A provocative history that reveals how guns—not abortion, race, or religion—are at the heart of America's cultural divide. Gunfight is a timely work examining America’s four-centuries-long political battle over gun control and the right to bear arms. In this definitive and provocative history, Adam Winkler reveals how guns—not abortion, race, or religion—are at the heart of America’s cultural divide. Using the landmark 2008 case District of Columbia v. Heller—which invalidated a law banning handguns in the nation’s capital—as a springboard, Winkler brilliantly weaves together the dramatic stories of gun-rights advocates and gun-control lobbyists, providing often unexpected insights into the venomous debate that now cleaves our nation.

A former firearms executive pulls back the curtain on America's multibillion-dollar gun industry, exposing how it fostered extremism and racism, radicalizing the nation and bringing cultural division to a boiling point. As an avid hunter, outdoorsman, and conservationist-all things that the firearms industry was built on-Ryan Busse chased a childhood dream and built a successful career selling millions of firearms for one of America's most popular gun companies. But blinded by the promise of massive profits, the gun industry abandoned its self-imposed decency in favor of hardline conservatism and McCarthyesque internal policing, sowing irreparable division in our politics and society. That drove Busse to do something few other gun executives have done: he's ending his 30-year career in the industry to show us how and why we got here. Gunfight is an insider's call-out of a wild, secretive, and critically important industry. It shows us how America's gun industry shifted from prioritizing safety and ethics to one that is addicted to fear, conspiracy, intolerance, and secrecy. It recounts Busse's personal transformation and shows how authoritarianism spreads in the guise of freedom, how voicing one's conscience becomes an act of treason in a culture that demands sameness and loyalty. Gunfight offers a valuable perspective as the nation struggles to choose between armed violence or healing.

A revisionist history of the Old West battle challenges popular depictions of such figures as the Earps and Doc Holliday, tracing the influence of a love triangle, renegade Apaches, and the citizens of Tombstone.

Career police officer and author Tim Rupp has been on both sides of a gunfight--being investigated after being in a gunfight and investigating citizens and officers who have been in shootings. Drawing from personal and professional experiences as a patrol officer, homicide detective, and police sergeant, Rupp takes you through what you'll face in a gunfight. Before picking up a gun for personal protection or the protection of others you need to prepare yourself for what you'll face before, during, and after a gunfight. Winning a Gunfight prepares you ethically, mentally, and tactically how to win a gunfight.

Most film critics point to classic conflicts—good versus evil, right versus wrong, civilization versus savagery—as defining themes of the American Western. In this provocative examination of Westerns from Tumbleweeds (1925) to Rango (2011), Robin L. Murray and Joseph K. Heumann argue for a more expansive view that moves beyond traditional conflicts to encompass environmental themes and struggles. The environment, after all, is the fundamental stage for most western stories, from land rush dramas that pit “sod busters” against ranchers to conflicts between mining-town communities and corporations. Because environmental issues lie at the forefront of so many conflicts today, Murray and Heumann believe that the Western is ripe for such new examination. Drawing on perspectives from both film studies and environmental history, the authors show how western films frequently deal with issues related to land use and different ways of looking at the natural world. In films as diverse as Gene Autry musicals, early John Wayne B-Westerns, and revisionist critiques such as the 2010 remake of True Grit, resources are exploited in the name of progress. Beginning with an analysis of two iconic Westerns, Shane and The Searchers, Murray and Heumann identify the environmental dichotomies—previously overlooked by critics—that are broached in both films, and they clarify the history that lies behind the environmental debates in these films and many others. How do Westerns respond to the historical contexts they present? And what do those responses suggest about American views of nature and its exploitation? The conflicts these movies address grow out of differing views of progress, frequently in relation to technology. The authors show that such binary oppositions tend to blur when examined closely, demonstrating that environmental issues are often more complex than we realize.

John Benton was one of the toughest men ever to wear a Texas Ranger badge. But eight years ago, in August 1871, he hung up his guns for good. Or so he hoped. Then young Robby Coles challenged him to a fight over some imagined slight to the boy's sixteen-year-old girlfriend. At first Benton tried to laugh off the affair. Why, the boy was little more than a child. But rumors and gossip spread like wildfire through their dusty frontier town and soon enough the entire community seems to be goading both men towards a fatal confrontation neither one truly wants. Benton doesn't want to kill again. Robby is secretly terrified of facing the legendary gunfighter. Yet, with both men's honor on the line, is there any way to avoid a duel to the death? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

November 1, 1950 -- an unseasonably hot afternoon in sleepy Washington, D.C. At 2:00 P.M. at his temporary residence in Blair House, President Harry Truman takes a nap. At 2:20 P.M., two Puerto Rican natives approach from different directions. Oscar Collazo, a respected metal polisher and family man, and Griselio Torresola, an unemployed salesman, don't look dangerous, not in their new suits and hats, not in their calm, purposeful demeanor, not in their slow, unexcited approach. What the three White House policemen and one Secret Service agent guarding the president cannot guess is that under each man's coat is a 9mm German automatic pistol and in each head, a dream of assassin's glory.