MOSCHUS of Syracuse, 2nd century B.C., came next. As a 'grammarian' he wrote a (lost) work on Rhodian dialect. Though he was classed as bucolic, his extant poetry (mainly 'Runaway Love' and the story of 'Europa') is not really pastoral, the 'Lament for Bion' not being Moschus's work. 'Megara' may be Theocritus; but 'The Dead Adonis' is much later. BION of Phlossa near Smyrna lived in Sicily, probably late 2nd and early 1st century B.C. Most of the extant poems are not really bucolic, but 'Lament for Adonis' is floridly brilliant. 'Myrson and Lycidas' is probably not by Bion. The so-called Pattern-Poems, included in the 'bucolic' tradition, are found also in the Greek Anthology.

Originally published in 1953, this book provides a series of English translations from ancient Greek bucolic poetry by Theocritus, Moschus and Bion. A detailed introduction is included, with information on each of the poets. Textual notes are incorporated throughout. This book will be of value to anyone with an interest in ancient Greek literature, literary criticism and bucolic poetry.

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Brill's Companion to Theocritus offers an up-to-date guide to a thorough understanding of Theocritus’ literary output. Exploring his corpus from a variety of novel perspectives, it presents a detailed account of the intricacy of Theocritus’ poetic art.

Theocritus (third century BCE) was the founder of bucolic poetry. The extant poems of Moschus (second century BCE) and Bion (probably second and first centuries BCE) are not really bucolic, but Bion's Lament for Adonis is floridly brilliant. Pattern poems are found in the Greek Anthology, a work of many centuries. Theocritus of the third century BCE, born at Syracuse, travelled widely in the Greek world. Having studied poetry at Cos with poet and critic Philitas, he composed poetry under patronage, chiefly perhaps at Syracuse and Cos; and then went to Alexandria in Egypt, whose King Ptolemy II (died 246 BCE), pupil of Philitas, befriended him. Here (and at Cos?) he spent the rest of his life. Most lovable of Greek versemakers, Theocritus was the founder of bucolic or pastoral poetry. Of his so-called "Idylls," "little forms" or pieces (not all are genuine), ten are about pastoral life real or idealised; several are small epics (three are hymns); two are beautiful "occasional" poems (one about a country walk, one to accompany a gift of a distaff for the wife of his friend Nicias); six are love-poems; several are mimes, striking pictures of common life; and three are specially expressive of his own feelings. The 24 "Epigrams" were apparently inscribed on works of art. Moschus of Syracuse, 2nd century BCE, came next. As a grammarian he wrote a (lost) work on Rhodian dialect. Though he was classed as bucolic, his extant poetry (mainly Runaway Love and the story of Europa) is not really pastoral, the Lament for Bion not being Moschus's work. Megara may be by Theocritus; but The Dead Adonis is much later. Bion of Phlossa near Smyrna lived in Sicily, probably late 2nd and early 1st century BCE. Most of the extant poems are not really bucolic, but Lament for Adonis is floridly brilliant. The so-called "Pattern-Poems," included in the bucolic tradition, are found also in the Greek Anthology.

This study provides for the first time an in-depth examination of a central mode of Greek poetic competition--capping, which occurs when speakers or singers respond to one another in small numbers of verses, single verses, or between verse units themselves.