Etan Yogev had had no experience in bed—and hardly any outside of it—and it was not without a strong feeling of awkwardness and insecurity that he had first allowed Daphna Flinker to guide his somewhat ambivalent member into her own body, and his lips against her lips. She enjoyed it—this teacherly role—it had been a very long time since she had been able to practice the art of sexual instruction, and there was something exciting and alluring about this—all that innocence in a single place! A humorous and heartrending portrait of expatriate life, The Greatest Jewish American Lover in Hungarian History draws upon the hazards and confusions that occur when the Old World meets the New. In venues as diverse as Israel, Hungary, Paris, Cambridge, and even Texas, the stories portray life in an increasingly connected and globalized world. Michael Blumenthal displays the erotic zest of Philip Roth and the grim humanism of Isaak Babel. Michael Blumenthal, formerly director of creative writing at Harvard, graduated from the Cornell Law School with a JD degree in 1974, after studying philosophy and economics at the State University of New York at Binghamton. His eighth book of poems, No Hurry, was published by Etruscan Press in 2012. He is currently a visiting professor of law at the West Virginia University College of Law.

Patricia Horvath's transformation from a visibly disabled young woman to someone who, abruptly, "passes" for able-bodied, reveals cultural and personal tensions surrounding disability and creates an arc that connects imprisonment to freedom. What transpires is both suffocating and liberating. Horvath's confinement keeps her from being seen, but also cocoons a deeply personal sense of selfhood and relationship. Horvath's lyric account of her experiences with severe scoliosis sings the connective tissue between her physical disability and her powerful interior. She is "poorly put together," her "body leans sharply to the left," she is "brittle-boned, stoop-shouldered, with an "S" shaped spine," her words flame up spirited and true. Wry and breathtakingly poignant, this meditative, inspirational memoir delves into that most invisible, vital structure: identity, whose shaping and disfigurement makes all the difference in our lives. This book will particularly appeal to people interested in disability studies, feminist issues, 1970s popular culture, fairy tales, and survival. Patricia Horvath's stories and essays have been published widely in literary journals including Shenandoah, The Massachusetts Review, New Ohio Review, The Los Angeles Review, and Confrontation. She is the recipient of New York Foundation for the Arts Fellowships in both fiction and literary nonfiction and of Bellevue Literary Review's Goldenberg Prize in Fiction for a story that was accorded a Pushcart Prize Special Mention. She teaches at Framingham State University in Massachusetts.

Literary Nonfiction. Nature. Travel. In May of 2007, noted American poet and novelist and son of Holocaust refugees Michael Blumenthal went to South Africa to volunteer at C.A.R.E., a rehabilitation center for orphaned and injured baboons founded by Rita Miljo. Rita was a Lithuanian-born childhood member of the Hitler Youth who had gone on to have a life as adventure- filled as Beryl Markham's in West With the Night.

Also Dark is fresh from the pen of Angelique Palmer. A Black Woman Queer Mama forced to forge her own armor and create her own path. Bigotry, ageism, sexism, colorism, homophobia, and ableism are given voice and a voracious opponent in her poems.

Wait for God to Notice is a love letter to an adopted country with an unstable past and an undeniable endurance to heal. In 1975, Uganda’s Finance Minister escaped to England saying, “To live in Uganda today is hell.” Idi Amin had declared himself president for life, the economy had crashed, and Ugandans were disappearing. One year later, the Fordham family arrived as Seventh-day Adventist missionaries. Fordham narrates her childhood with lush, observant prose that is also at times quite funny. She describes her family’s insular faith, her mother’s Finnish heritage, the growing conflict between her parents, the dangerous politics of Uganda, and the magic of living in a house in the jungle. Driver ants stream through their bedrooms, mambas drop out of the stove, and monkeys steal their tomatoes. Wait for God to Notice is a memoir about growing up in Uganda. It is also a memoir about mothers and daughters and about how children both know and don’t know their parents. As teens, Fordham and her sister, Sonja, considered their mother overly cautious. After their mother dies of cancer, the author begins to wonder who her mother really was. As she recalls her childhood in Uganda—the way her mother killed snakes, sweet-talked soldiers, and sold goods on the black market—Fordham understands that the legacy her mother left her daughters is one of courage and capability. Sari Fordam has lived in Uganda, Kenya, Thailand, South Korea, and Austria. She received an M.F.A. from the University of Minnesota, and now teaches at La Sierra University. She lives in California with her husband and daughter. This is her first book.

Fifty Miles is a memoir in linked essays that addresses addiction and alcoholism. The book traces the life and death of the author’s son, Gray, a talented but troubled young man, to a drug overdose at thirty, as well as the author’s own recovery from substance abuse.

Will Dowd takes us on a whimsical journey through one year of New England weather in this engaging collection of essays. As unpredictable as its subject, Areas of Fog combines wit and poetry with humor and erudition. A fun, breezy, and discursive read, it is an intellectual game that exposes the artificiality of genres. Will Dowd is a writer and artist based outside Boston. He obtained his MFA in Creative Writing from New York University, where he received a Jacob K. Javits Fellowship; an MS from MIT, serving as a John Lyons Fellow; and a BA from Boston College, as a Presidential Scholar.