The Gyeongheo Collection is a collection of dharma talks and other literary works by Gyeongheo Seong’u 鏡虛惺牛(1849/1857–1912), one of the representative Korean Seon masters of modern times. Gyeongheo was tonsured at the age of nine, and he studied Buddhist doctrine on the one hand and promoted Ganhwa Seon practice on the other. Geongheo also established a meditation practice society. In his later years Gyeongheo dedicated himself to the edification of the common people in the northern area of the Korean peninsula. Among his prominent disciples are Hyewol 慧月 (1861–1937), Man’gong 滿空 (1871–1946), and Han’am 漢岩 (1876–1951). The Gyeongheo Collection is a significant work in that it enables us to see the process of evolution and transformation of Seon tradition during the period of modernization. This work consists of dharma talks, prefaces, records, letters, accounts of conduct, eulogies offered up to portraits of famous monks, hundreds of Seon verses (in both five character and seven character formats), and so forth. Among the poems written in regulated verses with five logographs per line, “How to Be a Monk” is a guide book of practice for monks and nuns. “The Pure Regulations” includes the rules and regulations of the Seon monastic community. The verses also contain unconventional features of Seon teaching. “The Song of the Way to Enlightenment” is the verse written on Gyeonheo’s attainment of the state of enlightenment. Besides, The Gyeonheo Collection contains essays on various topics, such as the exhaustive realization within one’s mind required in Ganhwa Seon practice, the adoption of Pure Land thought, the importance of monastic precepts and the Pure Rules, societies and movements focused on meditation, the synthesis of practice and doctrine, the edification of the masses and songs such as “Sŏn meditation” (Chamseon gok) introducing the daily life of Seon, the establishment of Seon monastic community and education, and so on. The base script for The Gyeongheo Collection is Han’am’s hand-copied edition (1931), which also includes a brief biography of Gyeongheo written by Han’am himself. For the translation, this script was compared to the printed edition published in 1943 by Jung’ang Seonwoen, which is prefaced by Han Yongun 韓龍雲(1879–1944), the prominent Korean monk and writer.

A Collection of Modern Korean Buddhist Discourses consists of twelve articles which were carefully selected from Buddhist journals of the modern period. These articles critically discuss the past and the present of Korean Buddhism and offer the prospect for the future by dealing with various topics in different fields, such as history, religion, literature, politics, society, and culture. The authors include not only renowned scholars of Buddhist studies, such as Gim Beomnin 金法麟 (1899–1964), Kim Yeongsu 金映遂 (1884–1967), Gim Taeheup 金泰洽 (1899–1989), and Baek Seonguk 白性郁(1897–1981), as well as prominent figures in Korean studies and Korean literature, such as Choe Namseon 崔南善 (1890–1957) and Yi Gwangsu 李光洙 (1892–1950). The twelve selected articles are as follows: ① Choe Namseon, “Overview of Korean Buddhism: A Diachronic Approach to Korean Buddhism” (1918) ② Yi Gwangsu, “Buddhism and Korean Literature” (1925) ③ Baek Seonguk, “To Establish a Modern Buddhism” (1926) ④ Gim Taeheup, “Research on Religion and the Development of Social Work” (1926–1928) ⑤ Gim Byeokong, “A Concern for Korean Buddhism: The Words Addressed to All Korean Buddhist Clerics” (1927) ⑥ Choe Namseon, “Korean Buddhism: Its Position in the Cultural History of the East” (1930) ⑦ Yu Yeop, “Buddhism and the Trend of Social Thought” (1931) ⑧ Kang Yumun, “Overview of Korean Buddhism for the Last Hundred Years” (1932) ⑨ Gim Beomnin, “On the Separation of Religion and Politics” (1932) ⑩ Heo Yeongho, “Foundations and Errors of Anti-Religion Movement” (1932) ⑪ Mong Jeongsaeng, “Examining the Causes of Korean Buddhism Facing a Crisis” (1932) ⑫ Gim Yeongsu, “On the Principle Teachings of Korean Buddhism” (1933)

