The contribution of Greek settlers to the large industrial cities and other major urban centres modernised them by injecting new ideas into the economic, social and political life of their new environment."--Jacket.

Photographs and cultural history

Wild Colonial Greeks is an engaging account of the Greeks who landed on Australian shores in colonial times. It shows how Greeks were viewed by the mainstream press and chronicles their fortunes in a foreign land. The book brings to life men like the goldfields doctor Spiridion Candiottis, who clashed resoundingly with newspapermen in Victoria and Queensland, and the hotelier Andreas Lagogiannis, who fought in vain against the forces of authority and temperance in 19th century Melbourne. This book also tells the little-known stories of Greeks whose lives were ended by Aboriginal spears and nullah nullahs on the frontiers of settlement, of the diaspora Greek transported to Van Diemen's Land for robbing the British Museum, and of the young Ionian who served for two eventful years with the Native Mounted Police of Queensland. This intriguing contribution to Australian history pushes back the date of Greek settlement by a number of years.

The final volume in Hugh Gilchrist's award-winning survey of all the connections between Greece and Australia. It covers the Greeks and Australians in World War II, and the post-War era of migration and diplomacy.

This celebration in words and pictures of almost 200 years of the Greek-Australian experience breaks down stereotypes and displays the diversity of Greek settlement.

Winner of the 2022 London Hellenic Prize On the bicentennial of the Greek Revolution, an essential guide to the momentous war for independence of the Greeks from the Ottoman Empire. The Greek war for independence (1821–1830) often goes missing from discussion of the Age of Revolutions. Yet the rebellion against Ottoman rule was enormously influential in its time, and its resonances are felt across modern history. The Greeks inspired others to throw off the oppression that developed in the backlash to the French Revolution. And Europeans in general were hardly blind to the sight of Christian subjects toppling Muslim rulers. In this collection of essays, Paschalis Kitromilides and Constantinos Tsoukalas bring together scholars writing on the many facets of the Greek Revolution and placing it squarely within the revolutionary age. An impressive roster of contributors traces the revolution as it unfolded and analyzes its regional and transnational repercussions, including the Romanian and Serbian revolts that spread the spirit of the Greek uprising through the Balkans. The essays also elucidate religious and cultural dimensions of Greek nationalism, including the power of the Orthodox church. One essay looks at the triumph of the idea of a Greek “homeland,” which bound the Greek diaspora—and its financial contributions—to the revolutionary cause. Another essay examines the Ottoman response, involving a series of reforms to the imperial military and allegiance system. Noted scholars cover major figures of the revolution; events as they were interpreted in the press, art, literature, and music; and the impact of intellectual movements such as philhellenism and the Enlightenment. Authoritative and accessible, The Greek Revolution confirms the profound political significance and long-lasting cultural legacies of a pivotal event in world history.

How should the people that initiated a journey be remembered? What obligations arise as a result of their passing away? What role do films and photographs play in the process of memorialisation? Drawing on the events surrounding the arrival of the author's family in Australia from Cyprus, The Old Greeks traces how film and photography serve as toolkits for making sense of the experience of migration - at the level of everyday life and creative practice. 'The cinema is not just an art, a culture, ' Jean Mitry once wrote, 'but a means to knowledge...not just a technique for disseminating facts but one capable of opening thought onto new horizons.' George Kouvaros reveals how deeply the perceptual and emotional displacements that define migration are embedded in the forms of thinking produced by photographic media. Combining techniques and methods associated with autobiography, with those associated with critical analysis, The Old Greeks develops a form of writing that approaches complex social and cultural issues with intimacy. It also marks an acknowledgement that migration and the crossing of boundaries can pave the way for new forms of writing that challenge distinctions between literary genre and style. The outcome can be viewed as a new aesthetics of migration shedding light on the complex forms of human interaction surrounding photography and film