The Hagiographical Experiment: Developing Discourses of Sainthood throws fresh light on narratives about Christian holy men and women from Late Antiquity to Byzantium. Rather than focusing on the relationship between story and reality, it asks what literary choices authors made in depicting their heroes and heroines: how they positioned the narrator, how they responded to existing texts, how they utilised or transcended genre conventions for their own purposes, and how they sought to relate to their audiences. The literary focus of the chapters assembled here showcases the diversity of hagiographical texts written in Greek, Latin, Coptic, and Syriac, as well as pointing out the ongoing conversations that connect them. By asking these questions of this diverse group of texts, it illuminates the literary development of hagiography in the late antique, Byzantine, and medieval periods.

This volume explores concepts of fiction in late antique hagiographical narrative in different cultural and literary traditions. It includes Greek, Latin, Syriac, Armenian, Persian and Arabic material. Whereas scholarship in these texts has traditionally focussed on historical questions, this book approaches imaginative narrative as an inherent element of the genre of hagiography that deserves to be studied in its own right. The chapters explore narrative complexities related to fiction, such as invention, authentication, intertextuality, imagination and fictionality. Together, they represent an innovative exploration of how these concepts relate to hagiographical discourses of truth and the religious notion of belief, while paying due attention to the various factors and contexts that impact readers’ responses.

This volume represents the first discussion of rewriting in Byzantium. It brings together a rich variety of articles treating hagiographical rewriting from various angles. The contributors discuss and comment on different kinds of texts from late antiquity to late Byzantium.

The collective volume Syriac Hagiography: Texts and Beyond explores several late-antique and medieval Syriac hagiographical works from the complementary perspectives of literature and cult.

The Hagiographical Experiment offers a range of literary approaches to Christian narratives about saints and martyrs to help advance our understanding of the discursive means by which hagiography developed.

This book examines the potential of conducting studies in comparative hagiology, through parallel literary and historical analyses of spiritual life writings pertaining to distinct religious contexts. In particular, it focuses on a comparative analysis of the early sources on the medieval Christian Saint Francis of Assisi (1182-1226) and the Tibetan Buddhist Milarepa (c. 1052-1135), up to and including the so-called ‘standard versions’ of their life stories written by Bonaventure of Bagnoregio (1221-1274) and Tsangnyön Heruka (1452-1507) respectively. The book thus demonstrates how in the social and religious contexts of both 1200s Italy and 1400s Tibet, narratives of the lives, deeds and teachings of two individuals recognized as spiritual champions were seen as the most effective means to promote spiritual, doctrinal and political agendas. Therefore, as well being highly relevant to those studying hagiographical sources, this book will be of interest to scholars working across the fields of religion and the comparative study of religious phenomena, as well as history and literature in the pre-modern period.

Eusebius' Ecclesiastical History, written in the early fourth century, continues to serve as our primary gateway to a crucial three hundred year period: the rise of early Christianity under the Roman Empire. In this volume, James Corke-Webster undertakes the first systematic study considering the History in the light of its fourth-century circumstances as well as its author's personal history, intellectual commitments, and literary abilities. He argues that the Ecclesiastical History is not simply an attempt to record the past history of Christianity, but a sophisticated mission statement that uses events and individuals from that past to mould a new vision of Christianity tailored to Eusebius' fourth-century context. He presents elite Graeco-Roman Christians with a picture of their faith that smooths off its rough edges and misrepresents its size, extent, nature, and relationship to Rome. Ultimately, Eusebius suggests that Christianity was - and always had been - the Empire's natural heir.