This biography charts the career and legacy of the pioneering American music manager Arthur Judson (1881–1975), who rose to prominence in Philadelphia and New York at the beginning of the twentieth century. A violinist by training, Judson became manager of the Philadelphia Orchestra in 1915 under the iconic conductor Leopold Stokowski. Within a few years, Judson also took on management of the New York Philharmonic, navigating a period of change and the tenures of several important conductors who included William Mengelberg, Arturo Toscanini, and John Barbirolli. Judson also began managing individual artists, including pianists Alfred Cortot and Vladimir Horowitz, violinist Jasha Heifetz, and cellist Gregor Piatigorsky. He also organized the U.S. tours of several prominent composers, including Igor Stravinsky and Vincent d'Indy. At the same time, Judson began managing conductors. His first clients were Stokowski and Fritz Reiner. By the 1930s, Judson's conductor list included most of the important conductors working in America. Drawing on rich correspondence between Judson and the conductors and artists he served, James M. Doering demonstrates Judson's multifaceted roles, including involvement with programming choices, building audiences, negotiating with orchestra members and their unions, and exploring new technologies for extending the orchestras' reach. In addition to his colorful career behind the scenes at two preeminent American orchestras, Judson was important for a number of innovations in arts management. In 1922, he founded a nationwide network of local managers and later became involved in the relatively unexplored medium of radio, working first with WEAF in New York City and then later forming his own national radio network in 1927. Providing valuable insight into the workings of these orchestras and the formative years of arts management, The Great Orchestrator is a valuable portrait of one of the most powerful managers in American musical history.

Principles of Orchestration, with Musical Examples Drawn from His Own Works is a book by a famous Russian composer Nikolai Rimsky-Korsakov, member of the group of composers known as The Five. The book presents a notable attempt to show all of the nuances of orchestration. The author describes everything one needs to know about arranging parts for a string or full orchestra. The book is concise, articulate and excels at being both a book of reference and a book of general knowledge.

Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.

Techniques of music.

Understand Kubernetes and other orchestration systems deeply by building your own using Go and the Docker API. In Build an Orchestrator in Go (From Scratch) you will learn how to: Identify the components that make up any orchestration system Schedule containers on to worker nodes Start and stop containers using the Docker API Manage a cluster of worker nodes using a simple API Work with algorithms taken from cutting-edge Google Borg research papers Demystify orchestration systems like Kubernetes and Nomad Orchestration systems like Kubernetes coordinate other software subsystems and services to create a complete organized system. Although orchestration tools have a reputation for complexity, they’re designed around few important patterns that apply across many aspects of software development. Build an Orchestrator in Go (From Scratch) reveals the inner workings of orchestration frameworks by guiding you as you design and implement your own using the Go SDK. As you create your own orchestration framework, you’ll improve your understanding of Kubernetes and its role in distributed system design. You’ll also build the skills required to design custom orchestration solutions for those times when an out-of-the-box solution isn’t a good fit. Purchase of the print book includes a free eBook in PDF, Kindle, and ePub formats from Manning Publications. About the technology Orchestration systems provide the management framework for software and infrastructure that’s distributed across multiple machines and services. By managing the many individual components and containers in a large application, they ensure web apps are resilient and reliable, automatically switching between resources in response to crashes and outages. A properly designed orchestration system can seamlessly scale to handle traffic loads, and reduce time-consuming manual work for sysadmin and site reliability engineers. About the book Build an Orchestrator in Go (From Scratch) teaches you to implement an orchestrator from scratch. You’ll discover the components that make up all orchestration systems, and use the Docker API and Go SDK to build layers of functionality from tasks, to workers, to the manager. Learn how to save on costs by maximising the usage of a cluster, or spread tasks among workers to avoid overload and downtime. Once you’ve built your working system, you’ll even implement a command line user interface to easily manage your orchestrator. About the reader For software engineers, operations professionals, and SREs who are familiar with Docker and the basics of Go. About the author Tim Boring is a staff engineer at Golioth. He has twenty years of experience in technology organizations ranging from small business to global enterprises. His career spans roles in technical support to site reliability and software engineering. Tim is most interested in the design of software systems and distributed systems in particular.

Alexander details dozens of woodwind and brass writing techniques previously known by only a few top professional film orchestrators, composers, and arrangers which are applicable to both live performance and MIDI mock-ups.