Six year old Lily Montgomery wanders from her home in Patras on that fateful night of 1821 when the Ottomans set fire to the Greek city, and is captured by gypsies. Ten years later, she learns about her true identity from her gypsy grandmother and begins her search for her father, who is an English Lord and her mother, a Greek heiress. Her personal journey leads her to England, where she is informed by her cousin, Mrs. Bennington, that her father is away on a trip to the Indies and her mother presumably dead from the war. Lily is sent away to boarding school by Mrs. Bennington. There, she falls in love with Edward Grant, an English lord, but he is engaged to another. When Lily receives news that her father has died in a shipwreck, her whole world turns upside down. She has no funds and is forced to work as a maid to pay her tuition. Love wins the day, however, and a surprise ending will bring happiness to all.

The White Goddess is perhaps the finest of Robert Graves's works on the psychological and mythological sources of poetry. In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.

The rekindling of devotion to Mary has been one of the many gifts of the Catholic movement to the Church of England, and there are few better exponents of it than Roger Greenacre. Here he traces the way that Mary has been perceived throughout Anglican history, from the Middle Ages to today, and examines her role in ecumenical dialogue.