Jeffrey L. Broughton here offers a study and partial translation of Core Texts of the S&on Approach (S&onmun ch'waryo), an anthology of texts foundational to Korean S&on (Chan/Zen) Buddhism. Core Texts of the S&on Approach provides a convenient entrée to two fundamental themes of Korean S&on: S&on vis-à-vis the doctrinal teachings of Buddhism (in which S&on is shown to be superior) and the huatou (i.e., phrase; Korean hwadu) method of practice-work originally popularized by the Song dynasty Chinese Chan master Dahui Zonggao. This method consists of "raising to awareness" or "keeping an eye on" the phrase, usually No (Korean mu). No mental operation whatsoever is to be performed upon the phrase. One lifts the phrase to awareness constantly, when doing "quiet" cross-legged sitting as well as when immersed in the "noisiness" of everyday life. Core Texts of the S&on Approach, which was published in Korea during the first decade of the twentieth century (the identity of the compiler is not known for certain), contains eight Chan texts by Chinese authors (two translated here) and seven S&on texts by Korean authors (three translated here), showing the organic relationship between the parent Chinese tradition and its Korean inheritor. The set of translations in this volume will give readers access to some of the key texts of the Korean branch of this influential East Asian school of Buddhism.

Tracts on the Modern Reformation of Korean Buddhism consists of four selected works by three writers: Han Yongun’s 韓龍雲 (1879–1944) Treatise on the Restoration of Korean Buddhism (1913) and “Reform Proposals for Korean Buddhism” (1931); Gwon Sangro’s 權相老(1879–1965) “Treatise on the Reformation of Korean Buddhism” (1912-1913); and Yi Yeongjae’s 李英宰(1900–1927) “Treatise on the Renovation of Korean Buddhism” (1922). These works represent modern Buddhist intellectuals’ awareness of social reality and their new visions at the contemporary turning point of modernization. The Treatise on the Restoration of Korean Buddhism emphasizes on superiority of Buddhism, which encompasses both philosophy and religion, and its modern features on the one hand, and argues for the elimination of past evils and a social renovation on the other. This work stresses the urgent necessity of the modern education, studying abroad, and the secured freedom of thought. In “Reform Proposals for Korean Buddhism,” Han advocates for the establishment of a unified institute, the necessity of translation into the Korean language using the Korean script (Han-geul), and the popularization of Buddhism. In “Treatise on the Reformation of Korean Buddhism,” Gwon insists that Korean Buddhism should overcome the old traditions of dependency or obedience as well as its exclusiveness and be radically reformed in the age of religious competition that is based on social evolution theory. The “Treatise on the Renovation of Korean Buddhism” suggests an institutional direction of Buddhist reformation with a critical awareness of the system under the Temple Ordinances issued by the Japanese Colonial Government. This work also proposes the establishment of a religious constitution and an innovative organization following a democratic model that pursues the separation of power. These works emphasize the necessity of socialization, education, institutional, and economical independence of Buddhism.

The Sun over the Sea of Enlightenment is one of the influential works by Baek Yongseong 白龍城 (1864–1940), the prominent Buddhist monk who revived Seon Buddhism and led the New Buddhism movement. This work offers an organized explanation of essential points of Buddhist doctrine and Seon practice. Baek Yongseong, who studied at the Three-Jewel monasteries of Korea, Tongdo Monastery 通度寺, Haein Monastery 海印寺, Songgwang Monastery 松廣寺, took the lead in the movement to establish the Imje Buddhist 臨濟宗 in 1911. He is also well known for having signed the Korean Declaration of Independence during the March First Movement as one of the thirty-three cultural and religious leaders. In 1920s, Baek Yongseong established the new religion of Daegakgyo (Teaching of Great Enlightenment) and translated Buddhist scriptures into modern Korean to spread Buddhism to the common people. He also played a significant role in founding the Seon monastic community to preserve and promote traditional Seon practice. In 1926, Baek Yongseong requested the Japanese Colonial Government to prohibit monastic marriage and meat-eating. The Sun over the Sea of Enlightenment is generally regarded the foudational scripture of Daegakgyo. Baek Yongseong explains in the preface that this work is so titled because the world of enlightenment applies to everything infinitely and equally just as does sunlight. This work is composed of sixty sections in three volumes and at the end the gist of the Platform Sutra of the Sixth Patriarch is added as an appendix along with its Korean translation. The first volume, consisting of the first eighteen sections, explains fundamental Buddhist doctrines and concepts such as tathāgatagarbha, consciousness-only, mind-only, cause and effect. The second volume, consisting of the next thirty-six sections, deals with contemplation practice and Ganhwa Seon, and offers the way to enlightenment describing that every phenomenon originates from the mind. The third volume, comprised of the remaining sections, suggests the right way of cultivating the mind by explaining how to do the meditative practice. The base text for the translation of this work is the printed edition published at Daegakgyodang in 1930.