What does writing Greek books mean at the height of the Cinquecento in Venice? The present volume provides fascinating insights into Greek-language book production at a time when printed books were already at a rather advanced stage of development with regards to requests, purchases and exchanges of books; copying and borrowing practices; relations among intellectuals and with institutions, and much more. Based on the investigation into selected institutional and private libraries – in particular the book collection of Gabriel Severos, guide of the Greek Confraternity in Venice – the authors present new pertinent evidence from Renaissance books and documents, discuss methodological questions, and propose innovative research perspectives for a sociocultural approach to book histories.

Excerpt from The Greek Renaissance The object of this little volume is to indicate the scope and character of what the Greeks achieved in the first two centuries of their recorded history. With this end in view it deals with as many sides as possible of ancient Greek achievement, with art and industry, literature and science, no less than with politics and economics; but in each case the endeavour has been not to summarise the subject, but to write an introduction that will give the reader who is not familiar with Greek history some opportunity of seeing whether it might not be worth his while to follow up further the particular topic with which it deals. Books that will help him to do so are mentioned in the course of the work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

*Includes pictures *Includes excerpts of ancient accounts When people think of ancient Greece, images of philosophers such as Plato or Socrates often come to mind, as do great warriors like Pericles and Alexander the Great, but hundreds of years before Athens became a city, a Greek culture flourished and spread its tentacles throughout the western Mediterranean region via trade and warfare. Scholars have termed this pre-Classical Greek culture the Mycenaean culture, which existed from about 2000-1200 BCE, when Greece, along with much of the eastern Mediterranean, was thrust into a centuries long Dark Ages. Before the Mycenaean culture collapsed, it was a vital part of the late Bronze Age Mediterranean system and stood on equal footing with some of the great powers of the region, such as the Egyptians and Hittites. The Greek Dark Ages, sometimes referred to as the Homeric Age or the Geometric Period, spans the era of Greek history from the end of the Mycenaean civilization around 1100 BCE and the emergence of the Greek poleis in the 9th century BCE. It is an era that has provided little in terms of extant archaeological evidence, which in part explains the name "Dark Ages," but this lack of evidence has led some archaeologists and historians to make the very great assumption that little of any real significance occurred during these 200 years. Instead, they view it as a sort of hiatus between the collapse of the Mycenaean culture and the emergence of Archaic Greece. As with other so-called "Dark Ages," this assessment is simplified, and an absence of evidence should never be assumed as evidence of absence. If anything, the collapse of the Mycenaeans was a drawn-out affair, and while the early centuries of the Dark Ages might beseen as a continuation of this trend, even in the worst years, there was a degree of continuity and even some innovations. These changes including the beginnings of the use of iron as an alternative to bronze and some religious practices that continued to be observed. Furthermore, enough remained to form the basis of a recovery in economic, cultural, and artistic aspects of life in the later stage of the era, and in the political sphere, changes necessitated by the collapse in the economic system certainly paved the way for the rise of the polis, which would prove so fundamental in Greece in the centuries that followed. The relative success of the Aegean settlements was also crucial to recovery, as well as all major developments in politics, economics, international relations, warfare, and culture that created the structures and framework that developed during the later Classical period (480 BCE.-323 BCE). This laid the groundwork for the Greek Renaissance of the 8th century. During that time, the Greek alphabet developed and the earliest surviving Greek literature was composed, while in terms of art and architecture, sculptures and red-figure pottery began. Warfare changed significantly as well when the hoplite became the core infantry. Put simply, none of these developments could have occurred if the basis for these changes had not been secured during what came to be known as the Greek Renaissance, which bridged the gap between the Dark Ages and Archaic Greece. The Greek Dark Ages and Greek Renaissance: The History and Legacy of the Bronze Age Transition to Archaic Greece examines how ancient Greece developed over the course of over 1,000 years before bringing about the famous city-states. Along with pictures depicting important people, places, and events, you will learn about the Greek Dark Ages and the Greek Renaissance like never before.

The twelve essays in this new collection by John Monfasani examine how, in particular cases, Greek émigrés, Italian humanists, and Latin scholastics reacted with each other in surprising and important ways. After an opening assessment of Greek migration to Renaissance Italy, the essays range from the Averroism of John Argyropoulos and the capacity of Nicholas of Cusa to translate Greek, to Marsilio Ficino's position in the Plato-Aristotle controversy and the absence of Ockhamists in Renaissance Italy. Theodore Gaza receives special attention in his roles as translator, teacher, and philosopher, as does Lorenzo Valla for his philosophy, theology, and historical ideas. Finally, the life and writings of a protégé of Cardinal Bessarion, the Dominican friar Giovanni Gatti, come in for their first extensive study.