Having witnessed a murder with possible supernatural ties when he was an apprentice, the Carpenter works to solve an intricate mystery involving a purported witch coven leader who would avenge the deaths of her sisters.

Even death itself cannot keep three witches at bay... Paul Doherty relates the Carpenter's tale in The Hangman's Hymn - a tale of mystery and murder as he goes on pilgrimage from London to Canterbury. Perfect for fans of Ellis Peters and Susanna Gregory. Stumbling upon an execution, Chaucer's pilgrims witness a hanging that leaves the carpenter in a dead faint. That evening, he narrates the tale of a Gloucester hangman whose involvement in the secretive punishment of three witches unleashes a vicious spate of revenge killings. When homeless and jobless, Simon Cotterill joins a hangman's crew replacing a man who was himself sent to the gibbet, he feels rejected even by the desperate men he now works with. Until he learns the secret of how a hanged man can walk away from his own grave... Meanwhile from the forest paths around Gloucester, young women are disappearing. When a disfigured corpse is found, the mayor suspects a coven of witches is preying on vulnerable souls, and arrests three hideous hags. Afraid the town's prosperity could suffer from a reputation for witchcraft, he holds a midnight trial that condemns the women. They are taken to be hanged. But the unearthly sounds of the forest at night frighten even the hangmen, and a violent storm drives them to seek shelter, leaving the witches swinging from the gibbet tree. The next morning their bodies are gone. Then, one by one, every person who took part in the trial is found dead, and Simon is forced into hiding to save his own life... What readers are saying about Canterbury Tales Mysteries: 'Never fails to have me sitting up until way past my bed time wanting to know what happens next' 'You can almost feel yourself there' 'Spellbinding'

This collection compiles essays by medievalist scholars that examine the variety of ways authors have fictionalized the medieval period while meeting the challenge of creating engaging literature. More significantly, this project seeks to explore the importance of authenticity in these works of medievalism. The works discussed represent a variety of genres, including historical, young adult, Arthurian detective fiction, paranormal romance and fantasy, as well as adaptations of Beowulf and Chaucer's Canterbury Tales. Opening the collection are three essays by author-scholars who share their processes of creating an authentic medieval world appealing to a wide audience. The remaining seven essays by medievalist scholars examine a variety of medievalist texts, addressing the extent to which their authors adhere to the facts of the period, while at times necessarily filling in historical gaps in the process of creating these works. Each of the essays addresses the concept of authenticity in fiction about the Middle Ages; together, they become a lively conversation about authenticity in narratives of various genres.

Mass murder is committed in one of the Emperor's own villas - can Claudia hunt down the perpetrator? The Song of the Gladiator is the second dramatic historical novel from Paul Doherty, set in the turbulence of Roman society, to feature imperial secret agent Claudia. Perfect for fans of Lindsey Davis and Steven Saylor. 313AD, and tempers are rising in Rome. The Emperor Constantine and his mother Helena are trying to make sense of the new Christian religion which is spreading through the Empire - but the Christians can't agree among themselves. Scholars are locked in a bitter struggle over whether Christ really was the son of God, and Constantine invites delegates from both sides to debate before him at his villa. Now strange things start to happen. Envoys from both sides are found murdered in a most macabre way. The villa is secretly attacked, and the Holy Sword is stolen. Helena calls on the help of her secret agent Claudia - that shrewd, unobtrusive detective - to untangle the dangerous web of intrigue. As she sets to work, the spy is also facing a crisis in her own life... What readers are saying about Paul Doherty: 'Paul Doherty's books are a joy to read' 'The sounds and smells of the period seem to waft from the pages of [Paul Doherty's] books' 'A great read - I recommend to anyone who loves a good mystery'

The Norfolk coast is besieged by a series of murders - can Hugh Corbett find the killer? The Song of a Dark Angel is the eighth mystery in Paul Doherty's medieval series featuring intrepid sleuth Hugh Corbett. Perfect for fans of Robin Hobb and Michael Jecks. November 1302, and Sir Hugh Corbett, Edward I's Keeper of the Secret Seal, together with his manservant, Ranulf, and messenger, Maltote, are sent to Mortlake Manor on the Norfolk coast to confront an evil rarely seen before. A man's headless corpse, its head impaled on a pole, has been found on a beach and the pretty young wife of a local baker has been found hanging from a gallows. The scene is set for more gruesome deaths and Corbett soon realises that the icy wastes of Norfolk, where the eerie song of the Dark Angel wind chills those that live in the small villages along the coast, are just as treacherous as the silken intrigue at the royal court or the violence of London's fetid alleyways... What readers are saying about The Song of a Dark Angel: 'Paul Doherty's understanding of [the period's] political, social and religious history brings this medieval masterpiece alive' 'Paul's flair for the atmospheric and his skill with the mysterious combine to produce a page turning medieval mystery that I thoroughly enjoyed' 'Well written, good mystery that keeps you guessing until the end'

This study explores Chaucer's present-day cultural reputation by way of popular culture. In just the past two decades his texts have been adapted to a wide variety of popular genres, including television, stage, comic book, hip-hop, science fiction, horror, romance, and crime fiction. This cultural recycling involves a variety of functions but Chaucer's primary association is with the idea of pilgrimage and the prevailing tenor is populist satire. The target is not only cultural elitism but also the dominant discourse of professional Chaucerians. Academics in turn may have doubts about the value of popular Chaucer; popular culture theory, however, would maintain that such skepticism has less to do with critical discrimination than the assertion of social distinction. Nonetheless, the fact that Chaucer has a popular afterlife, and remains an ideological product over which competing groups lay claim, attests to his current cultural vitality.