The Gubbio studiolo, a small private study that is a masterpiece of Italian Renaissance intarsia, was reinstalled in The Metropolitan Museum of Art in 1996. It is valued not only for its perspectival inlay - a tour de force of illusionism - but also for its rich historical associations and beauty. Made for Federico da Montefeltro, a fifteenth-century condottiere, the studiolo has intarsia panels that display a dazzling array of the accoutrements of the duke’s life. This treasure trove is rendered with the most admirable understanding of the laws of perspective. The objects depicted and the shadows that give them such volume are composed of thousands of pieces and slivers of different varieties of wood, each set with uncanny accuracy. This book presents an in-depth discussion of this famous work of art. In the first of the two volumes, Olga Raggio focuses on Gubbio’s political history and architectural and urban development, the achievements of da Montefeltro and his role in the creation of the studiolo, and the history of the studiolo, and Martin Kemp examines the Gubbio perspectival system. In the second volume, Antoine M. Wilmering discusses the conservation of the Gubbio studiolo and the history, materials, and techniques of intarsia work.

The Matter of Mimesis offers a rich and interdisciplinary perspective on how and why we use materials to copy, from the human body to the entire cosmos, from prehistory to the present day.

Before the late sixteenth century, the churches of Florence were internally divided by monumental screens that separated the laity in the nave from the clergy in the choir precinct. Enabling both separation and mediation, these screens were impressive artistic structures that controlled social interactions, facilitated liturgical performances, and variably framed or obscured religious ritual and imagery. In the 1560s and 70s, screens were routinely destroyed in a period of religious reforms, irreversibly transforming the function, meaning, and spatial dynamics of the church interior. In this volume, Joanne Allen explores the widespread presence of screens and their role in Florentine social and religious life prior to the Counter-Reformation. She presents unpublished documentation and new reconstructions of screens and the choir precincts which they delimited. Elucidating issues such as gender, patronage, and class, her study makes these vanished structures comprehensible and deepens our understanding of the impact of religious reform on church architecture.

“His Words were Nourishment and his Counsel Food”: A Festschrift for David W. Holton brings together essays on Greek literature from medieval romances to postmodern fiction. It provides an illuminating first insight into the variety of Modern Greek literature for the general reader, while also catering to more specialised students and scholars with new research findings and close studies of individual texts. The editors and authors, all former doctoral students of Professor Holton at Cambridge, conceived this volume as a thanksgiving present to him on the occasion of his retirement and as a collection which reflects the high quality and significance of Modern Greek studies at the University of Cambridge. The essays explore themes ranging from the erotic gaze and nightingales to cannibalism and dictatorships. Individual contributions discuss the relationship of Greek works with French and Persian medieval romances, the Italian Renaissance and German expressionism, and the influence of Shakespeare on the best-known Modern Greek poet, C. P. Cavafy. Others explore the interrelation of architecture and literature in the Cretan Renaissance masterpiece Erotokritos, the influence of religious texts on Roidis’s Pope Joan, and the assimilation of Byzantium into Greek historiography by intellectuals of Greek Romanticism. On a more personal level, the reader will learn about the experiences of a British Victorian woman translator in 1880s Athens, and the friendship between George Seferis and Sir Steven Runciman. Cretan cities figure in three essays which investigate the literary and historical context of the long Ottoman siege of Chandax in the seventeenth century and issues of identity in the modern-day lives of Chania’s Greek and Turkish inhabitants. Shifting notions of identity are further explored in the contemporary Greek novels of an Albanian immigrant author. His Words were Nourishment demonstrates the remarkable capacity of Greek literature to thrive within the context of cultural exchange and shifting historical boundaries.

This book is about the objects people owned and how they used them. Twenty-three specially written essays investigate the type of things that might have been considered 'everyday objects' in the medieval and early modern periods, and how they help us to understand the daily lives of those individuals for whom few other types of evidence survive - for instance people of lower status and women of all status groups. Everyday Objects presents new research by specialists from a range of disciplines to assess what the study of material culture can contribute to our understanding of medieval and early modern societies. Extending and developing key debates in the study of the everyday, the chapters provide analysis of such things as ceramics, illustrated manuscripts, pins, handbells, carved chimneypieces, clothing, drinking vessels, bagpipes, paintings, shoes, religious icons and the built fabric of domestic houses and guild halls. These things are examined in relation to central themes of pre-modern history; for instance gender, identity, space, morality, skill, value, ritual, use, belief, public and private behaviour, continental influence, materiality, emotion, technical innovation, status, competition and social mobility. This book offers both a collection of new research by a diverse range of specialists and a source book of current methodological approaches for the study of pre-modern material culture. The multi-disciplinary analysis of these 'everyday objects' by archaeologists, art historians, literary scholars, historians, conservators and museum practitioners provides a snapshot of current methodological approaches within the humanities. Although analysis of material culture has become an increasingly important aspect of the study of the past, previous research in this area has often remained confined to subject-specific boundaries. This book will therefore be an invaluable resource for researchers and students interested in learning about important new work which demonstrates the potential of material culture study to cut across traditional historiographies and disciplinary boundaries and access the lived experience of individuals in the past.