Greek epigram is a remarkable poetic form. The briefest of all ancient Greek genres, it is also the most resilient: for almost a thousand years it attracted some of the finest Greek poetic talents as well as exerting a profound influence on Latin literature, and it continues to inspire and influence modern translations and imitations. After a long period of neglect, research on epigram has surged during recent decades, and this volume draws on the fruits of that renewed scholarly engagement. It is concerned not with the work of individual authors or anthologies, but with the complexities of epigram as a genre, and provides a selection of in-depth treatments of key aspects of Greek literary epigram of the Hellenistic, Roman, and early Byzantine periods. Individual chapters offer insights into a variety of topics, from the dynamic interactions between poets and their predecessors and contemporaries, and the relationship between epigram and its sociopolitical, cultural, and literary background from the third century BCE up until the sixth century CE, to its interaction with its origins, inscribed epigram more generally, other literary genres, the visual arts, and Latin poetry, as well as the process of editing and compilation that generated the collections that survived into the modern world. Through the medium of individual studies the volume as a whole seeks to offer a sense of this vibrant and dynamic poetic form and its world, which will be of value to scholars and students of Greek epigram and classical literature more broadly.

Relatively little is known of the life of Crinagoras of Mytilene: a Greek epigrammatist and diplomat who lived between the first centuries BC and AD, he was despatched to Rome as part of the embassies to Julius Caesar and Octavian, was held in high regard by his contemporaries, and divided his life between his home of Mytilene and the centre of the Roman Empire, where he was acquainted with the family of the emperor Augustus. Much of the detail we have to flesh out this brief account comes from his poems, which, in keeping with the genre, draw extensively on his personal experience and on the events of the day to provide a key source for the circumstances of his life. They are also eloquent and dynamic in their own right, and as a corpus they cover a wide thematic range: many were inspired by contemporary political or military events or by personal experiences, observations, or contemplation, though they also include several sepulchral epigrams concerning the deaths of persons the poet knew, and many which were composed as notes to be sent with gifts to friends or acquaintances. This new edition collects together all fifty-one of the surviving epigrams which have come down to us as part of the Greek Anthology. Presented here in a new critical text alongside engaging English translations, they are analysed in detail in an incisive introduction and exegetic word-by-word commentary, both as individual poems and as part of the corpus as a whole. With discussion throughout covering not only textual and stylistic matters, but also literary and historical context and Crinagoras' place within his social and cultural milieu, this edition provides a guide to the life and work of this understudied poet which is both authoritative and accessible.

This book continues the work done in the volumes edited by A. S. F. Gow and D. L. Page entitled Hellenistic Epigrams and The Garland of Philip. It sets out to include all Greek literary epigrams composed before AD 50 and not published in those volumes, and extends also to epigrams ascribed to certain imperial Romans. Another author commented on is Leonides of Alexandria, whose poems observe curious mathematical laws. The challenge to the authenticity of much of what passes for Simonides and the associated historical discussion constitute one of the most important sections of the book. This edition and commentary will be indispensable to scholars of Greek literature.