Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

"The Great White Hand; Or, the Tiger of Cawnpore" by J. E. Muddock. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

In the year 1894, I published in two volumes a romance of the Indian Mutiny, under the title of “The Star of Fortune.” A short prefatory note intimated that it was my lot to be in India during the terrible time of the Sepoy Rebellion. From this it may be inferred that I not only wrote with feeling, but with some personal knowledge of my subject. “The Star of Fortune” was exceedingly well received by the public, and last year a cheaper edition was called for. That edition has been extensively circulated throughout India and the Colonies. The book on the whole was well reviewed, while my critics were good enough to accord me praise, by no means stinted, for the portions which dealt with the Mutiny proper. One London paper said it was “a very fine picture narrative,” another spoke of it as “a spirited piece of writing,” a third declared it was “written with spirit and vivacity,” a fourth as being “really breathless in interest.” I could go on multiplying quotations similar to the foregoing, but those I have given will serve the purpose I have in view.

A fascinating study that explores the power of the racially identified hand as a narrative symbol in Victorian literature and culture.

The proliferation of historical novels with more or less overt metafictional traits in the late seventies and eighties in Britain is a particularly arresting phenomenon at a time when historians are openly questioning the validity of the traditional concept of history understood as a scientific search for knowledge. This apparent contradiction justifies the attempt made by the contributors of this volume to analize the relationship between history and literature in English. The reader will find four preliminary essays on The End of the Classical Period establishing the characteristics of the appropriation of history since the appearance of Sir Walter Scott's historical romances with special emphasis on the Victorian novel (Dickens, Eliot, Mrs Humphry Ward), the Irish ballad and Post-Independence Indian historical fiction, as a necessary preface to the main group of essays on The Postmodernist Era devoted to establishing the common as well as the individually distinctive traits in the writings of some of the most accomplished contemporary writers in English: the more centered British novelists Margaret Drabble, Julian Barnes and William Golding as well as the more ex-centric Angela Carter, Salman Rushdie and Jeanette Winterson plus the playwright Caryl Churchill, and the black American novelist David Bradley.