"Trust me," the insect repeated. Franz did not. What if Franz Kafka did not succumb to tuberculosis at the age of 40? What if he awoke the day after his supposed death to find himself attended by the giant insect he once imagined in his own story The Metamorphosis? And what if he were recruited by a mysterious agency to investigate a rash of bizarre, mysterious murders plaguing 1924 Vienna? Murders that are possibly connected to an equally mysterious performer who commits suicide every night at the music hall (but cannot be connected to any crimes)? The Hanging Artist leads the newly rehabilitated Franz Kafka on an absurdist round of discoveries, the solution of which is more fantastical than anything he imagined. “Terrific” The Washington Post (‘The best science fiction and fantasy of 2019’).

Surrealist modern fantasy in which Franz Kafka, miraculously saved from the tuberculosis that killed him, investigates the supernatural with the aid of a giant cockroach. “Trust me,” the insect repeated. Franz did not. What if Franz Kafka did not succumb to tuberculosis at the age of 40? What if he awoke the day after his supposed death to find himself attended by the giant insect he once imagined in his own story The Metamorphosis? And what if he were recruited to investigate the bizarre circumstances surrounding a rash of mysterious hangings plaguing 1924 Vienna? Hangings that are possibly connected to an equally mysterious performer who commits suicide every night at the music hall (but cannot be connected to any crimes)? The Hanging Artist leads the newly rehabilitated Franz Kafka on an absurdist round of discoveries, the solution of which is more fantastical than anything he imagined.

To meet Freeman Vines is to meet America itself. An artist, a luthier and a spiritual philosopher, Vines' life is a roadmap of the truths and contradictions of the American South. He remembers the hidden histories of the eastern North Carolina land on which his family has lived since enslavement. For over 50 years Vines has transformed materials culled from a forgotten landscape in his relentless pursuit of building a guitar capable of producing a singular tone that has haunted his dreams. From tobacco barns, mule troughs, and radio parts he has created hand-carved guitars, each instrument seasoned down to the grain by the echoes of its past life. In 2015 Vines befriends photographer Timothy Duffy and the two begin to document the guitars, setting off a mutual outpouring of the creative spirit. But when Vines acquires a mysterious stack of wood from the site of a lynching, Vines and Duffy find themselves each grappling with the spiritual unrest and the psychic toll of racial violence living in the very grain of America.

The gripping story of post-Mao China and the harrowing fate of the artist and activist Ai Weiwei In October 2010, Ai Weiwei's Sunflower Seeds appeared in the Turbine Hall in the Tate Modern. In April 2011, he was arrested and held for more than two months in terrible conditions. The most famous living Chinese artist and activist, Weiwei is a figure of extraordinary talent, courage, and integrity. From the beginning of his career, he has spoken out against the world's most powerful totalitarian regime, in part by creating some of the most beautiful and mysterious artworks of our age, works which have touched millions around the world. Just after Ai Weiwei's release from illegal detention, Barnaby Martin flew to Beijing to interview him about his imprisonment and to learn more about what is really going on behind the scenes in the upper echelons of the Chinese Communist Party. Based on these interviews and Martin's own intimate connections with China, Hanging Man is an exploration of Weiwei's life, art, and activism and also a meditation on the creative process, and on the history of art in modern China. It is a rich picture of the man and his milieu, of what he is trying to communicate with his art, and of the growing campaign for democracy and accountability in China. It is a book about courage and hope found in the absence of freedom and justice.

A Summer/Fall 2018 Indies Introduce Debut Fiction Selection When Samuel Johnson dies, he finds himself in the body of the man who killed him, unable to depart this world but determined, at least, to return to the son he left behind. Moving from body to body as each one expires, Samuel’s soul journeys on a comic quest through an American half-century, inhabiting lives as stymied, in their ways, as his own. A ghost story of the most unexpected sort, Martin Riker’s extraordinary debut is about the ways experience is mediated, the unstoppable drive for human connection, and the struggle to be more fully alive in the world. Martin Riker grew up in central Pennsylvania. He worked as a musician for most of his twenties, in nonprofit literary publishing for most of his thirties, and has spent the first half of his forties teaching in the English department at Washington University in St. Louis. In 2010, he and his wife Danielle Dutton co-founded the feminist press Dorothy, a Publishing Project. His fiction and criticism have appeared in publications including the Wall Street Journal, the New York Times, London Review of Books, the Baffler, and Conjunctions. This is his first novel.

Diabolically funny and subversively philosophical, Italian novelist Giacomo Sartori’s I Am God is the diary of the Almighty’s existential crisis that erupts when he falls in love with a human. I am God. Have been forever, will be forever. Forever, mind you, with the razor-sharp glint of a diamond, and without any counterpart in the languages of men. So begins God’s diary of the existential crisis that ensues when, inexplicably, he falls in love with a human. And not just any human, but a geneticist and fanatical atheist who’s certain she can improve upon the magnificent creation she doesn’t even give him the credit for. It’s frustrating, for a god. God has infinitely bigger things to occupy his celestial attentions. Yet he can’t tear his eyes (so to speak) from the geneticist who’s unsettlingly avid when it comes to science, sex, and Sicilian cannoli. Whatever happens, he must safeguard his transcendental dignity. So he watches—disinterestedly, of course—as the handsome climatologist who has his sights set on her keeps having strange accidents. And as the lanky geneticist becomes hell-bent on infiltrating the Vatican’s secret files, for reasons of her own…. A sly critique of the hypocrisy and hubris that underlie faith in religion, science, and macho careerism, I Am God takes us on a hilarious and provocative romp through the Big Questions with the universe’s supreme storyteller.

In her multifaceted artistic practice, which ranges from sculpture, video, drawing, and installation, Aya Ben Ron (*1967 in Haifa, Israel) explores the perception of death and morality, the morbid body, as well as the unconscious collective memory of pain in its sociohistorical dimension. Over the years she has established a rich body of works that has been widely recognized and included in numerous art exhibitions.This first monograph features works selected from all of the series Aya Ben Ron has produced in the last ten years. With essays by renowned art, philosophy, and medical professionals, such as Michal Ben-Naftali, Suhail Malik, and Yechiel Michael Barilan, this publication opens a new perspective on the artist's stunning oeuvre-including her most recent works for the Berliner Medizinhistorisches Museum der Charité. Exhibition schedule: Medizinhistorisches Museum der Charité, Berlin, April 29-September 9, 2012 | AANDO FINE ART, Berlin, April 28-June 22, 2012