Turner Classic Movies presents a collection of monster greats, modern and classic horror, and family-friendly cinematic treats that capture the spirit of Halloween, complete with reviews, behind-the-scenes stories, and iconic images. Fright Favorites spotlights 31 essential Halloween-time films, their associated sequels and remakes, and recommendations to expand your seasonal repertoire based on your favorites. Featured titles include Nosferatu (1922), Dracula (1931), Cat People (1942), Them (1953), House on Haunted Hill (1959), Black Sunday (1960), Rosemary's Baby (1968), Young Frankenstein (1976), Beetlejuice (1988), Get Out (2017), and many more.

Make storytime a little spookier with fantasy master Ray Bradbury as he takes readers on a riveting trip though space and time to discover the true origins of Halloween. Join the shadowy Carapace Clavicle Moundshroud as he takes eight trick-or-treaters on an unforgettable journey to find their missing friend, Pip. Travel through space and time, from the tombs of ancient Egypt to the gargoyles of Notre-Dame Cathedral, all the way to the cemeteries of Mexico on el Día de Los Muertos, the Day of the Dead. Is Pip still alive? And if so, can his friends save him from a ghastly fate before it’s too late? "If you want to know what Halloween is, or if you simply want an eerie adventure, take this mystery history trip. You couldn't ask for better than master fantasizer Ray Bradbury." --The Boston Globe

DigiCat presents to you this unique collection made especially for Halloween with carefully picked out stories from the very masters of the genre: H. P. Lovecraft: The Call of Cthulhu The Shadow Over Innsmouth Dagon The Dunwich Horror The Picture in the House The Outsider The Silver Key In the Vault The Whisperer in Darkness The Thing on the Doorstep The Shadow out of Time The Colour out of Space The Music of Erich Zann The Haunter of the Dark The Rats in the Walls Pickman's Model From Beyond Herbert West-Reanimator At The Mountains Of Madness Edgar Allan Poe: The Fall of the House of Usher The Cask of Amontillado The Pit and the Pendulum The Tell-Tale Heart The Masque of the Red Death The Black Cat The Murders in the Rue Morgue Ambrose Bierce: The Damned Thing An Occurrence at Owl Creek Bridge The Devil's Dictionary Chickamauga Arthur Machen: The Three Impostors The Hill of Dreams The Terror The Secret Glory The White People The Great God Pan The Inmost Light The Shining Pyramid The Red Hand The Great Return

“A stunningly atmospheric fantasy that doubles as an exceptional character study . . . we can’t wait to see where Dabos takes it next.” —Entertainment Weekly (“The 10 Best YA Books of 2018”) One of Publishers Weekly’s Best YA Books of the Year A National Indie Bestseller Lose yourself in the fantastic world of the arks and in the company of unforgettable characters in this French runaway hit, Christelle Dabos’ The Mirror Visitor quartet. Plain-spoken, headstrong Ophelia cares little about appearances. Her ability to read the past of objects is unmatched in all of Anima and, what’s more, she possesses the ability to travel through mirrors, a skill passed down to her from previous generations. Her idyllic life is disrupted, however, when she is promised in marriage to Thorn, a taciturn and influential member of a distant clan. Ophelia must leave all she knows behind and follow her fiancé to Citaceleste, the capital of a cold, icy ark known as the Pole, where danger lurks around every corner and nobody can be trusted. There, in the presence of her inscrutable future husband, Ophelia slowly realizes that she is a pawn in a political game that will have far-reaching ramifications not only for her but for her entire world. The World of the Arks Long ago, following a cataclysm called the Rupture, the world was shattered into many floating celestial islands, now known as arks. Over each, the spirit of an omnipotent and immortal ancestor abides. The inhabitants of these arks each possess a unique power. Ophelia, with her ability to read the pasts of objects, must navigate this fantastic, disjointed, perilous world using her trademark tenacity and quiet strength.

From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times). When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.

Many years ago, in the town of Haddonfield, Illinois, a boy named Michael Myers murdered his sister with a knife. Later, he returned to town on Halloween night to kill again. The only ones who knew how to stop him were his doctor and a teenage girl. Now it is time for Michael Myers to return to Haddonfield once again. And this time, nobody can stop him.When Lori and her friends are asked to create a haunted house in the basement of Haddonfield'scivic center, they jump at the chance. But an old pro soon turns their little horror show intoa bloody death trap.Michael Myers has returned to Haddonfield--and it's a homecoming they won't soon forget.

Cats. Jessica’s never liked them. Especially not a skinny, ugly kitten that looks like a worm. Worm. Jessica wishes she’d never brought Worm home with her, because now he’s making her do terrible things. She’s sure she isn’t imagining the evil voice coming from the cat, telling her to play mean tricks on people. But how can she explain what’s happening? Witches. Jessica has read enough books to know that Worm must be a witch’s cat. He’s cast a spell on her, but whom can she turn to? After all, no one will believe that Worm has bewitched her...or worse!