Cartoon Research presents The Hare Raising Tales of Crusader Rabbit, the first made-for-television animated cartoon series, created by Alex Anderson. The book features the story behind the creation of the character, the series, and a complete episode guide of all 23 adventures. This includes series one, produced by Alex Anderson and Jay Ward's Television Arts Productions Inc. with Jerry Fairbanks, and series two, produced by Shull Bonsall and TV Spots, and how Bonsall acquired the character. The book also presents Anderson's creation of Rocky, Bullwinkle, and Dudley Do-Right. Original sketches, model sheets, and series snapshots.

Cartoon Research presents "Jay Ward's Animated Cereal Capers." The origins, history and adventures of Cap'n Crunch, Quisp and Quake, and King Vitaman, cartoon commercials produced by Jay Ward Productions from 1963 to 1983. Included inside are original sketches, animation cell art work and complete episode title listing. A fun book that's guaranteed to stay crunchy even in milk.

In the fall of 1961, a new cartoon made its primetime network television debut, joining Hanna-Barbera's The Flintstones and Top Cat series. Titled Calvin and the Colonel, it was the creation of Freeman Gosden and Charles Correll, and was produced by Kayro Productions in association with MCA TV/Revue Studios. The new cartoon was anything but new; it was the reincarnation of Gosden and Correll's Amos 'n' Andy radio program. Amos and Andy storywriters Joe Connelly and Bob Mosher, who wrote for the radio show, were brought onboard to repurpose their old scripts for the new cartoon series. While characters Colonel Montgomery J. Klaxon and Calvin T. Burnside were animals, their voices, performed by Gosden and Correll, were identical to the radio's Andy Brown and George "Kingfish" Stevens characters. Explore this unique look at how Calvin and the Colonel became a cartoon, Gosden and Correll's previous 1934 animation venture, and all of the controversy that went with it.

What do we mean by the term "animation" when we are discussing film? Is it a technique? A style? A way of seeing or experiencing "a world" that has little relation to our own lived experience of "the world"? In Animated Worlds, contributors reveal the astonishing variety of "worlds" animation confronts us with. Essays range from close film analyses to phenomenological and cognitive approaches, spectatorship, performance, literary theory, and digital aesthetics. Authors include Vivian Sobchack, Richard Weihe, Thomas Lamarre, Paul Wells, and Karin Wehn.

Cartoon Research presents "Clutch Cargo's Adventure Log Book." It was promoted as television's "first moving comic strip." In the 60 years since Cambria Studios' Clutch Cargo series made its debut, it is perhaps best known by animation historians as the cartoon with talking human mouths superimposed on static art. This book takes a look not only at the adventures of Clutch, Spinner, and Paddlefoot, but at the real action going on behind the scenes. It's how studio owner, Ritchard Brown, along with comics artist Clark Haas, and inventor and photographer Edwin Gillette, pulled off the most amazing feat of early TV animation, and with virtually no budget. Witness the innovation, ingenuity, and creativity that brought this action hero to life on TV screens across the United States of America. This book contains an interview with the voice of Spinner and Paddlefoot, Margaret Kerry, previously published interview content with key players, original sketches, animation cel art, complete episode guide, and more.

Your Cartoons Will Never Be the Same. The history of animation in America is full of colorful characters - and that includes the animators themselves! Jim Korkis shares hundreds of funny, odd, endearing stories about the major animation studios, including Disney, Warner Brothers, MGM, Hanna-Barbera, and many more.

This story of medieval life follows the remarkable adventures of young Cuthbert de Lance, a lad who serves as a page to an English nobleman during the Third Crusade.