LUST. LOVE. REVENGE. COMING-OUT. An emperor's search for love destroys the very person he most adores. Crime/mystery/romance historical fiction based upon real events and characters of pagan Rome. Set two centuries before Rome's recognition of Christians, it is an era of intrigue, torrid relations, raging ambition, wild sensuality, & unconventional love. Caesar Hadrian's 'favorite' is found one dawn beneath the waters of the River Nile. Is it a prank gone wrong, a suicide, murder, or something far more sinister? Barrister & historian, Suetonius Tranquillus, & his upmarket courtesan companion Surisca are allowed two days to uncover the truth on pain of penalty. They discover more than they bargained for ...

LUST. LOVE. REVENGE. COMING-OUT, Romance, ancient Roman-style. 130 years after Christ, but two centuries before Christians received legal recognition, Rome is ruled by pagan values. Caesar Hadrian's search for love destroys the very person he most adores. His loved one is found dead one dawn beneath the waters of Egypt's River Nile. Is it a youthful prank gone wrong, a suicide, a murder, or something even more sinister? Hadrian assigns historian Suetonius Tranquillus & his courtesan paramour Surisca to investigate. The Hadrian Enigma is the hidden record of Caesar's investigation into one of history's most intriguing, suspicious deaths. Hadrian learns more than he wanted in an era which sanctions unbridled sensuality in a macho culture of pride, honor, & shame.

Chronicles the passionate relationship between the Emperor Hadrian and the beautiful Greek youth Antinous, a relationship that ended in 130 A.D. when the body of Antinous was found in the river Nile

Hadrian's Wall is one of the world's best known legacies of the Roman Empire. It has stood for two thousand years as a moment to its creator, and yet he himself remains an enigmatic figure. Now bestselling author Danny Danziger and Nicholas Purcell reveal the details of the extraordinary life of this mysterious man, and the age in which he lived and ruled. Hadrian was Spanish, and a restless, inquiring intellectual. He travelled constantly and spent much time in cultural centres like Athens and Alexandria. Although he was not warlike, he was a good soldier, and was comfortable mingling amongst all ranks. And yet his personal life was a complicated one, rife with scandal and conflicted sexuality. This complex character was also responsible for some of the world's most enduring architectural treasures. He built the Pantheon in Rome, the largest dome built using pre-industrial methods and a sprawling 900-room villa at Tivoli with a towering 'pumpkin dome' - a fittingly idiosyncratic memorial to this most unusual of emperors.

Such is the voice of Shan Sa's unforgettable heroine in her latest literary masterpiece, Empress. Empress Wu, one of China's most controversial figures, was its first and only female emperor, who emerged in the seventh century during the great Tang Dynasty and ushered in a golden age. Throughout history, her name has been defamed and her story distorted by those taking vengeance on a woman who dared to become emperor. But now, for the first time in thirteen centuries, Empress Wu (or Heavenlight, as we come to know her) flings open the gates of the Forbidden City and tells her own astonishing tale—revealing a fascinating, complex figure who in many ways remains modern to this day. Writing with epic assurance, poetry, and vivid historic detail, Shan Sa plumbs the psychological and philosophical depths of what it means to be a striving mortal in a tumultuous, power-hungry world. Empress is a great literary feat and a revelation for the ages.

Two young men, Jim, the naive, scholarly son of a Dublin shopkeeper, and Doyler, a rough working boy, struggle with issues of political, religious, and sexual identity in the year leading up to the Easter uprising of 1916.

The twentieth century bears the indelible imprint of both communism and Nazism. Today, it sometimes seems as if the former is all but forgotten, at least among Western elites, while our cultural memory of the latter is an inextinguishable fire. This inequality is surprising and calls out for explanation, a task the French political thinker Alain Besancon attempts here in a wise and elegant meditation. In examining the horror and destruction caused by both of these terrible ideologies, Besancon finds that recourse to theology is necessary if we are to achieve even feeble illumination. He also explains why, even with the full knowledge of the extent of communism's crimes, the uniqueness of the Shoah ought to be accepted without reservation.