both erudite and fascinating to read; the illustrations are clear and well presented in conjunction with the text. 117 colour & 112 b/w illustrations