For those who are a part of it, and for those who feel represented by it, the postwar American "conservative movement" has been a roaring success. More Americans openly identify themselves with "conservative" than any other political ideology. There are more magazines, websites, television programs, and publishing houses that advocate "conservatism" than ever before. But the question remains: What is this movement, which has, for some half century, defined what is called "the Right"? A central crucible in its formation has been "the purge"-that is, the expulsion, often in an explicit fashion, of views or individuals deemed outside the boundaries of the official Right. Through the purges-specifically, through the logic of the purges-we can glimpse what conservatism is *not*, those aspects of itself it has attempted to deny, mask, leave behind, and forget, and the ways in which memories can be reconstructed around new orthodoxies. This collection of essays attempts to understand how conservative ideology (often euphemized as "timeless principles") functioned within its historic context and how it responded to power, shifting conceptions of authority, and societal changes. It includes essays by Lee Congdon, John Derbyshire, Samuel T. Francis, Paul E. Gottfried, James Kalb, Keith Preston, William Regnery, and Richard Spencer.

Percival Everett's blistering satire about race and publishing, now adapted for the screen as the Academy Award-winning AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies—his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before. In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is—under the pseudonym Stagg R. Leigh—and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

Visually arresting and utterly one-of-a-kind, Sarah J. Sloat's Hotel Almighty is a book-length erasure of Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is “a circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche—its foibles, obsessions, and delights.

For generations, historians believed that the study of the African-American experience centered on the questions about the processes and consequences of enslavement. Even after this phase passed, the modern Civil Rights Movement took center stage and filled hundreds of pages, creating a new framework for understanding both the history of the United States and of the world. Suburban Erasure by Walter David Greason contributes to the most recent developments in historical writing by recovering dozens of previously undiscovered works about the African-American experience in New Jersey. More importantly, his interpretation of these documents complicates the traditional understandings about the Great Migration, civil rights activism, and the transformation of the United States as a global, economic superpower. Greason details the voices of black men and women whose vision and sacrifices made the dream of Dr. Martin Luther King, Jr. possible. Then, in the second half of this study, the limitations of this dream of integration become clear as New Jersey--a state that took the lead in showing American how to overcome the racism of the past--fell victim to a recurring pattern of colorblindness that entrenched the legacy of racial inequality in the consumer economy of the late twentieth century. Suburbanization simultaneously erased the physical architecture of rural segregation in New Jersey and ideologically obscured the deepening, persistent injustices that became the War on Drugs and the prison-industrial complex. His solution for the twenty-first century involves the most fundamental effort to racially integrate state and local government conceived since the Reconstruction Era. Suburban Erasure is a must read for people concerned with democracy, human rights, and the future of civil society.

The Identitarians are a quickly growing ethnocultural transnational movement that, in diverse forms, originated in France and Italy and has spread into southern, central, and northern Europe. This timely and important study presents the first book-length analysis of this anti-globalist and anti-Islamic movement. José Pedro Zúquete, one of the leading experts in this field, studies intellectuals, social movements, young activists, and broader trends to demonstrate the growing strength and alliances among these once disparate groups fighting against perceived Islamic encroachment and rising immigration. The Identitarian intellectual and activist uprising has been a source of inspiration beyond Europe, and Zúquete ties the European experience to the emerging American Alt Right, in the limelight for their support of President Trump and recent public protests on university campuses across the United States. Zúquete presents the multifaceted Identitarian movement on its own terms. He delves deep into the Identitarian literature and social media, covering different geographic contexts and drawing from countless primary sources in different European languages, while simultaneously including many firsthand accounts, testimonies, and interviews with theorists, sympathizers, and activists. The Identitarians investigates a phenomenon that will become increasingly visible on both sides of the Atlantic as European societies become more multicultural and multiethnic, and as immigration from predominantly Muslim nations continues to grow. The book will be of interest to Europeanists, political scientists, sociologists, and general readers interested in political extremism and contemporary challenges to liberal democracies.

**A New York Times Editors Choice** "The most substantive biography of the artist to date...propulsive, positive and persuasive."—Holland Cotter, New York Times Book Review **PEN / Jacqueline Bograd Weld Award for Biography Finalist** **A Marfield Prize Finalist** Cy Twombly was a man obsessed with myth and history—including his own. Shuttling between stunning homes in Italy and the United States where he perfected his room-size canvases, he managed his public image carefully and rarely gave interviews. Upon first seeing Twombly’s remarkable paintings, writer Joshua Rivkin became obsessed himself with the mysterious artist, and began chasing every lead, big or small—anything that might illuminate those works, or who Twombly really was. Now, after unprecedented archival research and years of interviews, Rivkin has reconstructed Twombly’s life, from his time at the legendary Black Mountain College to his canonization in a 1994 MoMA retrospective; from his heady explorations of Rome in the 1950s with Robert Rauschenberg to the ongoing efforts to shape his legacy after his death. Including previously unpublished photographs, Chalk presents a more personal and searching type of biography than we’ve ever encountered, and brings to life a more complex Twombly than we’ve ever known.

In this incisive blend of personal narrative and philosophical inquiry, journalist and activist Barrett Holmes Pitner seeks a new way to talk about racism in America An NPR Best Book of the Year Can new language reshape our understanding of the past and expand the possibilities of the future? The Crime Without a Name follows Pitner’s journey to identify and remedy the linguistic void in how we discuss race and culture in the United States. Ethnocide, first coined in 1944 by Jewish exile Raphael Lemkin (who also coined the term "genocide"), describes the systemic erasure of a people’s ancestral culture. For Black Americans, who have endured this atrocity for generations, this erasure dates back to the transatlantic slave trade and reached new resonance in a post-Trump world.