The publication proposes to investigate the arts from the inside, namely, their common foundations: the rules for artistic creation, the processes that involve artists in their activities, the forms that they can achieve. An inquiry about art-making and artistic practices.

The instant #1 New York Times bestseller. In time for the twentieth anniversary of 9/11, master storyteller Alan Gratz (Refugee) delivers a pulse-pounding and unforgettable take on history and hope, revenge and fear -- and the stunning links between the past and present. September 11, 2001, New York City: Brandon is visiting his dad at work, on the 107th floor of the World Trade Center. Out of nowhere, an airplane slams into the tower, creating a fiery nightmare of terror and confusion. And Brandon is in the middle of it all. Can he survive -- and escape? September 11, 2019, Afghanistan: Reshmina has grown up in the shadow of war, but she dreams of peace and progress. When a battle erupts in her village, Reshmina stumbles upon a wounded American soldier named Taz. Should she help Taz -- and put herself and her family in mortal danger? Two kids. One devastating day. Nothing will ever be the same.

One photojournalist's decade-long commitment, a gripping collection of portraits and interviews of those whose lives were crossed by radioactive fallout.

The destruction of the World Trade Center complex on 9/11 set in motion a chain of events that fundamentally transformed both the United States and the wider world. In Power at Ground Zero, Lynne Sagalyn offers the definitive account of one of the greatest reconstruction projects in modern world history: the rebuilding of lower Manhattan after 9/11.

Ground Zero collects a range of classic black-and-white comic strip tales featuring four different Doctors, all digitally remastered! All stories have been taken from the official Doctor Who Magazine, now in its 40th year of publication!

This publication, styled as a magazine, presents a new body of work, architectural proposals for Ground Zero, the twenty first centurys most historically significant site. These proposals take the form of architecturally induced sculptures produced in consultation with a specialist team of engineers so that each model can be realised its true architectural scale. Running contrary to official designs, Genzken envisages buildings with a social purpose a church, hospital, car park, disco, memorial and shopping centre. Her proposals draw upon the artists long-standing love affair with Americas breathtaking cityscapes and all pervasive culture. With its glitzy, seductive surfaces, slim rectangular forms and frenetic energy, the work betrays a fascination with the skyscraper. New York represents a vital source of energy that Genzken returns to again and again and which is intrinsically related to what she does: To me New York has a direct link with sculpture. Consisting of brightly coloured fabrics, outdoor parasols, sheet steel, mirror tile, saccharine photographs of animals and a plethora of household chintz, Genzkens output is ultimately precarious: a hedonistic concoction in which clashing elements congregate and collide. For over thirty years she has developed a radically variegated career that refuses to let the viewer know what to expect.