Examines the architecture, history, and interior style of fifty-nine antebellum houses

From the Greek Revival grandeur of Belle Helene, to the Moorish fantasy of Longwood, to the simplicity of Rosella, the plantation homes of Louisiana and the Natchez area powerfully recall the brief flowering of the unique civilization of the Old South. In their noble façades, sculptured interiors, and scattered outbuildings can be seen the feudal splandor of the great cotton and sugar planters, and the doomed glory of the Confederate war effort. In these 120 resonant full-color photographs, David King Gleason fully captures the aura of Louisiana's plantation homes -- some beautiful in the morning light, some shaded by trees and hanging moss, some crumbling in decay and neglect. Taking each house on its own terms, Gleason's photographs present the buildings and their environs sharply and without deception. Accompanying the photographs are captions that give a brief architectural evaluation of each house and provide notes on its construction, history, and present condition. Gleason has organized his book as a journey along the waterways that were the lifeline of Louisiana's plantations, their link to New Orleans and to the markets and factories of the North. Beginning in the vicinity of New Orleans and the lower Mississippi, Gleason presents such houses as Evergreen, with its columns and twin circular staircases; the exuberant San Francisco; and Oak Alley, set at the end of a spectacular avenue of 28 oak trees. Continuing along the bayous that lead into the western part of the state, he shows us the palatial Madewoood, constructed from seasoned timbers and 60,000 slave-made bricks; the meticulously restored Shadows-on-the-Teche; the ramshackle Darby House; and Bubenzer, which served as a Union army headquarters during the Civil War.From Cane River country and north Louisiana, the photographs portray Magnolia, burned by Union troops and then rebuilt to its original specifications; Melrose, built in the early 1830s by a freed slave; and Oakland, the location for the Civil War movie The Horse Soldiers. Moving overland towards Natchez; the elaborate, octagonal Longwood; Rosemont, the boyhood home of Jefferson Davis; Oakley, where John James Audubon was once engaged as a tutor; and Rosedown, with its elaborate gardens.Continuing south of Baton Rouge along the River Road, Gleason closes his tour with homes including Mount Hope, built in the eighteenth century; Nottoway, the largest plantation home in the South, completed on the eve of the Civil War; Indian Camp, a leprosarium for most of its existence; and the pillared galleries of Belle Helene. The plantation homes of Louisiana were highly personal expressions of pride and faith in the future. Yet the building of these spectacular monuments was a brief phenomenon. In the wake of the Civil War, the South's economy was devoted to survival, not luxury. A tribute to the plantation home, David King Gleason's photographs reveal the beauty, grandeur, and poignance of these monuments.

Two hundred stunning photographs complement a beautiful celebration of architecture, lifestyle, history, and interior design in a study of some of the great antebellum houses that mark the architectural heritage of Natchez, Mississippi. 12,000 first printing.

An exquisitely photographed collection of the great houses and mansions of the South. In the tradition of Rizzoli’s Historic Houses of the Hudson Valley and Great Houses of New England, Great Houses of the South features a stunning array of newly photographed homes that range over three centuries and are distinctive examples of the architecture of the region. While in popular imagination the "Southern Style" is embodied in the classic Southern plantation house with its Greek Revival detailing—its stately white columns, wide porch, and symmetrical shape—the houses themselves are much more various and engaging, as shown in this important volume. From stately Stanton Hall of Natchez, Mississippi, one of the most magnificent and palatial residences of antebellum America; to Longue Vue House and Gardens of New Orleans, the luxurious Classical Revival–style home of Edgar and Edith Stern; to the fabled Biltmore of Asheville, North Carolina, the opulent French Renaissance–inspired chateau and Gilded Age estate of George Washington Vanderbilt, this lavish volume is comprehensive in scope and a landmark work of enduring interest to homeowners, architects, architecture historians, and all those who love fine architecture.

Classic Natchez is the fourth in a series of books about significant Southern cities. By bringing together thought-provoking essays, beautiful contemporary color photographs, and informative maps and illustrations, the editors reveal the essence of each city through its architecture. In this volume, Randolph Delehanty presents the captivating and ironic history of Natchez, identifying the architectural evidence of each era and relating it to the social and economic pulses that created it. An entertaining time line illustrated with archival photographs, maps, panoramas, and floor plans takes the reader from the earliest native habitations, through the construction boom of the cotton era, to the modern-day efforts to preserve this precious legacy. As the introduction and time line give the architecture historical perspective, a portfolio of forty-three landmark Natchez homes gives it life, with stories of Natchez's celebrated nineteenth-century society woven into the lives and lifestyles of modern Natchezians. The portfolio offers a colorful journey through time - the sweet serenity of Spanish-era Hope Farm, to the nearly unbelievable fantasy of Haller Nutt's suburban Longwood, and ending with a bluff-top modern homage to a Mississippi planter's cottage.

"Natchez, Mississippi, once had more millionaires per capita than anywhere else in America, and its wealth was built on slavery and cotton. Today it has the greatest concentration of antebellum mansions in the South, and a culture full of unexpected contradictions. Prominent white families dress up in hoopskirts and Confederate uniforms for ritual celebrations of the Old South, yet Natchez is also progressive enough to elect a gay black man for mayor with 91 percent of the vote"--